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Under the Volcano. Warburg’s Legacy, explores the enduring influence of Aby Warburg’s ideas, likening his intellectual legacy to volcanic activity–continually shaping the landscape of cultural history. If Warburg “was a volcano”, this issue is structured around the metaphorical fissures and lava flows, and is divided into four sections: Unpublished, Rediscovery, Readings, Presentation.
In this issue of Engramma: Giulia Zanon’s Zooming Mnemosyne deals with the use of details in Warburg’s Bilderatlas, Monica Centanni’s Collateral effects of the “visibile parlare” (Dante, Pg. X, v. 95) reconstructs the hypothesis of a visual model for the legend of Trajan’s Justice, according to Warburg intuition about it; this contribution is connected of the paper by Filippo Perfetti’s Dante, Botticelli, and Trajan. An Open Note where the author investigates how Botticelli could have come to know that the bas-relief of the Arch of Constantine liberatori urbis was related to an episode in Trajan's life”. The focus of this issue is then extended to Warburg's cultural environme...
Borders Cuts Images. History and Theory. Editorial, edited by Linda Bertelli and Maria Luisa Catoni Maria Luisa Catoni, Cut as a device. An example from Classical Antiquity. Camilla Pietrabissa, Cutting down the interpretation of drawings. The case of Watteau. Maja-Lisa Müller, Framing representation. The hybrid zones of intarsia. Costanza Caraffa, The photographic cut and cutting practices in photographic archives. Sara Romani, From cuts to clues, hidden narratives within the details of Carl Durheim’s photographic portraits (1840-1860). Laura Di Fede, A look from outside. Foreign photographers in Palermo between the 19th and 20th centuries. Agnese Ghezzi, Framing the ‘delegated gaze’...
Engramma 204 collects researches and findings of several Italian and European scholars who have dealt with aspects related to ancient, Medieval and Modern pilgrimage along the main three European Routes (Via Romea Francigena, Via Romea Strata, Via Romea Germanica), or along other routes to the Holy Land. The issue is divided into three sections. The first one is dedicated to the European project rurAllure by Martín López Nores, José Juan Pazos Arias, Susana Reboreda Morillo, Óscar Penín Romero, which focuses on the enhancement of minor sites along the pilgrimage routes of Europe, and it is accompanied by an overview on the development of promotional activities for some Italian cases sup...
Aby Warburg, the founder of a new Science of Culture, the scholar who gave back word to the image; a “militant” intellectual (so wrote Gertrud Bing), for whom no distinction exists between life and thought; pioneer of new research methods, inventing ‘machines’ of knowledge; architect of spaces designed as arenas of thought. The Library for the Science of Culture (transferred from Hamburg to London in 1933) and the Mnemosyne Atlas are the achievements to which the most substantial part of his heritage is linked. The ten essays here collected for the first time, all stemming from the Italian cultural milieu, trace with clarity Warburg’s “living thought”. Giorgio Pasquali, Mario P...
This Bibliography is a selected compilation of the main editions of Aby M. Warburg’s works, essays and critical materials. It is the result of a stratified work started in 2004, which had involved several members of the Seminario Mnemosyne. We invite scholars and readers to send suggestions for the inclusion of further bibliographic entries to the Editorial board of Engramma.
Engramma 206 questions the yet to be resolved problem concerning the exposability of Aby Warburg’s Mnemosyne Atlas.This issue is the result of reflections that Seminario Mnemosyne explored during the “Warburg Manebit!” exhibition, that took place in Februrary 2023 at the Università Iuav di Venezia.
The first meeting between La Rivista di Engramma and Giovanni Testori focuses on two typical themes for the journal: writing and figure. Testori. Scrittura e figura is Engramma's portrait dedicated to Testori 100 years after his birth and 30 years after his death. It takes as its reference Willy Varlin's portrait of Testori chosen as the issue's cover. The issue includes a first part centred on Testori's writing: Chiara Pianca in “Quasi fudesse ecce homo de paese” writes an in-depth and detailed essay on the complex drafting of Ambleto. Alongside this, Luca D'Onghia in his article Lettera luterana su Edipus gives a possible identification of the “scarrozzante” king of Thebes. The rem...
The Engramma issue “Text and Image” is a collection of case studies where a clear, univocal relationship between a text and an image emerges in a complex relation. Images here are not mere illustrations – just as texts are not mere captions. In this framework, we publish the following contributions: Piermario Vescovo, re astrologi e la luna; Francesca Bortolanza, Un nuovo documento su Altadona, madre di Giorgione; Monica Centanni, Figura con testo. Nota su una assonanza tra il Capitolo dell’Ingratitudine di Machiavelli e la Calunnia di Botticelli; Chiara Italiano, Un dragonesco Giorgio nella cattedrale della Recherche. San Giorgio di Mantegna nel Cahier 46 di Sodome et Gomorrhe; Davi...
Editoriale a cura di Vittoria Magnoler e Lucrezia Not. Ada Naval García, El reliquat de la Ninfa. Aproximación a la Pathosformel Ninfa en la obra de Georges Didi-Huberman. ’Moderna’, ‘Fluida’, ‘Profunda’, ‘Dolorosa’. Une entrevue sur la Ninfa avec Georges Didi-Huberman, a cura di Lucrezia Not. Il passo della Ninfa fiorentina. Lettura interpretativa di Mnemosyne Atlas, Tavola 46, a cura del Seminario Mnemosyne. Filippo Perfetti, Venus Virgo/Venus Magistra. Lettura della figura femminile in trono, negli affreschi di Villa Lemmi, alla luce di Mnemosyne Atlas, Tavola 46. Le storie di Lucrezia Tornabuoni. Presentazione di: Storia di Hester e Vita di Tubia, Edizioni di Storia e Letteratura, Roma 2020, a cura di Luca Mazzoni Victoria Cirlot, Nietzsche, secondo Arianna. Presentazione di: Ariadna abandonada. Nietzsche trabaja en el mito, Alpha Decay, Barcelona 2021. Aby Warburg, Three Lectures on Leonardo. 1899, edited by Bill Sherman, The Warburg Institute, London 2019, reviewed by Salvatore Settis