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Live in the House and it Will Not Fall Down
"Compiled by Italian artists and recipients of the first Lewis Baltz Research Fund, Alessandro Laita and Chiaralice Rizzi, the book was built from an archive of images collected over four decades by the late Venetian artist Bruno Rizzi, who died in 2004. Spending long days in the artist's Venice studio, Laita and Rizzi intervened in the delicate geology that underlies such piles of papers, postcards and photographs sedimented over the years. Set free from their previous binds and rebound in a new order, the images serve as traces of the artist's life in sync with the gentle currents of the floating city"--from publisher's website.
Comunismo necessario
Oltrepassato il centenario della Rivoluzione d’ottobre, appare superato per sempre il tempo delle rammemorazioni nostalgiche. Tuttavia, di fronte a quello che ormai anche una parte del pensiero liberale legge come la grave crisi o persino il fallimento – storico, sociale, economico, ecologico – del capitalismo, è urgente ripensare e rinnovare, del movimento comunista, l’ispirazione egualitaria, libertaria, antropologicamente ed economicamente innovativa. Sulla base di questo assunto, Comunismo necessario mette assieme contributi originali – spesso in prima edizione mondiale – di molte fra le voci più autorevoli del pensiero marxista, femminista e postcoloniale contemporaneo. Ne risulta non una semplice miscellanea, ma una scrupolosa indagine, accuratamente guidata da C17, collettivo di militanti e intellettuali che ha curato il volume, sui più vari ambiti del nuovo pensiero comunista.
Theaster Gates: Facsimile Cabinet of Women Origin Stories
A multidisciplinary look at the foremost archive of Black American visual culture, as recast by Theaster Gates This book features essays and other reflections commissioned in response to the Facsimile Cabinet of Women Origin Stories, a monumental participatory work by Theaster Gates (born 1973). The Cabinet includes nearly 3,000 framed images of women from the Johnson Publishing Company archive, and highlights from the collection appear in this edited volume. Founded in 1942, Chicago-based Johnson Publishing chronicled the lives of Black Americans for more than seven decades through the magazines Ebony and Jet. Composed from arguably the most important archive of American Black visual culture in the 20th century, Gates' work centers the essential and too often unsung role of women in this history. When the Cabinet was exhibited at the Colby College Museum of Art, 12 women from a wide range of disciplines (including archivists, legal scholars, anthropologists and librarians, as well as curators, visual artists, filmmakers, writers and art historians) were invited to reflect on a work that brings a sisterhood of images to light.
Lewis Baltz: The Tract Houses
With his iconic, minimalist photographs of suburban landscape, Lewis Baltz was at the forefront of a revolutionary shift in the medium of photography. Baltzs work exemplifies the ways in which photography started to loose the bonds of its isolation within its own segregated history and aesthetics and began to take its place among other media. In the late 1960s and early 1970s Baltz became fascinated by the stark, man-made landscape rolling over Californias then still-agrarian terrain. His earliest portfolio, The Tract Houses (1971), and his preliminary forays into a minimal aesthetic, The Prototype Works (1967-1976), illuminate his drive to capture the reality of a sprawling Western ecology gone wild. His best known work from the period, The new Industrial Parks near Irvine, California (1974), was followed by two smaller projects, Maryland (1976) and Nevada (1977). In the following decade Baltz published three major books, Park City (1980), San Quentin Point (1986) and Candlestick Point (1989), exploring these themes.
Paul's Book
Collier Schorr met Paul Hameline, a young French artist and model, in New York in 2015. A friend of friend, he came to her home for a "go-see", which is when a photographer gets to see how a model looks in front of the camera. Paul's family lives in the Marais section of Paris around the corner from the hotel Collier stays at while in Paris, so they began to meet and to make a project that lasted two years in which Collier would visit Paul at his parents' house and take pictures and talk. The idea was for Paul and Collier to experience photography as a social space, a conversation in which his body and her eyes could try and understand each other's fascinations and fantasies. Many of the pictures were published in 'Re Edition' magazine. 'Paul's Book' expands that magazine story to form a larger piece about the way in which a photographer and model can search for some greater revelations with the simplest movements and various states of undress. --
The Hobbyist
What happens when photographers and artists incorporate hobbies into their work as a means of challenging artistic practices and hierarchies? How do hobbyists describe their passions photographically, not least today in our era of digital communication? The Hobbyist is the first major exhibition to explore the relationship between photography and hobby culture, both in connection to photography of hobbies and also photography as a hobby. Both hobby and photographic practices similarly find themselves in between leisure and labour, ideology and consumerism, between amateur culture and professionalism. From the hippy and avant-garde cultures of the 1960s, to 1980s do-it-yourself, to today's maker movement, The Hobbyist explores photography's engagement with a wide variety of lively, often quirky amateur obsessions.
Futureways
The second Ways Book, co-published with Printed Matter, Inc. and the Whitney Museum of American Art.
The Adventures of Guille and Belinda and The Enigmatic Meaning of Their Dreams
Pendant plus de deux décennies, Alessandra Sanguinetti a photographié la vie de Guillermina et Belinda, deux cousines vivant dans la campagne argentine, alors qu'elles traversaient l'enfance et la jeunesse vers la féminité. Ce volume, initialement publié en 2010 et réédité aujourd'hui comme le premier volet d'une trilogie, raconte les cinq premières années de leur collaboration. Les images de Sanguinetti dépeignent une enfance à la fois familière et exceptionnelle. Les terres agricoles de l'ouest de la province de Buenos Aires sont un mélange particulier de moderne et de traditionnel, où la vie est vécue en harmonie avec les animaux et les paysages accidentés. Dans ce contex...
