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It was not a very fine house into which Mary had been born, for her father, who was a shoemaker, did not earn much money; but her mother, a sweet and gentle woman, worked hard to keep it clean and tidy, and love makes even the poorest place sunshiny and warm. When Mary was able to run about she played a great deal with her brother Robert, who was older than she, but she liked to help her mother too: indeed she seemed to be fonder of doing things for others than for herself. She did not need dolls, for more babies came into the home, and she used to nurse them and dress them and hush them to sleep...FROM THE BOOKS.
It was not a very fine house into which Mary had been born, for her father, who was a shoemaker, did not earn much money; but her mother, a sweet and gentle woman, worked hard to keep it clean and tidy, and love makes even the poorest place sunshiny and warm. When Mary was able to run about she played a great deal with her brother Robert, who was older than she, but she liked to help her mother too: indeed she seemed to be fonder of doing things for others than for herself. She did not need dolls, for more babies came into the home, and she used to nurse them and dress them and hush them to sleep...FROM THE BOOKS.
An annual biographical dictionary, with which is incorporated "Men and women of the time."
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With the exception of pioneers such as Rachel Ann Taylor, Marion Angus, Violet Jacob and Helen Cruickshank, the best known Scottish poets of the early 20th-century were men. However, by the second half of the century it was an entirely different story, as this anthology shows. An introduction sets the scene for the growth of women writers from Scotland including Gaelic poets selected and discussed by Michel Byrne. The collection traces the work of more than 100 writers, some of whom have been forgotten, over the most eventful period in Scottish literary history. The volume goes from Mary Symon, Veronica Forrest-Thomson and Naomi Mitchinson to Sheena Blackhall, Carol Ann Duffy, Dilys Rose, Kathleen Jamie, Catriona MinGumaraid, Meg Bateman, Anne Frater, Angela McSeveney and more.
This is the first comprehensive critical analysis of Scottish women's writing from its recoverable beginnings to the present day. Essays cover individual writers - such as Margaret Oliphant, Nan Shepherd, Muriel Spark and Liz Lochhead - as well as groups of writers or kinds of writing - such as women poets and dramatists, or Gaelic writing and the legacy of the Kailyard. In addition to poetry, drama and fiction, a varied body of non-fiction writing is also covered, including diaries, memoirs, biography and autobiography, didactic and polemic writing, and popular and periodical writing for and by women.