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Cinephilia and History, or The Wind in the Trees
Cinephilia and History, or The Wind in the Trees is in part a history of cinephilia, in part an attempt to recapture the spirit of cinephilia for the discipline of film studies, and in part an experiment in cinephilic writing. Cinephiles have regularly fetishized contingent, marginal details in the motion picture image: the gesture of a hand, the wind in the trees. Christian Keathley demonstrates that the spectatorial tendency that produces such cinematic encounters -- a viewing practice marked by a drift in visual attention away from the primary visual elements on display -- in fact has clear links to the origins of film as defined by André Bazin, Roland Barthes, and others. Keathley explores the implications of this ontology and proposes the "cinephiliac anecdote" as a new type of criticism, a method of historical writing that both imitates and extends the experience of these fugitive moments.
The Videographic Essay
"This book is about the new practice of "videographic essays", aka video essays, in which users construct a short video (short film) out of pieces of existing work, generally with a voice-over commentary, to engage in a critique of a film or general artistic/cultural/social etc commentary. The book examines the aesthetic issues raised by such work in the context of the cinema studies discipline, the experience of some of its leading practitioners, how newcomers can best approach the task of making such a videographer essay, the question of copyright, the history of the medium, etc."--Résumé de l'éditeur.
Acts Within Diverse Frames of Reference
Offers a fresh analysis of the ""Acts of the Apostles"". This work surveys contemporary ""Acts"" scholarship on two important topics: the genre of ""Acts"" and issues of wealth and poverty in ""Luke-Acts"". It provides an analysis of the process of interpretation and calls for greater self-awareness among critical readers of ""Acts"".
ABCs for Christian Growth - Laying the Foundation
Part One: The Assured Life * Preface * General Introduction: Why We All Need the ABCs * Introduction to the Truth of Assurance * Lesson 1: Assurance Regarding the Gospel * Lesson 2: Assurance of Salvation * Lesson 3: Assurance of Eternal Security * Lesson 4: Assurance of God?s Daily Provision * Lesson 5: Assurance of God?s Provision for Sin * Lesson 6: Assurance of God?s Guidance * Lesson 7: Assurance of Eternal RewardsPart Two: The Transformed Life * Preface * Lesson 1: Truths That Transform * Lesson 2: The Faith-Rest Life * Lesson 3: The Christ-Centered Life * Lesson 4: The Spirit-Filled Life (Part 1) * Lesson 5: The Spirit-Filled Life (Part 2) * Lesson 6: The Word-Filled Life * Lesson 7: ...
Salvation and Sovereignty
A unique book exploring the issues of free will and God's sovereignty by comparing and contrasting the doctrines of Calvinism and Molinism, favoring the latter.
Directed by Allen Smithee
Allen Smithee specializes in the mediocre. He is versatile. He is prolific. And he doesn't exist. From 1969 until 1999, Allen Smithee was the pseudonym adopted by Hollywood directors when they wished not to be associated with films ostensibly of their making . Encompassing over fifty films of various stripes -- B movies, sequels, music videos, made-for-TV movies -- Smithee's three decades of work affords the authors of this volume a unique opportunity to reassess the claims of auteurism, both in its traditional guise and in the more commodified form it currently assumes. Sometimes treating Smithee as an auteur in much the same way critics and scholars have treated directors as diverse as Dou...
Brutal Vision
How spectacular visions of physical suffering in post–World War II Italian neorealist films redefined moviegoing as a form of political action
Cinematic Flashes
Cinematic Flashes challenges popular notions of a uniform Hollywood style by disclosing uncanny networks of incongruities, coincidences, and contingencies at the margins of the cinematic frame. In an agile demonstration of "cinephiliac" historiography, Rashna Wadia Richards extracts intriguing film fragments from their seemingly ordinary narratives in order to explore what these unexpected moments reveal about the studio era. Inspired by Walter Benjamin's preference for studying cultural fragments rather than composing grand narratives, this unorthodox history of the films of the studio system reveals how classical Hollywood emerges as a disjointed network of accidents, excesses, and coincidences.
Sound Unbound
The role of sound and digital media in an information-based society: artists—from Steve Reich and Pierre Boulez to Chuck D and Moby—describe their work. If Rhythm Science was about the flow of things, Sound Unbound is about the remix—how music, art, and literature have blurred the lines between what an artist can do and what a composer can create. In Sound Unbound, Rhythm Science author Paul Miller aka DJ Spooky that Subliminal Kid asks artists to describe their work and compositional strategies in their own words. These are reports from the front lines on the role of sound and digital media in an information-based society. The topics are as diverse as the contributors: composer Steve ...
