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This volume is comprised of a selection of revised and expanded papers presented at “Table Talk: Perspectives on Food in Medieval Italian Literature,” a panel held at the 40th annual convention of the Northeast Modern Langauge Association (Boston, February 26–March 1, 2009). Taken together, these essays explore the multifaceted role of food within medieval Italian culture through a variety of literary genres, from the poetry and prose of Dante and Boccaccio to the medical and religious writings of Michele Savonarola and Catherine of Siena. By examining the complexity of food consumption and distribution in the late medieval cultural imagination, the authors seek to advance the recent m...
Dante's Volume from Alpha to Omega brings together essays written by internationally recognized scholars to explore the poet's encyclopedic impulse in light of our own frenzied information age. This comprehensive collection of essays, coedited by Carol Chiodo and Christiana Purdy Moudarres, examines how Dante's spiritual quest is powered by an encyclopedic one, which has for more than seven centuries drawn a readership as diverse as the knowledge his work contains. The essays investigate both the intellectual and spiritual pleasures that Dante's Commedia affords, underscoring how, through the sheer breadth of its knowledge, the poem demands collective and collaborative inquiry. Rather than isolating the poetic or theological strands of the Commedia, the book acts as a bridge across disciplines, braiding together the well-worn strands of poetry and theology with those of philosophy, the sciences, and the arts. The wide range of entries within Dante's poetic summa yield multiple opportunities to reflect on their points of intersection, and the urgency of the convergence of the poem's aesthetic, intellectual, and affective aims.
This volume aims to assess the longstanding debate over the role played by the Italian Renaissance in the history of European intellectual culture. The authors engage in an interpretative conversation with thinkers such as Jacob Burckardt, Ernst Cassirer, Eugenio Garin, Paul Oskar Kristeller, whose works have influenced critical discourse on modernity and Renaissance Humanism over the last one hundred and fifty years. The studies presented in this collection contribute to this discussion from a variety of perspectives: scientific, theological, political, and literary. The result is a multifaceted illumination of the intellectual history of the Italian Renaissance.
"A history of the old medical and philosophical traditions that influence the politics of women's health and reproductive autonomy today"--
Although we often think of friendship today as an indisputable value of human social life, for thinkers and writers across late medieval Christian society friendship raised a number of social and ethical dilemmas that needed to be carefully negotiated. On Amistà analyses these dilemmas and looks at how Dante’s strategic articulations of friendship evolved across the phases of his literary career as he manoeuvred between different social groups and settings. Elizabeth Coggeshall reveals that friendship was not an unequivocal moral good for the writers of late medieval Italy. Instead, it was an ambiguous term to be deployed strategically, describing a wide range of social relationships such...
Unique in its cultural and religious makeup, medieval Iberia represented a crossroads of cultures. This crossroads was reflected in large and small ways. On a grand scale, we see the convergence of intellectual ideas and great innovations in agriculture and science. On a more intimate level, we see an intersection of cultures as reflected in habits of consumption. The acts of producing food, cooking, and eating demonstrate the political realities of the land: at times interdependent, and, at times, at odds. Food, as an archeological and anthropological tool, can help us understand a particular moment in time. In considering the nature of consumption, we may arrive at the heart of a culture. In Medieval Fare, the author explores food references found in a number of medieval Iberian texts in order to expand our knowledge of daily life in the Middle Ages. By examining the depiction of food and consumption, this pioneering study provides insight into the cultural, religious, and social complexities of medieval Iberia.
Dante's Persons is a study of the concept of personhood in Dante's Comedy. Focusing on the encounters staged in Purgatory and Paradise, the book shows how Dante redefines personhood in his otherworlds as depending on mutual recognition and interpersonal attention. The book argues that Dante fills his text with characters that readers are meant to relate to as persons. He accomplishes this by means of dense corporeal detail, suchas gestures and postures. Building from this possibility of recognizing characters as persons, Dante's text offers readers opportunities to act and to join the community that extends between the living and the dead.
This volume considers Italy's history and examines how Italians became fascinated with the New World in the early modern period.
The sixteen essays in this volume trace the development of Platonism in the history of Western thought, starting with the revival of the Platonic tradition in the early modern period that followed the rediscovery and translation of important Greek texts. Special attention is devoted to Marsilio Ficino’s translations and commentaries; to the relationship between Platonism and Christianity; to the influence of Platonic metaphysics on the mystical tradition – in particular on Jacob Böhme and Emanuel Swedenborg; to the impact of idealism on the hermeneutical criticism of traditional philosophical categories and to the ways in which the so-called ‘Critique of Modernity’ promoted a new reading of the Platonic dialogues. The emphasis throughout is on demonstrating the theoretical and historical continuity of Platonism over the centuries. Contributors are: Laura Candiotto, Pierpaolo Ciccarelli, Anna Corrias, Francesca Maria Crasta, Eva del Soldato, Laura Follesa, Guido Giglioni, Nicholas Holland, Andrea Le Moli, Brunello Lotti, Cecilia Muratori, Arnold Oberhammer, Paula Oliveira e Silva, Valery Rees, Pasquale Terracciano, and Angelo Maria Vitale.