Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Cinema of Satyajit Ray
This is a comprehensive study on Satyajit Ray, a filmmaker of intrnational repute and his his films, this book besides providing a critical commentry on each of his films also discusses the many influences on Ray, eastern and western, the literary sources as well as Ray s departures from them.
Talking about Films
None
Seeing is Believing
One Of India S Most Influential Film Critics And Film Historians, Chidananda Das Gupta Has Been Writing On Cinema Since 1946. He Has Been Witness To And Has Written About Almost Every Development In Indian Cinema Since Independence, Including The Film Society Movement Which He Initiated, The Establishment Of Various Institutions To Facilitate Film-Making Like The Ftii, The Nfai And The Nfdc, The Popularity Of Mainstream Cinema And The Rise Of The New Indian Cinema, Among Others. Seeing Is Believing Brings Together Some Of Chidananda Das Gupta S Finest Writings On The Subject Of Cinema Over The Last Sixty Years. In These Highly Informed And Thought-Provoking Essays He Addresses Diverse Themes...
Selected Poems
Jibanananda Das' lyricism is unparalleled in Bengali literature. His early poems are vivid, eloquent celebrations of the beauty of Bengal; his later works, written in the 1940s and 50s, are darker, comments on political issues and current affairs like the Second World War, the Bengal Famine of '43 and Hindu - Muslim riots at the time of Partition. Born in 1899, Jibanananda belonged to a group of poets who tried to shake off Tagore's poetic influence. While he is best known for poetry that reveals a deep love for nature and rural landscapes, tradition and history, Jibanananda is also strikingly urban, and introspective, his work centring on themes of loneliness, depression and death. He was a master of word-images, and his unique poetic idiom drew on tradition but was startlingly new.
Art Cinema and India’s Forgotten Futures
Co-Winner, 2023 Chidananda Dasgupta Award for the Best Writing on Cinema, Chidananda Dasgupta Memorial Trust Shortlisted, 2022 MSA Book Prize, Modernist Studies Association Longlisted, 2022 Moving Image Book Award, Kraszna-Krausz Foundation The project of Indian art cinema began in the years following independence in 1947, at once evoking the global reach of the term “art film” and speaking to the aspirations of the new nation-state. In this pioneering book, Rochona Majumdar examines key works of Indian art cinema to demonstrate how film emerged as a mode of doing history and that, in so doing, it anticipated some of the most influential insights of postcolonial thought. Majumdar details...
My Adventures with Satyajit Ray
For those who know their Indian cinema, Shatranj Ke Khilari is film-maker Satyajit Ray's only feature film in Hindi/Urdu and also his most expensive film, employing lavish stage design and stars of both Mumbai and Western cinema. A period piece set in nineteenth-century Lucknow, capital of the state of Oudh, the film revolves around the court of the flamboyant artist-king Wajid Ali Shah against the backdrop of the East India Company's avaricious annexation of Oudh in 1856.Jindal, Ray's young and artistically committed producer of Shatranj Ke Khilari, looks back on the gripping story of how Ray came to direct the film despite his unequivocal declaration that he would never write and direct a film that was not in Bengali. Quoting extensively from Ray's fascinating unpublished letters to Jindal, it evokes the driving passion, original historical research and trademark devotion to detail that Ray brought to every aspect of the production.
Smita Patil
In the three decades since Smita Patil died-at the impossibly young age of thirty-one-she has unwaveringly been one of Indian cinema's biggest icons. That is unusual enough for a 'parallel cinema' actor, rendered more remarkable in a career that spanned a mere ten years. Patil, one of the leading lights of the New Indian Cinema of the mid-1970s, has a body of work that would make veterans proud. Smita Patil: A Brief Incandescence tells her remarkable story, tracing it from her childhood to stardom, controversial marriage and untimely death. Her close friends remember 'Smi' as outspoken and bindaas, not beyond hurling abuses or taking off on bikes for impromptu joyrides. Film-makers like Shya...
Satyajit Ray
Interviews with India's preeminent film director and creator of the Apu trilogy
The Dialogue of Devdas
Devdas is the title of a 1920s novella by the farmed Bengali writer saratchandra chatterjee. It became so popular that 15 film versions were made in various Indian Languages and periods. Bimal Roy's 1955 film is considered the finest as it sensitively tells the tragic love story between Devdas (Dilip Kumar), the son of Brahmin landlord Aand Parvati (suchita sen) his childhood sweetheart. Caste and class difference keep the lovers apart. Parvati is married of to a rich older man and devdas, who allows Chandramukhi (Vijayanthimala), a selfless prostitute, to help him at first, but ultimately finding no meaning to life, he takes to drink. The Dialogue of Devdas will be presented in a four language format: Hindi, Urdu, Romanised Hindi, Urdu and English translation. Forewords by Bimal Roy's Family and extensive commentary are also featured.
