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The Untold Story of Christian Michel and AugustaWestland
A veteran journalist, Raju Santhanam has spent over forty years in journalism in print and television. A former head of Zee News and editor of the Statesman, Raju’s forte has been investigative journalism. He ran the Statesman’s Insight Investigative team for a number of years, and was well known for some of the best investigative stories in the eighties and subsequent years. Currently, Raju is focused on research-based projects that have a global impact on international audience.
The Académie Royale de Peinture et de Sculpture
The Académie Royale de Peinture et de Sculpture (French Academy of Painting and Sculpture)—perhaps the single most influential art institution in history—governed the arts in France for more than 150 years, from its founding in 1648 until its abolition in 1793. Christian Michel's sweeping study presents an authoritative, in-depth analysis of the Académie’s history and legacy. The Académie Royale assembled nearly all of the important French artists working at the time, maintained a virtual monopoly on teaching and exhibitions, enjoyed a priority in obtaining royal commissions, and deeply influenced the artistic landscape in France. Yet the institution remains little understood today:...
The Rebel Christ
Once the darling of conservative Catholicism and evangelicalism, the outspoken broadcaster and journalist Michael Coren had what he terms as a profound conversion and began embracing the issues he had previously judged. It cost him his lucrative broadcasting career and made him the target of vitriol, but he found freedom in the radical and progressive nature of the gospel and is today its champion. In The Rebel Christ he explores what Jesus said about the pressing issues of his and our day. Jesus may not have mentioned sexuality, but welcomed outsiders and the marginalized; he never spoke of social security systems, but did criticize the wealthy and complacent and called for the poor to be protected; he didn’t side with the powerful but did condemn those who judged and exploited others and turned their eyes away from those in need and from the cry for justice. This was Jesus the rebel, Christ the radical, who turned the world upside down and who today demands that his followers do the same.
Lectures on Art
For the first time, a critical selection of the Académie Royale de Peinture et de Sculpture’s highly influential conférences is available in English. Between 1667 and 1792, the artists and amateurs of the Académie Royale de Peinture et de Sculpture in Paris lectured on the Académie’s conférences, foundational documents in the theory and practice of art. These texts and the principles they embody guided artistic practice and art theory in France and throughout Europe for two centuries. In the 1800s, the Académie’s influence waned, and few of the 388 Académie lectures were translated into English. Eminent scholars Christian Michel and Jacqueline Lichtenstein have selected and annotated forty-two of the most representative lectures, creating the first authoritative collection of the conférences for readers of English. Essential to understanding French art of the seventeenth and eighteenth centuries, these lectures reveal what leading French artists looked for in a painting or sculpture, the problems they sought to resolve in their works, and how they viewed their own and others’ artistic practice.
The Christian-Muslim Frontier
An examination of the civilisational interface between Christianity and Islam from the unique perspective as a zone of contact rather than a distinct boundary.
A Christian View of Islam
A collection of essays on Christian-Muslim relations by one of the world's leading experts.
The Blind Spot
Beginning in the seventeenth century, the greatest French writers and artists became embroiled in a debate that turned on the priority of painting or sculpture, touch or sight, color or design, ancients or moderns. Jacqueline Lichtenstein guides readers through these historic quarrels, decoding the key terms of the heated discussions and revealing how the players were influenced by the concurrent explosion of scientific discoveries concerning the senses of sight and touch. Drawing on the work of René Descartes, Roger de Piles, Denis Diderot, Charles Baudelaire, and Émile Zola, among others, The Blind Spot lets readers eavesdrop on an energetic and contentious conversation that preoccupied French intellectuals for three hundred years.
East Asian Aesthetics and the Space of Painting in Eighteenth-Century Europe
An insightful look at how East Asian notions of space transformed Western painting. This volume offers the first critical account of how European imports of East Asian textiles, porcelain, and lacquers, along with newly published descriptions of the Chinese garden, inspired a revolution in the role of painting in early modern Europe. With particular focus on French interiors, Isabelle Tillerot reveals how a European enthusiasm for East Asian culture and a demand for novelty transformed the dynamic between painting and decor. Models of space, landscape, and horizon, as shown in Chinese and Japanese objects and their ornamentation, disrupted prevailing design concepts in Europe. With paintings no longer functioning as pictorial windows, they began to be viewed as discrete images displayed on a wall—and with that, their status changed from decorative device to autonomous work of art. This study presents a detailed history of this transformation, revealing how an aesthetic free from the constraints of symmetry and geometrized order upended paradigms of display, enabling European painting to come into its own.
