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"The game," writes Michael Arkush, "is a rite of passage for the father sharing his expertise with the child he is training for the future--the same child who, almost inevitably, will dethrone him at the first opportunity." All of the 25 professional golfers who relate their tales of golf life with Dad eventually did out-drive, out-chip, and out-putt their old men, but all acknowledge appreciatively the essential roles their fathers played in the journey, and it is to them that they offer homage. Interestingly, the lasting legacies go beyond the essentials on grip and stance: it is the intangibles that fly the course from tee to green here. Jack Nicklaus thanks his father for instilling self-confidence; Arnold Palmer praises his father for teaching him how to lose; Amy Alcott is grateful that her father let her know the only barriers in her way were those of her own making; Calvin Peete extols his father's insistence that he be a leader, not a follower. If Fairways and Dreams fairly overdoses on its own inspiration and sweetness, that's its intention; you'll find testimonials worth respecting, and lessons worth learning and remembering. --Jeff Silverman
Smart. Funny. Fearless."It's pretty safe to say that Spy was the most influential magazine of the 1980s. It might have remade New York's cultural landscape; it definitely changed the whole tone of magazine journalism. It was cruel, brilliant, beautifully written and perfectly designed, and feared by all. There's no magazine I know of that's so continually referenced, held up as a benchmark, and whose demise is so lamented" --Dave Eggers. "It's a piece of garbage" --Donald Trump.
For Vol. 2 of the series CMS Sourcebooks in American Music, Neil Minturn acknowledges the phenomenon of rock and roll with a serious examination of Martin Scorsese's film, THE LAST WALTZ (1978), the celebrated "rockumentary" that so artfully captured for posterity the final performance of The Band. From 1861 to 1976, this partnership of one American and four Canadians produced an impressive body of popular song in the rock idiom between 1961 and 1976. Joining its members for their farewell performance are a variety of guests, who, like The Band itself, reflected the rich array of traditions that have nourished rock and roll since its emergence. Minturn approaches the substance of the performances and the film itself in terms of intimacy and tradition. He presents the San Francisco concert as a summation of an extraordinary musical journey and prefaces his "scene-by-scene" analysis with a cogent introduction to documentary filmmaking. Selected performances are discussed in detail.
Inaugurated in 1984, America's "War on Drugs" is just the most recent skirmish in a standoff between global drug trafficking and state power. From Britain's nineteenth-century Opium Wars in China to the activities of Colombia's drug cartels and their suppression by U.S.-backed military forces today, conflicts over narcotics have justified imperial expansion, global capitalism, and state violence, even as they have also fueled the movement of goods and labor around the world. In Drug Wars, cultural critic Curtis Marez examines two hundred years of writings, graphic works, films, and music that both demonize and celebrate the commerce in cocaine, marijuana, and opium, providing a bold interdis...
Young people across America were formed and transformed in the 1960s by sex, drugs, rock and roll, peace and love, war and assassination, triumph and loss. The generation’s apex in 1967 was ripe with self-discovery and liberation in the heady Summer of Love. The next year brought a summer of hate as we mourned Martin and Bobby. Race riots raged. Friends were killed in Vietnam. Our hopes died in the streets of Chicago. This is the true story of one group of midwestern baby boomers led down the rabbit hole by a rebellious young teacher. They descended in innocence and hit bottom when good people were busted—in Bloomington.
The 1960s and 1970s represent a rare moment in our cultural history -- music was exploring unprecedented territories, literature was undergoing a radical reinvention, politics polarized the nation, and youth culture was at the zenith of its influence. There has never been, nor is there likely to be, another generation that matches the contributions of the artists of that time period. In this poignant book, journalist Mikal Gilmore weaves a narrative of the '60s and '70s as he examines the lives of the era's most important cultural icons. Keeping the power of rock & roll at the forefront, Gilmore gathers together stories about major artists from every field -- George Harrison, Ken Kesey, John...
While Hollywood’s success – its persistence – has remained constant for almost one hundred years, the study of its success has undergone significant expansion and transformation. Since the 1960s, Thomas Elsaesser’s research has spearheaded the study of Hollywood, beginning with his classic essays on auteurism and cinephilia, focused around a director’s themes and style, up to his analysis of the "corporate authorship" of contemporary director James Cameron. In between, he has helped to transform film studies by incorporating questions of narrative, genre, desire, ideology and, more recently, Hollywood’s economic-technological infrastructure and its place within global capitalism....
Greg Norman is golf's most complex and controversial celebrity and perhaps its most gifted and charismatic player. Winner of more than 70 tournaments, including the 1986 and 1993 British Opens, he has reigned as the world's number-one-ranked golfer for most of a decade and began 1998 as the PGA Tour's career-earnings leader with almost $12 million. As ruthless in the boardroom as he is on the golf course, the Shark turned a $2 million stake in Cobra Golf into a payoff of more than $40 million, bought a Boeing 747 jet for his personal use, and launched a clothing line bearing his multicolored-shark motif. Three parts Crocodile Dundee, two parts Jack Nicklaus, and one part Don Quixote, the jet...
One of America’s great rock and roll pioneers, Richie Furay played alongside Neil Young and Stephen Stills in Buffalo Springfield, producing some of the signature sounds of American folk rock. He went on to form Poco, one of the bands that founded California country rock, and then Souther-Hillman-Furay. After declaring himself a Christian in 1974, Furay released four solo albums before taking up the ministry in 1983. He began recording again in 1997, and over the next twenty-five years he released two Christian and five secular albums. In this biography of Rock & Roll Hall of Famer Richie Furay, Thomas Kitts provides an intimate look at Furay’s life and music. Kitts chronicles the musici...
Until the first edition of Steven Spielberg: A Biography was published in 1997, much about Spielberg's personality and the forces that shaped it had remained enigmatic, in large part because of his tendency to obscure and mythologize his own past. But in this first full-scale, in-depth biography of Spielberg, Joseph McBride reveals hidden dimensions of the filmmaker's personality and shows how deeply personal even his most commercial work has been. This new edition adds four chapters to Spielberg's life story, chronicling his extraordinarily active and creative period from 1997 to the present, a period in which he has balanced his executive duties as one of the partners in the film studio Dr...