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Lessons and Legacies
"In the courtroom and the classroom, in popular media, public policy, and scholarly pursuits, the Holocaust-its origins, its nature, and its implications-remains very much a matter of interest, debate, and controversy. Arriving at a time when a new generation must come to terms with the legacy of the Holocaust or forever lose the benefit of its historical, social, and moral lessons, this volume offers a richly varied, deeply informed perspective on the practice, interpretation, and direction of Holocaust research now and in the future. In their essays the authors-an international group including eminent senior scholars as well those who represent the future of the field-set the agenda for Ho...
The Paradoxical Republic
This title explores paradoxical perceptions about Austria in regard to its approach to immigration, the EU and historical events.
Designs of Destruction
How historical preservation efforts to protect architectural monuments arose in the twentieth century. The twentieth century was highly destructive, but from its landscapes of ruins was born a new architectural type: the cultural monument. In the wake of World War I, an international movement arose which aimed to protect architectural monuments in large numbers, and regardless of style, hoping not only to keep them safe from future conflicts but also to make them worthy of protection from more quotidian forms of destruction. An evolving group—including architects, intellectuals, art historians, archaeologists, curators, and lawyers—grew out of the new diplomacy of the League of Nations. ...
Art History and Visual Studies in Europe
Reflection on the history and practice of art history has long been a major topic of research and scholarship, and this volume builds on this tradition by offering a critical survey of many of the major developments in the contemporary discipline, such as the impact of digital technologies, the rise of visual studies or new initiatives in conservation theory and practice. Alongside these methodological issues this book addresses the mostly neglected question of the impact of national contexts on the development of the discipline. Taking a wide range of case studies, this book examines the impact of the specific national political, institutional and ideological demands on the practice of art history. The result is an account that both draws out common features and also highlights the differences and the plurality of practices that together constitute art history as a discipline.
Studies in Medievalism XXX
Essays on the post-modern reception and interpretation of the Middle Ages,
Central Collecting Point in Munich, The
A compelling exploration of the many issues surrounding the restoration and restitution of Nazi-stolen art at the end of World War II At the end of World War II, the US Office of Military Government for Germany and Bavaria, through its Monuments, Fine Arts, and Archives division, was responsible for the repatriation of most of the tens of thousands of artwork looted by the Nazis in the countries they had occupied. With the help of the US Army’s Monuments Men—the name given to a hand-picked group of art historians and museum professionals commissioned for this important duty—massive numbers of objects were retrieved from their wartime hiding places and inventoried for repatriation. Iris...
The Stalin Cult in East Germany and the Making of the Postwar Soviet Empire, 1945–1961
This book examines the construction, dissemination, and reception of the Stalin cult in East Germany from the end of World War II to the building of the Berlin Wall. By exporting Stalin’s cult to the Eastern bloc, Moscow aspired to symbolically unite the communist states in an imagined cult community pivoting around the Soviet leader. Based on Russian and German archives, this work analyzes the emergence of the Stalin cult’s transnational dimension. On one hand, it looks at how Soviet representations of power were transferred and adapted in the former “enemy’s” country. On the other hand, it reconstructs “spaces of agency” where different agents and generations interpreted, man...
Dispossession
"This collection of essays by a range of international, multidisciplinary scholars explores the financial history, social significance, and cultural meanings of the theft, starting in 1933, of assets owned by German Jews. Despite the fraught topic and the ongoing legal discussions surrounding it, the subject has not received much scholarly attention until now. As such, the volume offers a much needed contribution to our understanding of the history of the period and the acts. The essays examine the confiscatory taxation of Jewish property, the looting of art and confiscation of gold, the role of German freight forwarders in property theft, salesmen and dispossession in the retail world, theft from the elderly, and the complicity of the banking industry, as well as the reach of the practice beyond German borders"--
Goering’s Man in Paris
A charged biography of a notorious Nazi art plunderer and his career in the postwar art worldBruno Lohse (1911–2007) was one of the most notorious art plunderers in history. Appointed by Hermann Göring to Hitler’s special art looting agency, he went on to supervise the systematic theft and distribution of over 22,000 artworks, largely from French Jews; helped Göring develop an enormous private art collection; and staged twenty private exhibitions of stolen art in Paris’s Jeu de Paume museum during the war. By the 1950s Lohse was officially denazified but back in the art dealing world, offering looted masterpieces to American museums. After his death, dozens of paintings by Renoir, Monet, and Pissarro, among others, were found in his Zurich bank vault and adorning the walls of his Munich home.Jonathan Petropoulos spent nearly a decade interviewing Lohse and continues to serve as an expert witness for Holocaust restitution cases. Here he tells the story of Lohse’s life, offering a critical examination of the postwar art world.
Paper Cities
Thought-provoking case studies on cities, photographs and booksPhotographic books are almost as old as photography itself, and the city is one of their first and more recurring themes. Cities have been, and they continue to be, intensely photographed under a wide variety of forms, materialities, intentions and genres. This volume examines how a city can be moulded through the particularities of a photographic book, suggesting how urban portraits configure an overlooked, yet quite specific, photo-textual practice. Ranging from early photography to contemporary works, Paper Cities gathers thought-provoking case studies from several international contexts, providing new insights into art, mater...
