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Chick Lit
First Published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
Imogen
The delightful romcom from the bestselling author of Rivals As a librarian, Imogen read a lot of books, but none of them covered what she was to experience on the Riviera. Her holiday with tennis ace, Nicky, and the whole glamorous coterie surrounding Nicky, was a revelation - and so, ultimately, was she. A wild Yorkshire rose among the thorny model girls, Cable and Yvonne, with a rare asset that they'd mislaid years ago... But the path of a jet-set virgin in that lovely, wicked world was a hard one. Imogen began to wonder if virtue really was its own reward... 'There is no one else like Cooper' Guardian 'The Jane Austen of our time' HARPERS & QUEEN 'The funniest and sharpest writer there is' Jenny Colgan 'Flawlessly entertaining' Helen Fielding
Chick Lit and Postfeminism
The author offers a scholarly dissection of "chick lit" from a post-feminist perspective. She analyzes the novel Bridget Jones' Diary and the HBO series Sex and the City while making parallels back to writings of Jane Austen and the Victorian novel in general. She looks at what these works say about women in society and whether they are just an escape or a serious reflection of women's concerns.
For Love Or Money
A fake boyfriend, a glitzy holiday on the French Riviera, and the chance to play private detective ... this summer Lesley's got it all! But she's in for a few surprises. Sunny, funny and sexy, For Love or Money is the sizzling new romantic comedy from Irish author Clodagh Murphy.
Chick Flicks
With 11 original essays, this edited volume examines 'chick flicks' within the larger context of 'chick culture' as well as women's cinema. The essays consider chick flicks from a variety of angles, touching on issues of film history, female sexuality, femininity, age, race, ethnicity, and consumerism.
Cosmopolitan Culture and Consumerism in Chick Lit
Cosmopolitan Culture and Consumerism in Chick Lit focuses on the literary phenomenon popularly known as chick lit, and the way in which this genre interfaces with magazines, self-help books, romantic comedies, and domestic-advice publications. This recent trend in women’s popular fiction, which began in 1996 with the publication of British author Helen Fielding’s novel Bridget Jones’s Diary, uses first person narration to chronicle the romantic tribulations of its young, single, white, heterosexual, urban heroines. Critics of the genre have failed to fully appreciate chick lit’s complicated representations of women as both readers and consumers. In this study, Smith argues that chick lit questions the "consume and achieve promise" offered by advice manuals marketed toward women, subverting the consumer industry to which it is so closely linked and challenging cultural expectations of women as consumers, readers, and writers, and of popular fiction itself.
The Man I Didn’t Marry
Pre-order your copy of the new heartwarming and romantic Anna Bell novel, Note to Self! A heart-warming and feel-good romcom about a second chance at falling in love, perfect for fans of Mhairi McFarlane and Beth O’Leary
Chick Lit and Postfeminism
Originally a euphemism for Princeton University’s Female Literary Tradition course in the 1980s, "chick lit" mutated from a movement in American women’s avant-garde fiction in the 1990s to become, by the turn of the century, a humorous subset of women’s literature, journalism, and advice manuals. Stephanie Harzewski examines such best sellers as Bridget Jones’s Diary The Devil Wears Prada, and Sex and the City as urban appropriations of and departures from the narrative traditions of the novel of manners, the popular romance, and the bildungsroman. Further, Harzewski uses chick lit as a lens through which to view gender relations in U.S. and British society in the 1990s. Chick Lit and Postfeminism is the first sustained historicization of this major pop-cultural phenomenon, and Harzewski successfully demonstrates how chick lit and the critical study of it yield social observations on upheavals in Anglo-American marriage and education patterns, heterosexual rituals, feminism, and postmodern values.
Bridget Jones: The Edge of Reason
With an introduction by journalist Hadley Freeman 9st 2, cigarettes smoked in front of Mark 0 (v.g.), cigarettes smoked in secret 7, cigarettes not smoked 47 (v.g.). Bridget’s second diary ushers in a reformed woman. She is no longer a smoker (well, not much), the wilderness years are over, and she is at last united with man-of-her-dreams Mark Darcy. But things aren’t perfect: there’s an eight-foot hole in the wall of her flat, she’s increasingly worried about a certain boyfriend-stealing beauty, and her friends’ mad advice is getting her nowhere – something has to change. And so Bridget decides to embark on a spiritual epiphany to the palm- and magic-mushroom-kissed shores of Thailand. Surely it will be the perfect place to set her life on course once and for all . . . Bridget Jones: The Edge of Reason is Bridget at her best: funny, wise, and, as ever, a little bit sloshed. A number-one bestseller by Helen Fielding, it is, alongside Bridget Jones’s Diary, a modern classic and one of the funniest books you’ll ever read.
The Gifted School
INSTANT NATIONAL BESTSELLER "Wise and addictive... The Gifted School is the juiciest novel I've read in ages... a suspenseful, laugh-out-loud page-turner and an incisive inspection of privilege, race and class." –J. Courtney Sullivan, author of Friends and Strangers, in The New York Times Smart and juicy, a compulsively readable novel about a previously happy group of friends and parents that is nearly destroyed by their own competitiveness when an exclusive school for gifted children opens in the community, from the author of The Displacements This deliciously sharp novel captures the relentless ambitions and fears that animate parents and their children in modern America, exploring the c...
