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The present publication ideally continues the CSCO 589-590, in which 17th-century religious poems in Vernacular Syriac (i.e., Neo-Aramaic or Sureth) were published. It offers the reader a rich anthology and the most complete historical sketch of the dorektha genre, surveying published and unpublished works by Chaldean and Assyrian authors. Texts dating from 1607/08 to 1980 AD are critically edited and translated into English, with linguistic, philological and literary comments: On Repentance by Hormizd of Alqosh (17th cent.); the poetic diptych On the Torments of Hell and On the Delights of the Kingdom by Damynanos of Alqosh, which shows the author's indebtedness to Italian Baroque sermons; ...
This collection of essays deals with the rise and development of early Christian poetry, discussing its techniques and its theoretical foundation. The individual papers concern specimina of Hebrew, Syriac, Greek and Latin poetry and study the various and partly conflicting traditions from which it originated. The biblical examples, e.g. of the Psalms, held great authority, but on the other hand it was impossible to break away from the models of classical Greco-Roman poetry, although these were deemed dangerous because of the pagan content and excessive cult of literary art. The book shows how the problems involved were solved in different ways, which justified the use of pagan literary accomplishments for singing the praises of the Lord.
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To Train His Soul in Books explores numerous aspects of this rich religious culture, extending previous lines of scholarly investigation and demonstrating the activity of Syriac-speaking scribes and translators busy assembling books for the training of biblical interpreters, ascetics, and learned clergy.
Ephrem the Syrian was one of the founding voices in Syriac literature. While he wrote in a variety of genres, the bulk of his work took the form of madrashe, a Syriac genre of musical poetry or hymns. In Bible and Poetry in Late Antique Mesopotamia, Jeffrey Wickes offers a thoroughly contextualized study of Ephrem’s magnum opus, the Hymns on Faith, delivered in response to the theological controversies that followed the First Council of Nicaea. The ensuing doctrinal divisions had tremendous impact on the course of Christianity and led in part to the development of a uniquely Syriac Church, in which Ephrem would become a central figure. Drawing on literary, ritual, and performance theories, Bible and Poetry shows how Ephrem used the Syriac Bible to construct and conceive of himself and his audience. In so doing, Wickes resituates Ephrem in a broader early Christian context and contributes to discussions of literature and religion in late antiquity.
The biblical book of Genesis stands nearly without parallel in the shared history of Judaism, Christianity, and Islam. Because of its abiding importance to late antique theology and practical life across religious boundaries, it gave rise to a wide range of literary responses. The essays in this book study an array of Jewish and Christian responses to Genesis as they took shape in specific literary forms—the unique genres of late antique poetry. While late antique and early medieval Jews and Christians did not always agree in their interpretations of Genesis, they participated broadly in a shared culture of poetic production. Some of these poetic genres paralleled one another simply as dis...
"The main purpose of this collection of translations is to make available to a wider readership a selection of poems that deal specifically with biblical topics." -- Introduction, page 12.
Presents the insights of St. Ephrem and Jacob of Serugh, two of the earliest representatives of the theological world-view of the Syriac church.