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Christabel
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Christabel...
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Christabel, & Other Poems
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Christabel & Kubla Khan: A Vision in a Dream
In 'Christabel & Kubla Khan: A Vision in a Dream' by Samuel Taylor Coleridge, readers are transported to a world of romanticism and mystery. This collection includes two of Coleridge's most famous poems, 'Christabel' and 'Kubla Khan', both of which display the poet's distinctive lyrical style and fascination with the supernatural. 'Christabel' tells the story of a young maiden who encounters a mysterious woman in the woods, while 'Kubla Khan' paints a vivid and dreamlike picture of the ruler's palace and gardens. Coleridge's rich imagery and complex narrative structures make these poems a cornerstone of English romantic literature, delving into the themes of love, nature, and the subconsciou...
CHRISTABEL
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
S.T. Coleridge
Coleridge Was One Of The Few Harbingers Of Romanticism In England, And The Enunciator Of Psychological Criticism. One Will Certainly Miss English Romanticism Of About 150 Years, If He Does Not Interest Himself In Coleridge. One Of The Most Loving And Suffering Souls Of English Literature, Coleridge Was Not Only A Great Poet Of The Supernatural, But Also A Great Critic And Prosodist.In This Book, The Objective Of The Author Has Been To Present Coleridge In His Essentials (As The Content Of The Book May Show), Against The Back-Drop Of English Romanticism, In Plain Terms And Without Any Presumptions. Seventeen Select Poems Of The Poet Have Been Discussed, To Some Extent Threadbare, And The Texts Of Those Poems Have Been Given For Facility.
Christabel and the Lyrical and Imaginative Poems of S.T. Coleridge
Samuel Taylor Coleridge was one of the greatest Romantic poets of the 19th century, known for his vivid imagery and lyrical sensibility. This volume features Coleridge's epic poem Christabel, as well as a selection of his shorter works, all annotated by fellow poet Algernon Charles Swinburne. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Living Dead
In his Preface to The Living Dead: A Study of the Vampire in Romantic Literature, James Twitchell writes that he is not interested in the current generation of vampires, which he finds "rude, boring and hopelessly adolescent. However, they have not always been this way. In fact, a century ago they were often quite sophisticated, used by artists varied as Blake, Poe, Coleridge, the Brontes, Shelley, and Keats, to explain aspects of interpersonal relations. However vulgar the vampire has since become, it is important to remember that along with the Frankenstein monster, the vampire is one of the major mythic figures bequeathed to us by the English Romantics. Simply in terms of cultural influence and currency, the vampire is far more important than any other nineteenth-century archetypes; in fact, he is probably the most enduring and prolific mythic figure we have. This book traces the vampire out of folklore into serious art until he stabilizes early in this century into the character we all too easily recognize.
Christabel
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
