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This book throws fresh light on the history of memory, forgetting and colonialism. It considers key moments of historical imagination, and analyses the strange ensemble of elements that constitute Australian History. It is an innovative and stimulating investigation of historical cultures and narratives.
If the social does not exist as a special domain but, in Bruno Latour’s words, as ‘a peculiar movement of re-association and reassembling’, what implications does this have for how ‘the cultural’ might best be conceived? What new ways of thinking the relations between culture, the economy and the social might be developed by pursuing such lines of inquiry? And what are the implications for the relations between culture and politics? Contributors draw on a range of theoretical perspectives, including those associated with Deleuze and Guattari, Foucault, Law and Haraway, in order to focus on the roles of different forms of expertise and knowledge in producing cultural assemblages. What expertise is necessary to produce indigenous citizens? How does craniometry assemble the head? What kinds of knowledge were required to create markets for life insurance? These and other questions are pursued in this collection through a challenging array of papers concerned with cultural assemblages as diverse as brands and populations, bottled water and mobile television.
This is a book that answers all the kids who have ever posed the question What kind of book is it? This clever alphabet book... Wait, that's not right. This original fairy tale... Nope. Mystery? Joke book? Superhero story? Pirate adventure? This delightful mash-up features every kind of character found in the picture-book universe--all in one book. Just when the reader is convinced the story is going in one direction, it spins off in another. Ever-changing illustrations keep pace with the rapid reversals, and the setting shifts with nearly every turn of the page. Truly inventive, here's a picture book that can be anything you want it to be!
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Challenges the convenient way in which white Australians have often 'forgotten' indigenous people from the 1950s onwards. This book talks about the work of many well-known Aboriginal artists, writers and performers, including Gordon Bennett, Destiny Deacon, Fiona Foley, Tracey Moffatt, Tony Birch, Kim Scott and Alexis Wright.
Prince Liam. Prince Frederic. Prince Duncan. Prince Gustav. You’ve never heard of them, have you? These are the princes who saved Sleeping Beauty, Cinderella, Snow White, and Rapunzel, respectively, and yet, thanks to those lousy bards who wrote the tales, you likely know them only as Prince Charming. But all of this is about to change. Rejected by their princesses and cast out of their castles, the princes stumble upon an evil plot that could endanger each of their kingdoms. Now it’s up to them to triumph over their various shortcomings, take on trolls, bandits, dragons, witches, and other assorted terrors, and become the heroes no one ever thought they could be. Christopher Healy’s Hero’s Guide to Saving Your Kingdom is a completely original take on the world of fairy tales, the truth about what happens after “happily ever after.” It’s a must-have for middle grade readers who enjoy their fantasy adventures mixed with the humor of the Diary of a Wimpy Kid books. Witty black-and-white drawings by Todd Harris add to the fun.
The chapters presented in this Reader, drawing on recent works, explore and analyse dynamic subject matter such as family, moral values, cultural hybridity, Asian-Australian dialogues, gender and racial stereotypes, the representations of Australianness, Indigenous Australia, imagery and motifs, the variety of Australian national symbols, mythology, traditions, representation or development of outback or suburban and metropolitan spaces in Australian cinema and culture. For a better understanding of the breadth and depth of Australia and its culture, the papers selected in this book also examine the exhibition of the Australian artist's aesthetic experimentation in the various faces of the A...
Thinking and writing about the past, challenging what 'history' might be and how it could appear is an ongoing interest of this journal and an ongoing (sometimes contentious) point of connection between cultural studies and history. The shifts in how we research and write the past is no simple story of accepted breakthroughs that have become the new norms, nor is it a story where it is easy to identify what the effects of cultural studies thinking on the discipline of history has been. History has provided its own challenges to its own practices in a very robust way, while the cultural studies has challenged what the past is and how it might be rendered from a wide ranging set of ideas and modes of representation that have less to do with specific disciplinary arguments than responses to particular modes (textual, filmic, sonic), particular sites (nations, Indigenous temporalities, sexuality, literature, gender) and perhaps a greater willingness to accentuate the political in the historical.
"This is an anthropological study of the culture of public health governance in the Northern Territory of Australia. It asks what it takes to become a helping white bureau-professional in Australias post-colonial frontier - someone who passionately cares about and resolutely strives toward improved health for Indigenous people and how their determination to help is sustained in the face of a self-declared history of failure."--Provided by publisher.