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The Iliad in a Nutshell
A new, illustrated study of the Iliac tablets, a group of objects inscribed in miniature with epic episodes. Like the tablets themselves, Michael Squire tackles major themes through small ones, by relating their production to macroscopic problems of signification in Graeco-Roman antiquity.
The Muse at Play
In May 2011, a conference on riddles and word games in Greek and Latin poetry took place at the Institute of Classical Studies of the University of Warsaw. The conference was intended as an open forum where specialists working in different fields of classical studies could meet to discuss the varied manifestations of riddles and other technopaegnia - both terms being understood broadly to encompass the full range of play with language in classical antiquity, in keeping with the use made of the two terms in ancient and early modern theoretical discussions. This volume offers revised versions of the papers presented during the conference. Contributions by scholars from Europe and the USA treat...
Brill’s Companion to Greek and Latin Epyllion and Its Reception
In classical scholarship of the past two centuries, the term “epyllion” was used to label short hexametric texts mainly ascribable to the Hellenistic period (Greek) or the Neoterics (Latin). Apart from their brevity, characteristics such as a predilection for episodic narration or female characters were regarded as typically “epyllic” features. However, in Antiquity itself, the texts we call “epyllia” were not considered a coherent genre, which seems to be an innovation of the late 18th century. The contributions in this book not only re-examine some important (and some lesser known) Greek and Latin primary texts, but also critically reconsider the theoretical discourses attached to it, and also sketch their literary and scholarly reception in the Byzantine and Middle Ages, the Renaissance, and the Modern Age.
Crossing Boundaries in Early Modern England
Between 1500 and 1700, eight very different English translations of Kempis's Imitatio were published in about 70 editions, crossing boundaries of language, confessional affiliation, and literary genre. This study explores the ways in which biblicism and inwardness, so typical of the Latin original work, are subject to creative transformations by the English translators. Thus, the translations reflect and even influence more general tendencies in the wider corpus of early modern English literature, for example in the works of George Herbert, John Bunyan, and early English Bible translations. Florian Kubsch worked as a researcher at the Department of English at the Eberhard Karls Universitaet Tuebingen, Germany.
The Cambridge Critical Guide to Latin Literature
The Cambridge Critical Guide to Latin Literature offers a critical overview of work on Latin literature. Where are we? How did we get here? Where to next? Fifteen commissioned chapters, along with an extensive introduction and Mary Beard's postscript, approach these questions from a range of angles. They aim not to codify the field, but to give snapshots of the discipline from different perspectives, and to offer provocations for future development. The Critical Guide aims to stimulate reflection on how we engage with Latin literature. Texts, tools and territories are the three areas of focus. The Guide situates the study of classical Latin literature within its global context from late antiquity to Neo-Latin, moving away from an exclusive focus on the pre-200 CE corpus. It recalibrates links with adjoining disciplines (history, philosophy, material culture, linguistics, political thought, Greek), and takes a fresh look at key tools (editing, reception, intertextuality, theory).
The Poetics of Late Latin Literature
For a host of reasons, traditionalist scholarship has failed to give a full and positive account of the formal, aesthetic and religious transformations of ancient poetics in Late Antiquity. This collection of new essays attempts to capture the vibrancy of the living ancient tradition reinventing itself in a new context in the hands of a series of great Latin writers of the fourth and fifth centuries AD.
Greek Epigram from the Hellenistic to the Early Byzantine Era
The briefest of all ancient Greek genres, epigram is also the most resilient. This volume provides a selection of in-depth treatments of key aspects of Greek literary epigram from the Hellenistic to the early Byzantine period, rather than focusing on individual authors or anthologies, in order to explore the evolution of the genre over time.
Natural Perception
This book shows how interpretation of visual images in international environmental law can inform judgements of the environment's aesthetic value.
Art and Rhetoric in Roman Culture
Demonstrates the central significance of rhetoric in ancient responses to and receptions of Roman art.
Poetry and Number in Graeco-Roman Antiquity
Poetry and mathematics might seem to be worlds apart. Nevertheless, a number of Greek and Roman poets incorporated counting and calculation within their verses. Setting the work of authors such as Callimachus, Catullus and Archimedes in dialogue with the less well-known isopsephic epigrams of Leonides of Alexandria and the anonymous arithmetical poems preserved in the Palatine Anthology, the book reveals the various roles that number played in ancient poetry. Focussing especially on counting and arithmetic, Max Leventhal demonstrates how the discussion, rejection or enacting of these two operations was bound up with wider conceptions of the nature of poetry. Practices of composing, reading, interpreting and critiquing poetry emerge in these texts as having a numerical component. The result is an illuminating new way of approaching Greek and Latin poetry – and one that reaches across modern disciplinary divisions.
