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Unknown Rivers
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Black Love
"Black Love by Chinonyerem Odimba, with music by Ben and Max Ringham, is an innovative, form-crossing drama that combines real-life stories, imagined worlds, and new songs inspired by an R & B heritage. It was first presented as a co-production between Paines Plough and Belgrade Theatre Coventry in association with tiata fahodzi, in Paines Plough's the Roundabout at Belgrade Theatre Coventry, on 28 July 2021, before touring the UK. The play is principally set in the small London flat shared by brother and sister, Aurora and Orion. Aurora, known as Roo, is a twenty-two-year-old Black British woman who has lived in London all her life, and works as a youth support worker. Orion is twenty-five,...
Black Love
Meet Aurora and Orion: Sister and Brother. Constellations in time. More than blood. More than just fam. They look after each other in their small London flat, filled with the memories of their parents' Black Love. When that love is threatened, they must confront their own worst fears as they find their way back to each other and to what it means to love whilst Black. Black Love by Chinonyerem Odimba, with music by Ben and Max Ringham, is an explosion of form-busting storytelling, combining real-life stories, imagined worlds, and new songs inspired by an R&B heritage. It was premiered in July 2021 in Paines Plough's the Roundabout as a co-production between Paines Plough and Belgrade Theatre in association with tiata fahodzi, co-directed by Odimba and Katie Posner, as part of Coventry City of Culture 2021, before touring the UK.
Contemporary Plays by Black British Writers
An anthology of six brilliant plays, celebrating a multiplicity of stories authored by Black playwrights in the UK over the last decade. Selected and introduced by leading theatre director Natalie Ibu.
National Theatre Connections 2018
Theatre has a funny way of getting to the heart of who we are now and – particularly in the case of Connections – who we are going to be. Drawing together the work of nine leading playwrights, National Theatre Connections 2018 features work by some of the most exciting contemporary playwrights. Gathered together in one volume, the plays offer young performers an engaging selection of material to perform, read or study. From friends building bridges and siblings breaking down walls; girls making their voice heard and boys searching for home; and not forgetting a band of unlikely action heroes taking control of the weather. The anthology contains nine play scripts along with imaginative pr...
Unknown Rivers
Since her ordeal five years ago, nineteen-year-old Nene rarely leaves home. Secure within her mum's embrace, Nene now keeps the outside world securely on the other side of her bedroom window. But weekly visits from her best friend start to fill the void and on one unexpected day, when Nene is finally beyond the walls of her sanctuary, a long-forgotten spark is powerfully reignited in her, one which will change her direction forever... A poignant and life-affirming play, Chinonyerem Odimba's Unknown Rivers is a testament to the extraordinary powers of female friendship - where there's turmoil, trauma and hardship, there's also love, bravery and hope, making it possible to go with the flow... and live. Unknown Rivers premiered at Hampstead Theatre Downstairs, London, in October 2019.
Rebel Voices: Monologues for Women by Women
Clean Break is a British theatre company set up in 1979 by two women in prison. It exists to tell the stories of women with experience of the criminal justice system and to transform women's lives through theatre. Over 40 years, Clean Break has commissioned some of the most progressive and brilliant women writers to write ground-breaking plays, alongside developing the writing skills of the women they work with in its London studios and in prisons. This is a collection of monologues from this canon. Rebel Voices: Monologues for Women by Women celebrates the opportunities inherent when women represent themselves. Offering female performers a diverse set of monologues reflecting a range of characters in age, ethnicity and lived experience, the material is drawn from a mix of published and unpublished works. This book is for any performer who does not see themselves represented in mainstream plays, for lovers of radical women's theatre and for rebels everywhere who believe that the act of speaking and being heard can create change.
Princess & the Hustler
'My name is Phyllis Princess James. I will wear this crown every day. I will never take it off even when I am asleep.' Meet Princess. A cheeky ten-year-old, with a plan to win the Weston-super-Mare Beauty Contest. Trouble is, her mum is busy working several jobs, her brother, a budding photographer, won't even take her picture and then - The Hustler returns. In 1963 Bristol, as Black British Civil Rights campaigners walk onto the streets, Princess finds out what it really means to be black and beautiful. Chinonyerem Odimba's play Princess & The Hustler was first seen at the Bristol Old Vic in February 2019, followed by a UK tour, in a co-production between Eclipse Theatre Company, Bristol Old Vic and Hull Truck Theatre, directed by Dawn Walton. The play was shortlisted for the Alfred Fagon Best New Play Award 2018.
Princess & the Hustler
Meet Princess. A cheeky ten-year-old, with a plan to win the Weston-super-Mare Beauty Contest. Trouble is, her mum is busy working several jobs, her brother, a budding photographer, won't even take her picture and then - The Hustler returns. In 1963 Bristol, as Black British Civil Rights campaigners walk onto the streets, Princess finds out what it really means to be black and beautiful. Chinonyerem Odimba's play Princess & The Hustler was first seen at the Bristol Old Vic in February 2019, followed by a UK tour, in a co-production between Eclipse Theatre Company, Bristol Old Vic and Hull Truck Theatre, directed by Dawn Walton. The play was shortlisted for the Alfred Fagon Best New Play Award 2018
15 Heroines: 15 Monologues Adapted from Ovid
A collection of monologues inspired by Ovid written by female and non-binary British playwrights.
