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The Market Photo Workshop in South Africa and the 'Born Free' Generation
This study presents the history of the Market Photo Workshop (MPW) in Johannesburg and works produced by its new generation of photography students. Founded in 1989 by internationally renowned documentary photographer David Goldblatt, the MPW has reflected upon South African political struggles and sociocultural changes since its creation. Its foundation parallels a moment in time when photography was considered a ‘truth telling’ genre and an essential source of documents deployed against the apartheid regime. This book reflects on the evolution of the MPW in the post-apartheid era and explores how its new generation of students engages the photographic tradition of this institution and the revolutionary times that accompanied its creation to question their present moment. The book will be of interest to scholars working in art history, visual studies, photography, African studies, cultural studies and post-colonial studies.
Body Horror
The author examines the media's presentation of graphic images of war, natural disasters, accidents, murder and execution, death and grief and the public's response to these images.
Photography's Orientalism
The Middle East played a critical role in the development of photography as a new technology and an art form. Likewise, photography was instrumental in cultivating and maintaining Europe’s distinctively Orientalist vision of the Middle East. As new advances enhanced the versatility of the medium, nineteenth-century photographers were able to mass-produce images to incite and satisfy the demands of the region’s burgeoning tourist industry and the appetites of armchair travelers in Europe. In this way, the evolution of modern photography fueled an interest in visual contact with the rest of the world. Photography’s Orientalism offers the first in-depth cultural study of the works of European and non- European photographers active in the Middle East and India, focusing on the relationship between photographic, literary, and historical representations of this region and beyond. The essays explore the relationship between art and politics by considering the connection between the European presence there and aesthetic representations produced by traveling and resident photographers, thereby contributing to how the history of photography is understood.
Social Knowledge in the Making
Over the past quarter century, researchers have successfully explored the inner workings of the physical and biological sciences using a variety of social and historical lenses. Inspired by these advances, the contributors to Social Knowledge in the Making turn their attention to the social sciences, broadly construed. The result is the first comprehensive effort to study and understand the day-to-day activities involved in the creation of social-scientific and related forms of knowledge about the social world. The essays collected here tackle a range of previously unexplored questions about the practices involved in the production, assessment, and use of diverse forms of social knowledge. A...
History of Photography
The fourth volume in a history of photography, this is a bibliography of books on the subject.
Household and Family in the Balkans
On the occasion of the 20th anniversary of the foundation of the 'Balkan Family History Project' at the University of Graz in 1993, this volume unites the most outstanding essays by the project members that have appeared over the course of the previous two decades, scattered in various journals and books. These essays cover the interval from the 19th to the 21st century and reflect the current status of Balkan family research in historical, anthropological, and demographical perspectives. (Series: Studies on South East Europe - Vol. 13)
Return to Reflexivity
This slim volume contains four little-known texts by Pierre Bourdieu on the question of reflexivity, which was a key theme in his work. For Bourdieu, reflexivity was not an exercise in introspection but rather a way of applying the tools of sociology to itself. The aim is to make explicit and control the effects of the presuppositions, standpoints and dispositions that the researcher brings to the conduct of social science research. Bourdieu advocates an attitude of epistemological vigilance that helps to uncover the invisible effects of the social determinants that weigh on the researcher, effects that are difficult to perceive by the mere desire to be lucid. Questioning the social position and presuppositions of the researcher at every opportunity loosens the hold of scholastic and other biases on the outcome of research. By clarifying and illustrating the principles of reflexivity, the four texts in this volume lay the groundwork for the kind of reflexive social science that Bourdieu practised and advocated throughout his career.
Queer Beirut
Gender and sexual identity formation is an ongoing anthropological conversation in both Middle Eastern studies and urban studies, but the story of gay and lesbian identity in the Middle East is only just beginning to be told. Queer Beirut is the first ethnographic study of queer lives in the Arab Middle East. Drawing on anthropology, urban studies, gender studies, queer studies, and sociocultural theory, Sofian Merabet’s compelling ethnography suggests a critical theory of gender and religious identity formations that will disrupt conventional anthropological premises about the contingent role that society and particular urban spaces have in facilitating the emergence of various subculture...
Necrofiction and The Politics of Literary Memory
Contemporary literature gathers in a commemorative site the remains of H/history and its own story by erecting literary tombs. Necrofiction and The Politics of Literary Memory argues that current narratives of the aftermath enable writers to honour the past while casting off its burdensome legacy, and to dismantle while reassembling affective, political, and aesthetic communities. The genre is defined and discussed in relation to other literary forms such as trauma writing, historical novels, archival narratives, biofiction, or field literature. Necrofiction fulfils in distinct ways the social and artistic function of an individual or collective act of remembrance of a lost family member or ...
