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Cannes
The essential companion to the controversial and glamorous film festival.
An Introduction to Film Studies
An Introduction to Film Studies has established itself as the leading textbook for students of cinema. This revised and updated third edition guides students through the key issues and concepts in film studies, and introduces some of the world's key national cinemas including British, Indian, Soviet and French. Written by experienced teachers in the field and lavishly illustrated with over 122 film stills and production shots, it will be essential reading for any student of film.Features of the third edition include:*full coverage of all the key topics at undergraduate level*comprehensive and up-to-date information and new case studies on recent films such as Gladiator , Spiderman , The Blai...
Light Readings
Chris Darke assesses whether the last decade of the 20th century was one in which cinema, as a medium and collective experience, became part of the converging field of multi-media and whether we need to consider new possibilities for the moving image.
La Jetée
Chris Marker's La Jetée is 28 minutes long and almost entirely made up of black-and-white still images. Since its release in 1964, the film – which Marker described as a 'photo-novel' – has haunted generations of viewers and inspired writers, artists and film-makers. Its spiralling narrative of post-nuclear war time-travel narrative has influenced many other films, including the Terminator series and Terry Gilliam's Hollywood 'remake' Twelve Monkeys (1995). But as Marker rarely gave interviews, little is really known about the origins of La Jetée or the ideas behind it. In this groundbreaking study, Chris Darke draws on rare archival material, including previously unpublished correspondence and production documents, to examine the making of the film. He explores how Marker's only fiction film was influenced both by his early work as a writer and by Alfred Hitchcock's Vertigo (1958), and considers how La Jetée's imagery can be seen to 'echo' throughout Marker's extraordinarily diverse oeuvre.
Chris Marker
This important study -- published in conjunction with the Whitechapel's acclaimed exhibition -- is the first comprehensive survey of filmmaker Chris Marker's influential oeuvre, surveying the entirety of his prolific career Illustrated throughout, the book charts Marker's unique commentaries on societies at times of upheaval, from his early writing and photography to his later use of CD-ROM and appropriation of web technology. Integrating his films within the display, it also brings together for the first time all of Marker's multimedia installations. Alongside a wealth of images that chart Marker's substantial creative output, Chris Marker: A Grin Without a Cat also explores the filmmaker's...
Management in the Airline Industry
Civil aviation pilots present a peculiar challenge for management as they wield considerable industrial power. Based on original research, this book examines the impact of human resource management on airline pilots in recent years.
Deadfall
Zak Darke is sent on what seems like a straightforward surveillance op in South Africa but it soon turns into the toughest, most dangerous mission he has ever faced. An old enemy has teamed up with a terrifying gang of child soldiers and Zak is caught in the middle. Having travelled to the heart of the African jungle, will he make it out alive . . . ?
From Solidarity to Schisms
Explores the effects the evens to September 11, 2001 and their aftermath have had on fiction and film outside of the United States. This collection illustrates how 9/11 was global without using simple categorizations.
We Begin at the End
"Thirty years ago, a teenage Vincent King was sent to prison. But now, he's served his sentence and is returning to his hometown. The hometown where his childhood best friend, Walk, is now the chief of police. The town where his childhood sweetheart, Star Radley, still lives. The same Star Radley whose sister he killed. Duchess, Star's daughter, is a self-proclaimed outlaw. She needs to be. Who else is going to take care of her and her five-year-old brother? Star is still dazzling, still beautiful, but she hasn't shined as bright since Vincent was sent away. Too often it's Duchess and Walk who are the ones taking care of her. But when Duchess exacts her own vigilante revenge, she will set into motion a series of events that threatens not only her own family, but everyone she grows close to. A crime thriller that will break your heart and a literary novel with a mystery at its core, We Begin at the End unforgettably examines how the choices we make can nudge us into the dangerous ground between good and evil"--
The Oxford History of World Cinema
Featuring nearly three thousand film stills, production shots, and other illustrations, an authoritative history of the cinema traces the development of the medium, its filmmakers and stars, and the evolution of national cinemas around the world.
