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Contemporary Nigerian Art and Its Classifications
  • Language: en
  • Pages: 322

Contemporary Nigerian Art and Its Classifications

  • Type: Book
  • -
  • Published: 1998
  • -
  • Publisher: Unknown

None

Nigerian Artists
  • Language: en
  • Pages: 624

Nigerian Artists

  • Categories: Art

None

The Arts of Africa
  • Language: en
  • Pages: 350

The Arts of Africa

  • Type: Book
  • -
  • Published: 1991
  • -
  • Publisher: Unknown

None

Allgemeines Künstlerlexikon Bio-bibliographischer Index A-Z
  • Language: en
  • Pages: 904

Allgemeines Künstlerlexikon Bio-bibliographischer Index A-Z

  • Type: Book
  • -
  • Published: 1999
  • -
  • Publisher: Unknown

None

G.K. Hall Interdisciplinary Bibliographic Guide to Black Studies
  • Language: en
  • Pages: 616
Great Ife
  • Language: en
  • Pages: 688

Great Ife

  • Type: Book
  • -
  • Published: 1989
  • -
  • Publisher: Unknown

None

IBN
  • Language: mul
  • Pages: 772

IBN

  • Type: Book
  • -
  • Published: 2002
  • -
  • Publisher: Unknown

None

Nigerian Art
  • Language: en
  • Pages: 192

Nigerian Art

  • Categories: Art
  • Type: Book
  • -
  • Published: 1995
  • -
  • Publisher: Unknown

None

Nku Di Na Mba
  • Language: en
  • Pages: 368

Nku Di Na Mba

  • Type: Book
  • -
  • Published: 2003
  • -
  • Publisher: Unknown

None

Postcolonial Modernism
  • Language: en

Postcolonial Modernism

  • Categories: Art

Written by one of the foremost scholars of African art and featuring 129 color images, Postcolonial Modernism chronicles the emergence of artistic modernism in Nigeria in the heady years surrounding political independence in 1960, before the outbreak of civil war in 1967. Chika Okeke-Agulu traces the artistic, intellectual, and critical networks in several Nigerian cities. Zaria is particularly important, because it was there, at the Nigerian College of Arts, Science and Technology, that a group of students formed the Art Society and inaugurated postcolonial modernism in Nigeria. As Okeke-Agulu explains, their works show both a deep connection with local artistic traditions and the stylistic sophistication that we have come to associate with twentieth-century modernist practices. He explores how these young Nigerian artists were inspired by the rhetoric and ideologies of decolonization and nationalism in the early- and mid-twentieth century and, later, by advocates of negritude and pan-Africanism. They translated the experiences of decolonization into a distinctive "postcolonial modernism" that has continued to inform the work of major Nigerian artists.