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Christen Købke is regarded as one of the greatest of Denmark's painters, who flourished during what is known as the 'Danish golden age' at the first half of the 19th century. He found his true self and his artisitic themes in his close surroundings, family and friends, and daily routines: specialising in landscapes and portraiture.
Though known as the Danish Golden Age, nineteenth-century Denmark was one of the most tumultuous periods in the nation's history—from the disastrous siege of Copenhagen and the collapse of Denmark's monarchy to the swelling tide of nationalism that eventually engulfed all of Europe. This volume places artists at the center of Denmark's dramatic cultural, political, and philosophical transformation by bringing together 90 drawings, paintings, and oil sketches by Christoffer Wilhelm Eckersberg, Christen Købke, Constantin Hansen, Martinus Rørbye, Johan Thomas Lundbye, Vilhelm Hammershøi, and others. Five thematic essays by leading scholars in Denmark and the United States explore the way Danish artists manifested the pride, traditions, and anxieties of their nation; the sea's ever-changing role as a marker of Danish identity; the evolving nature of portraiture; nostalgia for the Danish landscape and folk traditions; and the influence on Danish artists of their travels throughout Europe.
This study identifies and analyzes the different types of landscape painting that dominated the Scandinavian countries in the 19th century. The author shows how the wilderness became a symbol of Nordic strength, as well as a counter-image to industrialization and European urban culture.
Denne bog hører til en serie af små informative bøger om udvalgte danske kunstmalere, især med vægt lagt på udøvere af genren realisme. Hver enkelt bog i serien kommer med en kort biografi og en fyldig præsentation af kunstnerens værker, så vidt muligt med titel og årstal.
Science and art are increasingly interconnected in the activities of the study and conservation of works of art. Science plays a key role in cultural heritage, from developing new analytical techniques for studying the art, to investigating new ways of preserving the materials for the future. For example, high resolution multispectral examination of paintings allows art historians to view underdrawings barely visible before, while the use of non-invasive and micro-sampling analytical techniques allow scientists to identify pigments and binders that help art conservators in their work. It also allows curators to understand more about how the artwork was originally painted. Through a series of...
This book is an exploration of how urban life in Copenhagen, in the period known as the Golden Age (c. 1800 to 1850), was experienced and structured socially, institutionally, and architecturally. It draws on a broad historical source material - spanning urban anecdotes, biography, philosophy, literature, and visual culture - to do so. The book argues that Copenhagen emerged as a modern city at this time, despite the fact that the Golden Age never witnessed the appearance of the main characteristics of the modernisation of cities associated with industrialisation, such as street lighting, sewer systems, and railroads. The book outlines the historical and topographical context of Copenhagen i...
During the first half of the nineteenth century, Danish and German artists studying in Paris and Rome brought back the concept of "plein air" painting and began to paint out-of-doors on their native soil. They introduced a whole new aesthetic that was sensitive to the light and atmospheric conditions peculiar to the north, especially during the long summer days. This beautiful book focuses on the painters and paintings of this period, particularly Caspar David Friedrich, who produced many fine works before he developed the romantic style for which he is better known. The book presents topographical landscapes, panoramas, and some group and individual portraits that often include a window fro...