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The Eclectic Visual Culture of Medieval Moldavia
  • Language: en
  • Pages: 513

The Eclectic Visual Culture of Medieval Moldavia

  • Type: Book
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  • Published: 2023-05-25
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  • Publisher: BRILL

Winner of the 2023 Early Slavic Studies Book Prize from the Early Slavic Studies Association (ESSA) (Best book) Medieval Moldavia – which was located within present-day northeastern Romania and the Republic of Moldova – developed a bold and eclectic visual culture beginning in the 15th century. Within this networked Carpathian Mountain region, art and architecture reflect the creativity and diversity of the cultural landscapes of Eastern Europe. Moldavian objects and monuments – ranging from fortified monasteries and churches enveloped in fresco cycles to silk embroideries, delicately carved woodwork and metalwork, as well as manuscripts gifted to Mount Athos and other Christian center...

Life
  • Language: en
  • Pages: 257

Life

"Life immerses the reader in the cosmic sea of alivenesses that made up the late ancient Mediterranean world. It weaves together the philosophical, religious, sensory, and scientific worlds of the later Roman Empire to tell the story of how human lives were lived under different natural laws than those we now know. Loosely structured around events in the biography of one early Christian writer and traveller, Life gives us a vivid and intimate glimpse of how ancient lifetimes unfolded under the sway of cosmic and spiritual forces that the modern world has forgotten"--

Ivory, Bone, and Related Wood Finds
  • Language: en
  • Pages: 457

Ivory, Bone, and Related Wood Finds

  • Categories: Art
  • Type: Book
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  • Published: 1976
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  • Publisher: BRILL

Parts of crossed-leg chairs and richly decorated fragments of bone and ivory excavated at Kenchreai, the Eastern port of Corinth, include scenes of an emperor and a miniature ivory Corinthian arcade that decorated luxurious furniture produced in late Roman Egypt.

Hunters, Heroes, Kings
  • Language: en
  • Pages: 171

Hunters, Heroes, Kings

  • Categories: Art

This monograph considers the painted frieze on the facade of Tomb II at Vergina (ca. 330-280 B.C.) as a visual document that offers vital evidence for the public self-stylings of Macedonian royalty in the era surrounding the reign of Alexander the Great. The hunting scene on the frieze reflects the construction of Macedonian royal identity through the appeal to specific and long-standing cultural traditions, which emerged, long before Alexanders reign, out of a complex negotiation of claims to heroic and local dynastic pasts, regional ideals of kingship, and models of royal behavior provided by the East.

Household Gods
  • Language: en
  • Pages: 156

Household Gods

  • Categories: Art

Daily religious devotion in the Greek and Roman worlds centered on the family and the home. Besides official worship in rural sacred areas and at temples in towns, the ancients kept household shrines with statuettes of different deities that could have a deep personal and spiritual meaning. Roman houses were often filled with images of gods. Gods and goddesses were represented in mythological paintings on walls and in decorative mosaics on floors, in bronze and marble sculptures, on ornate silver dining vessels, and on lowly clay oil lamps that lit dark rooms. Even many modest homes had one or more religious objects that were privately venerated. Ranging from the humble to the magnificent, t...

Four Shakespearean Period Pieces
  • Language: en
  • Pages: 259

Four Shakespearean Period Pieces

"Margreta de Grazia continues to change the course of Shakespeare studies in this book, where she focuses on four key terms: anachronism, chronology, periods, and the grand secular narrative. These 'unassailable' terms, once considered the bedrock of what we 'know' and how we study Shakespeare, are now under debate in our particular moment in the study of the past"--

Processions and the Construction of Communities in Antiquity
  • Language: en
  • Pages: 308

Processions and the Construction of Communities in Antiquity

This volume elucidates how processions, from antiquity to the present, contribute to creating consensus with regards to both political power and communitarian experiences. Many classical sources often only tangentially allude to processions, focusing instead on other ritual moments, such as sacrifice. This book adopts a comparative approach, bringing together historians of antiquity and later periods as well as social anthropologists working on contemporary societies, analysing both ancient and modern examples of how rituals, symbols, actors, and spectators interact in the construction of communities. The different examples explored in this study illustrate the performative capacity of proce...

Approaches to the Study of Attic Vases
  • Language: en
  • Pages: 202

Approaches to the Study of Attic Vases

  • Categories: Art

By showing how both interpretations have gained support in the more recent past, this work aims to provide a better understanding of the issues involved in the study of pottery today."--BOOK JACKET.

Contested Pasts
  • Language: en
  • Pages: 245

Contested Pasts

Taking as a key turning point the self-fashioning of the first Roman emperor Augustus, author Jennifer Finn revisits the idea of “universal history” in Polybius, Justin, and Diodorus, combined with the Stoic philosophy of determinism present in authors like Plutarch and Arrian. Finn endeavors to determine the ways in which Roman authors manipulated narratives about Alexander’s campaigns—and even other significant events in Mediterranean history—to artificially construct a past to which the Romans could attach themselves as a natural teleological culmination. In doing so, Contested Pasts uses five case studies to reexamine aspects of Alexander’s campaigns that have received much a...

French Gothic Ivories
  • Language: en
  • Pages: 1075

French Gothic Ivories

  • Categories: Art

This volume is the first to consider the golden century of Gothic ivory sculpture (1230-1330) in its material, theological, and artistic contexts. Providing a range of new sources and interpretations, Sarah Guérin charts the progressive development and deepening of material resonances expressed in these small-scale carvings. Guérin traces the journey of ivory tusks, from the intercontinental trade routes that delivered ivory tusks to northern Europe, to the workbenches of specialist artisans in medieval Paris, and, ultimately, the altars and private chapels in which these objects were venerated. She also studies the rich social lives and uses of a diverse range of art works fashioned from ivory, including standalone statuettes, diptychs, tabernacles, and altarpieces. Offering new insights into the resonances that ivory sculpture held for their makers and viewers, Guérin's study contributes to our understanding of the history of materials, craft, and later medieval devotional practices.