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Life has a tendency to knock our confidence in prayer. In the face of persistent difficulties, our prayer-fuelled hopes can be overwhelmed by such despair that we end up "on our knees" not so much in prayer, as in defeat. In this honest and engaging book, Chris Band discusses the issues that we may have about prayer but were perhaps afraid to ask: Is prayer wasted effort? Is God less involved in the world than we might wish? Is his will going to be done anyway, whether or not we pray? We discover that our prayers, far from being squandered by God, are powerfully and consistently used by him - both to build his relationship with us and to build his Kingdom through us. On My Knees examines our understanding of who God is and how he works in the world, taking us beyond proof-texts and wishful thinking, to the heart of what the Bible actually teaches about prayer. This encouraging and practical book will inspire and lead each of us afresh, to be on our knees, in prayer.
"Chris Hillman is arguably the primary architect of what's come to be known as country rock. After playing the Southern California folk and bluegrass circuit, he joined David Crosby, Roger McGuinn, Gene Clark and Michael Clark as an original member of The Byrds. He went on to partner with Gram Parsons to launch The Flying Burrito Brothers, recording a handful of albums that have become touchstones of rock-influenced country. Hillman then embarked on a prolific recording career in various configurations: as a member of Stephen Stills' Manassas; as a member of Souther-Hillman-Furay with J.D. Souther and Richie Furay of Buffalo Springfield; as a solo artist; and in a trio with his fellow former...
Longlisted for the Penderyn Music Book Prize Over the course of a thirteen-album and multi-award-winning career with Squeeze, it was clear from the very beginning that Chris Difford has few peers when it comes to smart, pithy lyricism. In Some Fantastic Place, he charts his life from his childhood in south London to becoming a member of one of Britain's greatest bands and beyond. Along the way Chris reveals the inspiration and stories behind Squeeze's best-known songs, and his greatest highs and lows from over four decades of making music.
In Are We Not New Wave? Theo Cateforis provides the first musical and cultural history of the new wave movement, charting its rise out of mid-1970s punk to its ubiquitous early 1980s MTV presence and downfall in the mid-1980s. The book also explores the meanings behind the music's distinctive traits-its characteristic whiteness and nervousness; its playful irony, electronic melodies, and crossover experimentations. Cateforis traces new wave's modern sensibilities back to the space-age consumer culture of the late 1950s/early 1960s. Theo Cateforis is Assistant Professor of Music History and Culture in the Department of Art and Music Histories at Syracuse University.
Heartbreak, romance, fame and pop music - for anyone who's ever dreamed of saying 'I'm with the band'. From a Zoella Book Club friend. Charlie Bloom never wanted to be 'with the band'. She's happiest out of the spotlight, behind her camera, unseen and unnoticed. But when she's asked to take backstage photos for hot new boy band, Fire&Lights, she can't pass up the chance. Catapulted into a world of paparazzi and backstage bickering, Charlie soon becomes caught between gorgeous but damaged frontman Gabriel West and his boy-next-door bandmate, Olly Samson. Then, as the boys' rivalry threatens to tear the band apart, Charlie stumbles upon a mindblowing secret, hidden in the lyrics of their songs...
THE FIRST CHILLING NOVEL IN THE ACCLAIMED ROBERT HUNTER SERIES When the body of a young woman is discovered in a derelict cottage in Los Angeles, Robert Hunter is thrown into a nightmare case. The victim suffered a terrible death, and on the nape of her neck has been carved a strange double-cross: the signature of a psychopath known as the Crucifix Killer. But that's impossible. Because two years ago, the Crucifix Killer was caught and executed. Could this therefore be a copycat killer? Or could the unthinkable be true? Is the real killer still out there, ready to embark once again on a vicious and violent killing spree, selecting his victims seemingly at random, taunting Robert Hunter with his inability to catch him? Hunter and his rookie partner, Garcia, need to solve this case and fast. PRAISE FOR CHRIS CARTER 'Gripping . . . Not for the squeamish' Heat 'A page turner' Express
"After nine years together, Kathryn and Chris have the sort of relationship most would envy. They speak in the shorthand they have invented, complete one another's sentences, and help each other through every daily and existential dilemma. When Chris tells Kathryn about his feelings for Emily, a vivacious young woman he sees often at the Laundromat, Kathryn encourages her boyfriend to pursue this other woman--certain that her bond with Chris is strong enough to weather a little side dalliance. As Kathryn and Chris stumble into polyamory, [this book] tracks the tumultuous, revelatory, and often very funny year that follows"--
This accessible book introduces a new theory of critical disciplinary literacy (CDL) that merges criticality and disciplinary literacy approaches in a cohesive and inclusive framework. There are unique hurdles in integrating critical and culturally sustaining approaches to literacy into specialized content area classrooms, but this book provides clear, research-grounded strategies and methods that will appeal to teachers and help them foster equitable literacy learning opportunities for all students. Using a critical lens, chapters deconstruct and reconstruct pathways for new practices that push back on familiar, normative literacy approaches in the disciplines. Authors provide a framework f...
The Stranglers were at the vanguard of punk and new wave whilst never really being accepted as 'proper' punks. Still going to this day, but without original guitarist Hugh Cornwell, the classic line up is Cornwell, Jean Jacques Burnel, Dave Greenfield and Jett Black. This is the line-up covered in this book which goes from the band's conception to Cornwell's departure in 1990.
Understanding the Music Business offers students a current overview of the music business. Going beyond what most music business texts offer, Weismann delivers a contemporary approach that addresses the unanswered questions for today's music students, such as, "Is it really possible to make a living as musician?" Understanding the Music Business covers the basics in the first part of the text. This first section deals with the fundamentals of the industry, including recording, music publishing, agents, managers, radio and television, unions, the internet and new technology, and regional and international music markets. However, it is the second half of the text that breaks new ground by covering the career paths of new artists in the industry, the development and need for entrepreneurial skills, and the ways that individuals forge careers in the industry.