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Text by Gerry Badger, John Berger, Sylvia Grant, Jeffrey Ladd.
"When I first saw the beach at Lynemouth in January 1976, I recognized the industry above it but nothing else I was seeing. The beach beneath me was full of activity with horses and carts backed into the sea. Men were standing in the sea next to the carts, using small wire nets attached to poles to fish out the coal from the water beneath them. The place confounded time; here the Middle Ages and the twentieth century intertwined." Chris Killip began photographing the people of Lynemouth seacoal beach in the north east of England in 1982, after nearly seven years of failed efforts to obtain their consent. During 1983 to 1984 he lived in a caravan on the seacoal camp, and documented the life, ...
Chris Killip, born in 1946 on the Isle of Man, is one of the most influential photographers and teachers to have come out of the United Kingdom. His work in the late 1970s and 1980s defined an era; it has received numerous prizes and is included in most major museum collections. Of The Pirelli Photographs, taken at the famous tire manufacturer's plant, he says, "I wanted to show the manufacturing process as clearly as I could, and to do so in this factory meant it would have to be lit... The workplace had become, in a real sense for me, a theater and I embraced the look of these new photographs with their relation to fashion, film noir, and even Soviet Realism. For me this Îlook' seemed a more telling way to record and document this enforced ritual."
Thirty years after the publication of the Isle of Man book I was in the process of preparing for my retrospective exhibition at the Museum Folkwang in Germany and started to re-examine my "Isle of Man" negatives. I hadn't had an occasion to think about this work since the first edition of the book was published. Going through these negatives again I found new images that I now liked, but at the time had overlooked or had not used for reasons that now mystify me. I ended up with 250 photographs that I now think of as my "Isle of Man" archive. This new version of Isle of Man draws from that archive. The photographs in this edition keep, more or less, to the same order as the original book but I have changed some of the images, added thirty others, and printed them all larger. Chris Killip
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The photographs that Chris Killip made in Northern England between 1973 and 1985 were first published by Secker & Warburg in the book In Flagrante in 1988. The new oversized Steidl edition is a radically updated presentation, showing a single image on the right side of each double-page spread. In Flagrante Two is strident in its belief in the primacy of the photograph, embracing ambiguities and contradictions in an 0unadorned narrative sequence devoid of text.
A highly anticipated monograph on documentary photographer Chris Killip. A highly anticipated retrospective of the life and work of Chris Killip, one of the leading and most influential photographers to emerge from the United Kingdom over the last century. Known for his urgent, unvarnished, and empathetic images of British working-class communities in the 1970s and 1980s, Killip eventually moved to the United States, where he taught photography at Harvard University for more than twenty-five years. Published in connection with a major exhibition opening in October 2022 at The Photographers’ Gallery, London, prior to an international tour, this volume includes the most important images from throughout Killip’s extraordinary career. Including previously unpublished illustrations and ephemera as well as photographs spanning Killip’s entire life with texts by Ken Grant, Amanda Maddox, Gregory Halpern, and Lynsey Hanley, and a foreword by Brett Rogers, director of the Photographers’ Gallery, this exquisite collection sheds new light on an astonishing talent.
Chris Killip's 'In Flagrante' is often cited as the most important photographic book on England in the 1980s. Published in 1988, this work portrays the steady decline of communities in Northern England - former manufacturing powerhouses that were gradually compromised by the policies of Margaret Thatcher and her predecessors from the mid-1970s onward. Killip's black-and-white photographs provide an unflinching look at these disenfranchised northern towns and the poverty visited upon them by deindustrialization.
The 55 Series This is one of the most unique monograph series in the history of photography! The 55 Series represents the work of many of photography s most important figures. Each book contains 55 of the photographer s key works, presented chronologically and through them tells the photographer s own story. These books are small, but surprisingly rich in content and reproduction quality. They are a most economical way to bring the world of photography into your home. Each book is 128 pp. 6 1/4 x 5 3/4 , softbound.
- An objective exploration of an often-maligned community that exists on the fringes of societyIn Ireland, around 25,000 people still live in temporary settlements in the style of itinerant workers, far removed from the amenities of Western civilization. Moving from place to place in mobile homes without electricity or running water, the largest Catholic minority of the country are faced with many prejudices. Strangely out of step with 21st-century lifestyle, they stick to their seemingly outdated traditions while also trying to find a new identity that fits in with modern society. Even in the present day, this ambiguity continues to define life for the traveller community, whose livelihood ...