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This set reports the results of the 10th International Histocompatibility Workshop, in which 362 laboratories collaborated over a three year period in research projects on the classification of HLA genes and their products. Volume 1 describes the experimental design of the workshop studies and their results. Volume 2 is a collection of papers on the latest developments in the molecular biology of HLA systems. Immunobiology of HLA is a valuable reference for tissue typing laboratories, blood banks, and general research programs on HLA and related diseases because it identifies common sources of HLA genes and gene products to be used as reference reagents, and because it is the only complete compilation of the latest research and results in the field.
This book contains a series of up-to-date chapters that review our current knowledge of type 1 diabetes as an autoimmune disease, the problems that still remain with existing treatments, and possible solutions for the near future.
This comprehensive volume integrates the history of late imperial China with the history of education over three centuries, revealing the significance of education in Chinese social, political, and intellectual life. A collaboration between social and intellectual historians, these fifteen essays provide the most wide-ranging study in English on China's education in the centuries before the modern revolution.
The classical prose essay (ku-wen) of the T'ang and Sung dynasties is one of the major Chinese literary genres, of far greater significance in the Chinese literary tradition than the comparable essay form is in Western literature. This first comprehensive study of Ku-wen in English focuses on its four most important writers: Han Yu and Liu Tsung-yuan of the T'ang, and Ouyang Hsiu and Su Shih of the Sung. With this work, the author hopes to restore a balance to Western study of the literature of the T'ang and Sung, which tend to be regarded as ages of poetry. The four masters, all of them major poets as well, took their prose writings in ku-wen very seriously, leaving a heritage of masterpieces as models to be emulated by all subsequent Chinese writers. In treating the individual writers, the author emphasizes the relationship between a writer's ideas, his literary temperament, and his stylistic practices, in the process showing how each writer attempted to create a ku-wen that would serve as a multi-faceted medium of literary discourse.
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