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The first ever account of the making of the cinematic classic The Way We Were starring Barbara Streisand and Robert Redford, revealing the full story behind its genesis and continued controversies, its many deleted scenes, its much-anticipated but never-filmed sequel, and the real-life romance that inspired this groundbreaking love story… It’s one of the greatest movie romances of all time. Fifty years on, the chemistry between Barbra Streisand as Jewish working-class firebrand Katie Morosky and Robert Redford as all-American golden boy Hubbell Gardiner remains potent. Yet the friction and controversy surrounding The Way We Were were so enormous, the movie was nearly never made at all....
The Architecture of Landscape, 1940-1960 provides a groundbreaking collection of worldwide perspectives on a vital and underappreciated era of landscape architecture. It is also the first critical assessment of this period, with information and insight previously unavailable to English-language readers.
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The Way We Were: a nostalgia drenched, bittersweet romance starring superstars Barbra Streisand and Robert Redford at the peaks of their careers, and a story for everyone who was ever loved with passion, if not wisely. A smash hit around the world whose power echoes to this day—yet a film whose success was so far from assured that one studio executive was heard to exclaim: “Barbra Streisand doesn’t sing and she plays a communist—are you trying to kill me?!” But succeed the film did, propelled by a smash-hit title song and career defining performances from Streisand and Redford. Now, just in time for the 50th anniversary of the film's release, this behind-the-scenes account from bes...
A SUNDAY TIMES BESTSELLER and THE TIMES MUSIC BOOK OF THE YEAR 2023. The exhilarating and startlingly honest autobiography of the living legend. 'Over almost a thousand pages, the diva to end them all documents her rise to the top and the tears and joys that went with it ... What really brings this alive is Barbra Streisand’s admission of the insecurity that drives her.' The Times 'Exhilarating ... leaves blood on the page ... My Name Is Barbra is 992 pages of startling honesty and self-reflection, deadpan parenthetical asides, encyclopedic recall of onstage outfits, and rigorous analyses of her films' Vanity Fair 'I have been patiently waiting for Barbra Streisand’s autobiography for 54...
Some films are remembered long after they are released; others are soon forgotten, but do they deserve oblivion? Are factors other than quality involved? This book exhumes some of the films released in Britain over the last seventy years from Daybreak (1948) to 16 Years of Alcohol (2003), and considers the reasons for their neglect. As well as exploring the contributions of those involved in making the films, the book examines such issues as marketing and the response of critics and audiences. Films are grouped loosely into categories such as “B” films and television films. Some works were little seen when they were first released and have stayed that way; others were popular in their day, but have slipped into obscurity. In some cases, social change has overtaken them, making the attitudes or subjects they depict seem dated. Even being released as a DVD does not guarantee that a title will be rehabilitated. In addition, how significant is the American market? This book should appeal to lovers of British film, as well as to film studies students and everybody curious about the vagaries of success and failure in the arts.
For Alessandra Branca, living means living comfortably. Growing up in Rome, Branca was always surrounded by exquisite art and architecture. She learned early on that beauty is meant to intermingle with everyday life, and to this day her interior designs, while abiding by classical principles, comfortably accommodate her clients’ lifestyles. “You can’t just do something that looks pretty,†? she says. “It has to work.†? In this book, the designer—based in Chicago—generously reveals her step-by-step creative process, offering invaluable guidance to anyone who wants a home that is both gorgeous and livable. Beginning with her own Chicago townhouse and interweaving insights drawn from several other prominent projects, she shows how she assesses each space’s form and function, selects foundation elements, chooses furniture and lighting, and, finally, incorporates decorative elements that reflect the resident’s personality. Illustrated with 200 lush photographs, the book offers a welcomes introduction to Branca’s enchanting and livable interiors.