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'Reading T. S. Eliot and reading about T. S. Eliot were equally formative experiences for my generation. One of the books about him which greatly appealed to me when I first read it ... was The New Poetic by the New Zealand poet and critic, C. K. Stead...' Seamus Heaney, The Government of the Tongue (1986)
A chance meeting has New Zealand writer Laszlo Winter thinking back to his time in London in the late 1950s. The Empire might be in a state of collapse, but for young 'colonials', England remains a mythical place that draws them from the farthest corners of the globe. There was Australian Samantha Conlan, clever, desirable, hopelessly in love with married Jewish New Zealander Freddy Goldstein, who carried with him a dark history. Rajiv, an earnest young Indian at work on a study of Yeats and the Indian mind. The enigmatic Margot, whose bond with her athletic brother Mark troubled Laszlo in ways he didn't quite understand. Heather, the call girl with whom Laszlo exchanged lessons on Shakespea...
For more than 40 years, C. K. Stead has been New Zealand's leading literary and cultural critic. Whether writing about Christianity or a trip to Croatia, he always brings a clear personal point of view, a strong analytical bent, and a witty pen to his work. In this latest collection of critical writing Book Self, a sequel to his successful books Kin of Place, Answering to the Language and The Writer at Work, Stead takes the reader on a personal journey, from his earliest discovery of poetry as a young man to his experiences on the literary trail over the last few years. And he takes us on a trip through literary history, from Katherine Mansfield and T. S. Eliot to Michael King and Elizabeth Knox. For the first time, Stead includes in this book a series of journal extracts that allow readers closer to the mind of the writer. 'Here the ego is exposed-not quite naked, but now and then with its shirt off,' he writes. In Book Self we see a great New Zealand critic at work - a writer with strong personal views about other writers and a deep commitment to the role of role of criticism in literary life.
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We all know the story of Jesus told by Matthew, Mark, Luke and John, but what about the version according to Judas? In this witty, original and teasingly controversial account, some forty years after the death of Jesus, Judas finally tells the story as he remembers it. Looking back on his childhood and youth from an old age the gospel writers denied him, Judas recalls his friendship with Jesus; their schooling together; their families; the people who would go on to be disciples and followers; their journeys together and their dealings with the powers of Rome and the Temple. His is a story of friendship and rivalry, of a time of uncertainty and enquiry, a testing of belief, endurance and loyalty.
This book gives a comprehensive yet easily accessible introduction to risk and uncertainty as they have been analysed in sociology and related social sciences. The book draws extensively on the wide array of contemporary social theories of risk and relates these to the many and diverse areas in contemporary society where risk plays an important role. It will be an invaluable for both students and researchers interested in risk in relation to politics, the environment, health, media, science and technology and finance. Written in a clear and accessible language, the book gives a balanced account of the many theoretical approaches taken to the diverse phenomenon of risk, using concrete examples to illustrate abstract points. The book highlights some key themes such as uncertainty and individual responsibility which emerge as common to different theories and fields of study. The book is perfectly suited as an introduction for new students in sociology, political science, anthropology, media studies and health studies.
A striking new collection of accessible yet elegant stories from literary giant and master craftsman C.K. Stead. Gathered from throughout Stead's career, these stories are a reminder of his deft storytelling and literary power. They are clever, sensual, wry and beautifully written, with Stead's subtle sense of humour evident at every turn. The collection can be read as a meditation on the writerly life, and includes a number of new, previously unpublished stories, including 'Last Season's Man', which won the Sunday Times EFG Short Story Award, as well as older stories that have been revised and rewritten. Set in locations as diverse as the South of France, Sydney, Zagreb, Auckland, San Francisco and Oxford, each story is vividly drawn and stays with you long after reading. This extraordinary collection, along with Stead's appointment as New Zealand Poet Laureate, confirms his position as one of our most exceptionally talented writers.
'A vivid and engrossing historical novel' Daily Telegraph Spanning three years in the life of the writer Katherine Mansfield during the First World War, Mansfield follows the ups and downs of her relationship with Jack Middleton Murry and her struggle to write the 'new kind of fiction' which she felt the times demanded. She is restless, constantly on the move, in and out of London, to and from France, even into the war zone, to be with her French lover, novelist Francis Carco. For a short time, Mansfield is able to behave as though the war is merely 'background', but her ardent relationship with her brother, who arrives from New Zealand to fight in France, makes detachment impossible - as does her love for Jack's Oxford friend Frederick Goodyear, also a soldier. The war's shadow remorselessly darkens all their lives, but only increases Mansfield's determination to break through as a writer. Mansfield is a sharp, subtle and appealing portrait of the person of whose work Virginia Woolf wrote: "It was the only writing I was ever jealous of."
What really happened when Joe Panapa, a soldier in the Maori Battalion, was killed in action in the New Zealand campaign in Crete in the Second World War? And why did Joe s whanau place a makutu, a Maori curse, on Joe's Pakeha commanding officer, O'Dwyer, when he visited Joe s home marae after the war to pay his respects? Years later, Mike Newall, an New Zealand philosopher at Oxford University, uses the occasion of O'Dwyer s funeral to revisit the incident. Why did O'Dwyer kill the Maori soldier during the retreat from Crete'. The precise facts of Panapa's death become the central thread of a complex novel which swings from an New Zealand boyhood to academic life at Oxford to a West Auckland Dalmatian connection which later takes Mike to Croatia at the height of the Serb-Croatian war. At the end of the novel the various threads come together in a military cemetery on a Crete hillside as Mike, and an Oxford friend, and Panapa's family both Maori and Croatian - visit the young soldier's grave.