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Dag Petersson offers a comprehensive critique of the philosophy that has dominated 200 years of modern thought, politics, economy, and culture. The basic question is this: why does dialectical metaphysics fail to keep what it promises? What is it about dialectics, that makes it fall into irreducibly distinct variations of itself, when all it promises is to synthesize, to reconcile and make whole what is fragmented and alien to itself? An undisciplined creativity intrinsic to completing reason comes to light through analyses of how dialectical systems begin. Every dialectical philosophy must account for its own birth, and it is at this point, when it also articulates its promise of universal synthesis, that the book discovers a desire for light-writing, or photography. Only the most immediate element light can mediate the necessary self-determination of thought at its origin. Light must begin to write. A philosophical critique of dialectics is therefore also a point of departure for a new aesthetic ontology of photography.
The book 'Refractions. Artistic Research In Architecture' focuses on new directions in architectural research, how architects develop new knowledge through their artistic design practice, working in a field between Art and Science. 0What new digital potentials are there in architectural media like models and drawings and how to put words on artistic research? The book offers theoretical articles, picture galleries of artistic projects, and interviews with senior-researchers at the Danish Academy of Architecture in Copenhagen and their built architectural projects.
Kay Fisker (1893-1965) is considered one of the most influential Danish architects of the twentieth century, and yet there has existed until now no in-depth English-language study of his works and writing. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, this book examines Fisker's key projects – from his early railway stations and innovative housing projects to the Danish Academy in Rome – and analyses his work as a historian and writer. Fisker's output is closely associated with the functional tradition, a hybridization of international modernism and regional architectural typologies, and this book shows how his architectural poetics can be understood as an amalgamation of an ideal order with the contingent conditions of landscapes and urban sites. Hybridization is not only a valuable notion for understanding Fisker, the book argues, it can also be applied to an understanding of modernist architecture as a whole, with its various expressions, agendas and tensions both regionally and internationally.
In recent years, research has gradually become more integrated in the profiles of schools of architecture and design. Simultaneously, the concept of Architecture and DesignResearchhas become increasingly diverse, differentiated and complex, as reflected by the dialogue with a number of different academic traditions and a growing interest in design-based research methods.0This anthology highlights the potentials and challenges for research in architecture and design. The included essays are based on papers given at a symposium held at the Aarhus School of Architecture in 2011 and contain a number of topical positions ranging from the activist and academic to practice-based and artistically-based research by international and Danish researchers. The anthology is aimed at architects and designers, as well as others with an interest in the discussion of the concept of research in the fields of architecture and design. The anthology is in English and richly illustrated.
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