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Extended Notation
Most of the extended instrumental playing techniques, as well as electroacoustic music in general, are still deprived of a conventional method of notation. In order to facilitate the utilization of these unconventional musical elements, a coherent and consistent notation system is developed in this work. Numerous extended techniques for playing string instruments, wind instruments, percussion instruments, keyboard instruments and vocal techniques are therefore systematically explained and previous methods of notation discussed.
Meta-Xenakis
Meta-Xenakis offers readers a comprehensive collection of insights into the history, works and legacy of Iannis Xenakis, one of the twentieth century’s most significant creative figures. It presents a transcontinental engagement with his life and output, focusing as much on the impact of the questions he posed as on the accomplishments of his body of work. This volume evolved out of the multi-modal, international Meta-Xenakis Consortium’s artistic and scholarly events commemorating his centenary. Informative and comprehensive, contributions span subjects including music composition, creative pedagogy, aesthetics, game theory, architecture, and the social and political contexts in which X...
Critical Perspectives on Michael Finnissy
The composer and pianist Michael Finnissy (b. 1946) is an unmistakeable presence in the British and international new music scene, both for his immeasurable generosity as prolific composer for many different types of musicians, major advocate for the works of others, and performer and conductor who has also been a driving force behind ensembles; he was also President of the International Society for Contemporary Music from 1990 to 1996. His vast and enormously varied output confounds those who seek easy categorisations: once associated strongly with the ‘new complexity’, Finnissy is equally known as composer regularly engaged with many different folk musics, for working with amateur and ...
The Contemporary Piano
With Contemporary Piano: A Performer and Composer’s Guide to Techniques and Resources, Alan Shockley provides a comprehensive resource for composers writing music that uses extended techniques for the piano, and for pianists interested in playing repertoire that makes use of techniques and/or implements unfamiliar to them. Shockley explains dozens of ways to prepare a piano without damaging the instrument, how to notate every standard technique and many, many obscure ones, and the specific geographies of every common concert hall piano. This will be the standard reference for pianists touring and playing inside-the-piano repertoire, and for composers at all levels of familiarity with the piano hoping to understand the mechanical miracle that is the modern piano.
The Cambridge Companion to Composition
There are as many ways of creating music as there are composers in the world, with a vast array of possible methods and practices. This book provides essential critical and practical tools for composers as they try to navigate this complex landscape, whilst also offering provocations for practitioners discovering their own voices and solidifying their place in their musical communities. Designed to be a companion in the truest sense, the book offers practical support throughout the creative process and thought-provoking insights on technical questions for a range of compositional approaches.
Arcturus
ARCTURUS, Deutschsprachiger Raum und europäischer Nordosten, auch Blätter der Aue-Stiftung für Geschichte und Kulturkontakt, trägt Veröffentlichungen einzelner eingehenderer Untersuchungen und Seminare zusammen, die kein ganzes Buch rechtfertigen würden aber für den Spezialbereich der Stiftung von Bedeutung sind. In Heft 7 werden neben einigen Buchbesprechungen Beiträge dreier Seminare, "Der Einfluss der Migranten auf Helsinki als Hauptstadt", "Entfernte Partner? Gemeinsame Hoffnungen?" und "Finnland um Ersten Weltkrieg" veröffentlicht sowie eine Untersuchung über die Freien und Hansestädte und St. Petersburg veröffentlicht.
