You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
With a triadic perspective, this autoethnographic narrative explores the temporal, situated nature of interactions between the author as an adoptee with her adult adopted children as well as those between herself and her birth father and mother. The epiphanic adoptive family narratives that are foregrounded seek to deepen and challenge understanding of how kinship affinities are experienced. The autoethnographic narratives are written in a critical, evocative style which is valuable for two reasons. Firstly, the processes of reflexive self-introspection, self-observation and dialogue with relational others have established a critical connection between recognising and responding to kinship a...
A daring novel that made Christine Angot one of the most controversial figures in contemporary France recounts the narrator's incestuous relationship with her father. Tess Lewis's forceful translation brings into English this audacious novel of taboo. The narrator is falling out from a torrential relationship with another woman. Delirious with love and yearning, her thoughts grow increasingly cyclical and wild, until exposing the trauma lying behind her pain. With the intimacy offered by a confession, the narrator embarks on a psychoanalysis of herself, giving the reader entry into her tangled experiences with homosexuality, paranoia, and, at the core of it all, incest. In a masterful translation from the French by Tess Lewis, Christine Angot's Incest audaciously confronts its readers with one of our greatest taboos.
The stories in Narrating Estrangement: Autoethnographies of Writing Of(f) Family demonstrate the pain, anguish, and even relief felt by those who contemplate estranging or who are estranged, whether by choice or circumstance. Despite the social assumptions persisting about the everlasting nature of family relationships, when people make the complicated and often difficult decision to disconnect from family members, they experience shame, stigma, and isolation because of social pressures to maintain those relationships at all costs. Each contributor uses the act of storytelling and the autoethnographic mode of scholarship and writing to find clarity in their individual, unique, and complex si...
Lewis Morley is called "The Man Who Shot the Sixties," and this collection of his black-and-white photography shows why. Dudley Moore, Charlotte Rampling, Brian Epstein, Franois Truffaut: the decade is here, in the style that earned Morley a place among the century's most adept chroniclers. A series of nude portraits of actress Christine Keeler, taken at the height of the scandal that brought down British MP John Profumo, is as much history as art. "I always seem to have been in the right place at the right time," says the photographer. In a career that spanned fashion layouts, advertising, and celebrity portraits, Morley's favorite assignments were for magazines, because of the spontaneity involved. "I like magazine work because it's quick and it's urgent so it relies on an emotional response to a subject, rather than in advertising where everything is minutely planned and you spend more time in meetings than taking photographs," he recalls. His feelings show in street scenes that recall Cartier-Bresson.
This book is a collection of critical engagements with Andrew Sayer, one of the foremost postdisciplinary thinkers of our times, with responses from Sayer himself. Sayer’s ground-breaking contributions to the fields of geography, political economy and social theory have reshaped the terms of engagement with issues and debates running from the methodology of social science through to the environment, and industrial development to the ethical dimensions of everyday life. Transatlantic scholars across a wide range of fields explore his work across four main areas: critical realism; moral economy; political economy; and relations between social theory, normativity and class. This is the first full-length critical assessment of Sayer’s work. It will be of interest to readers in sociology, economics, political economy, social and political philosophy, ethics, social policy, geography and urban studies, from upper-undergraduate levels upwards.
This book introduces the notion of culinary capital to investigate socialisation and school mealtime experiences in an academy school based in the UK. Drawing on interviews collated from children, teachers and staff within the school, the text sheds light on food insecurity in society and schools as being major issue in educational policy. The book examines schools as a microcosm for society with school food space being the playground for socialisation. It shows how forms of culinary capital can be extended in the school dining hall where social space is negotiated with notions of inclusion and exclusion during mealtime. The book uses gender, class and race to understand the school dining hall as a space where culinary capital can be exchanged and learnt. Thorough research accompanied by ethnographic visuals, field notes and observations, it also explores the sensory impact of school gardens. As such the book will be of interest to students, teachers, school leaders, educators and policy makers in the fields of Education, Sociology, Social Policy and Food Studies.
This book uses a multidisciplinary approach to examine the relationship between the quality of domestic life and the home environment, in its material and relational dimension, with individual and social happiness, in the context of current changes. The theme of happiness and well-being is framed within two significant changes, themselves affected by the recent COVID-19 pandemic: the relationship between the individual’s quality of life and engagement within the community, and the role of new technologies in everyday life. The authors highlight the relational nature of happiness and the centrality of the home environment in its promotion. Three dimensions of psychosocial well-being in the ...
Danny Dawson lives in the middle of the Australian outback. His older brother Jonny was killed in an accident last year but no-one ever talks about it. And now it's time for the annual muster. The biggest event of the year on the cattle station, and a time to sort the men from the boys. But this year things will be different: because Jonny's gone and Danny's determined to prove he can fill his brother's shoes; because their fourteen-year-old sister is pregnant; because it's getting hotter and hotter and the rains won't come; because cracks are beginning to show . . . When Danny's mum admits she can't cope, the family hires a housegirl to help out - a wide-eyed English backpacker. She doesn't have a clue what she's let herself in for. And neither do they.