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Suicide in Nazi Germany
The Third Reich met its end in the spring of 1945 in an unparalleled wave of suicides. Goeschel analyses the Third Reich's self-destructiveness and the suicides of ordinary people and Nazis in Germany from 1918 until 1945, including the mass suicides of German Jews during the Holocaust.
Mussolini and Hitler
This fresh treatment of Fascist Italy and Nazi Germany reveals how the close relationship between Mussolini and Hitler influenced both men. From 1934 until 1944 Mussolini met Hitler numerous times, and the two developed a relationship that deeply affected both countries. While Germany is generally regarded as the senior power, Christian Goeschel demonstrates just how much history has underrepresented Mussolini’s influence on his German ally. A scholar of twentieth-century Germany and Italy, Goeschel revisits all of Mussolini and Hitler’s key meetings to examine how they constructed a powerful image of a strong Fascist-Nazi relationship that still resonates with the general public. His portrait of Mussolini draws on sources ranging beyond political history to reveal a leader who, at times, shaped Hitler’s decisions and was not the gullible buffoon he’s often portrayed as. The first comprehensive study of the Mussolini-Hitler relationship, this book is a must-read for scholars and anyone interested in the history of European fascism, World War II, or political leadership.
The Nazi Concentration Camps, 1933-1939
Weeks after Adolf Hitler came to power in 1933, the Nazi regime established the first concentration camps in Germany. Initially used for real and suspected political enemies, the camps increasingly came under SS control and became sites for the repression of social outsiders and German Jews. Terror was central to the Nazi regime from the beginning, and the camps gradually moved toward the center of repression, torture, and mass murder during World War II and the Holocaust. This collection brings together revealing primary documents on the crucial origins of the Nazi concentration camp system in the prewar years between 1933 and 1939, which have been overlooked thus far. Many of the documents are unpublished and have been translated into English for the first time. These documents provide insight into the camps from multiple perspectives, including those of prisoners, Nazi officials, and foreign observers, and shed light on the complex relationship between terror, state, and society in the Third Reich.
How to Be a Dictator
'Brilliant' NEW STATESMAN, BOOKS OF THE YEAR 'Enlightening and a good read' SPECTATOR 'Moving and perceptive' NEW STATESMAN Mussolini, Hitler, Stalin, Mao Zedong, Kim Il-sung, Ceausescu, Mengistu of Ethiopia and Duvalier of Haiti. No dictator can rule through fear and violence alone. Naked power can be grabbed and held temporarily, but it never suffices in the long term. A tyrant who can compel his own people to acclaim him will last longer. The paradox of the modern dictator is that he must create the illusion of popular support. Throughout the twentieth century, hundreds of millions of people were condemned to enthusiasm, obliged to hail their leaders even as they were herded down the road...
Harmful and Undesirable
"The first English-language study of book censorship in Nazi Germany, this book describes the way in which various state and party organizations in Germany exerted control over the creation, publication, and distribution of books. By presenting the fate of authors and publishers who came into conflict with the organs of censorship it sheds light on intellectual life under the Nazi dictatorship"--
Promise Me You'll Shoot Yourself
The extraordinary German bestseller on the final days of the Third Reich One of the least understood stories of the Third Reich is that of the extraordinary wave of suicides, carried out not just by much of the Nazi leadership, but also by thousands of ordinary Germans, during in the war's closing period. Some of these were provoked by straightforward terror in the face of advancing Soviet troops or by personal guilt, but many could not be explained in such relatively straightforward terms. Florian Huber's remarkable book, a bestseller in Germany, confronts this terrible phenomenon. Other countries have suffered defeat, but not responded in the same way. What drove whole families, who in man...
Selbstmord im Dritten Reich
Hitler, Goebbels, Bormann und Himmler – sie alle brachten sich um, als »ihr Deutsches Reich« unterging. Die Geschichte des Selbstmords im Dritten Reich zu erzählen bedeutet aber vielmehr, ganz andere Personen in den Blick zu nehmen: Anhänger und Gegner des Regimes, Soldaten und Frauen, verfolgte Gruppen, unter ihnen insbesondere Juden. Die Motive, die bereits in der Weimarer Republik, verstärkt jedoch während des Zweiten Weltkriegs und nach der Kapitulation zu hohen Selbstmordraten geführt haben, differieren. Diesen unterschiedlichen Motiven nachzugehen, den Menschen hinter den Zahlen ein Gesicht und eine Geschichte zu geben, dieses Verdienst kommt dem Autor dieser bereits mit hoher...
Hitler and Film
An exposé of Hitler’s relationship with film and his influence on the film industry A presence in Third Reich cinema, Adolf Hitler also personally financed, ordered, and censored films and newsreels and engaged in complex relationships with their stars and directors. Here, Bill Niven offers a powerful argument for reconsidering Hitler’s fascination with film as a means to further the Nazi agenda. In this first English-language work to fully explore Hitler’s influence on and relationship with film in Nazi Germany, the author calls on a broad array of archival sources. Arguing that Hitler was as central to the Nazi film industry as Goebbels, Niven also explores Hitler’s representation in Third Reich cinema, personally and through films focusing on historical figures with whom he was associated, and how Hitler’s vision for the medium went far beyond “straight propaganda.” He aimed to raise documentary film to a powerful art form rivaling architecture in its ability to reach the masses.
The Holocaust in Italian Culture, 1944–2010
The Holocaust in Italian Culture, 1944–2010 is the first major study of how postwar Italy confronted, or failed to confront, the Holocaust. Fascist Italy was the model for Nazi Germany, and Mussolini was Hitler's prime ally in the Second World War. But Italy also became a theater of war and a victim of Nazi persecution after 1943, as resistance, collaboration, and civil war raged. Many thousands of Italians—Jews and others—were deported to concentration camps throughout Europe. After the war, Italian culture produced a vast array of stories, images, and debate through which it came to terms with the Holocaust's difficult legacy. Gordon probes a rich range of cultural material as he paints a picture of this shared encounter with the darkest moment of twentieth-century history. His book explores aspects of Italian national identity and memory, offering a new model for analyzing the interactions between national and international images of the Holocaust.
The Struggle for the Streets of Berlin
Contests over Berlin's streets in the interwar period reveal the fragility of consumer capitalism, urban order, and liberal democracy.
