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Law and Violence
A interlocution containing a stimulating lead essay on the relationship between law and violence by one of the key third-generation Frankfurt School philosophers, Christoph Menke, and engaged responses by a variety of influential critics.
Law and Violence
Christoph Menke is a third-generation Frankfurt School theorist, and widely acknowledged as one of the most interesting philosophers in Germany today. His lead essay focuses on the fundamental question for legal and political philosophy: the relationship between law and violence. The first part of the essay shows why and in what precise sense the law is irreducibly violent; the second part establishes the possibility of the law becoming self-reflectively aware of its own violence. The volume contains responses by María del Rosario Acosta López, Daniel Loick, Alessandro Ferrara, Ben Morgan, Andreas Fischer-Lescano and Alexander García Düttmann. It concludes with Menke's reply to his critics.
Force:A Fundamental Concept of Aesthetic Anthropology
The book aims at a new exposition of the basic idea of modern aesthetics by way of a reconstruction of its genesis in the 18th century, between Baumgarten''s Aesthetics and Kant''s Critique of Judgment. The claim is that the historical invention of aesthetics was not about expanding the range of legitimate objects of philosophical inquiry--these objects all existed before aesthetics. Rather, aesthetics, by introducing the category of the "aesthetic," fundamentally redefined these objects. But most importantly, the reconstruction of the historical genesis of aesthetics shows that the introduction of the category of the "aesthetic" required nothing less than a transformation of the fundamental...
Critique of Rights
Modern political revolutions since the 18th century have swept away traditional systems of domination by declaring that ‘all men are created equal’. This declaration of equal rights is a fundamental political act – it is the political act in which the political community creates itself in relation to traditional systems of domination. But because it was generally assumed that the subject of these rights is the individual human being, the political community was subordinated to the individual. Marx discerned, rightly, that this was the paradox at the heart of the declaration of the rights of man. But while Marx was right to highlight this paradox, his proposed solution does not provide ...
Critique of Rights
Modern political revolutions since the 18th century have swept away traditional systems of domination by declaring that ‘all men are created equal’. This declaration of equal rights is a fundamental political act – it is the political act in which the political community creates itself in relation to traditional systems of domination. But because it was generally assumed that the subject of these rights is the individual human being, the political community was subordinated to the individual. Marx discerned, rightly, that this was the paradox at the heart of the declaration of the rights of man. But while Marx was right to highlight this paradox, his proposed solution does not provide ...
The Sovereignty of Art
In this book Christoph Menke attempts to explain art's sovereign power to subvert reason without falling into an error common to Adorno's negative dialectics and Derrida's deconstruction.
The Value of Critique
Viele Theoretikerinnen und Theoretiker haben sich von einer Praxis der Kritik verabschiedet und sich für alternative Einstellungen des Urteils ausgesprochen, die als Praktiken der Wertschätzung bezeichnet werden können. Der Sammelband untersucht, wie eine Opposition dieser beiden Denkweisen verstanden wird, und fragt danach, ob und wie sie sich überwinden lässt. Dabei spielen die Praktiken der Urteilens im Feld der Kunst eine paradigmatische Rolle. Mit Beiträgen u.a. von Luc Boltanski, Eva Geulen, Rahel Jaeggi und Bruno Latour
Tragic Play
Tragic Play explores the deep philosophical significance of classic and modern tragedies in order to cast light on the tragic dimensions of contemporary experience. Romanticism, it has often been claimed, brought tragedy to an end, making modernity the age after tragedy. Christoph Menke opposes this modernist prejudice by arguing that tragedy remains alive in the present in the distinctively new form of the playful, ironic, and self-consciously performative. Through close readings of plays by William Shakespeare, Samuel Beckett, Heiner Müller, and Botho Strauss, Menke shows how tragedy re-emerges in modernity as "tragedy of play." In Hamlet, Endgame, Philoktet, and Ithaka, Menke integrates philosophical theory with critical readings to investigate shifting terms of judgment, curse, reversal, misfortune, and violence.
Reflections of Equality
The book argues that the center of political modernity is determined by a conflictive relation between the liberal core concept of political equality and the idea of individuality.
Aesthetics of equality
"In his essay, Christoph Menke (b.1958), Professor of Philosophy at the Goethe-University, Frankfurt am Main, focuses on the question of how and where there is equality between human beings. The author examines different notions throughout the history of philosophy, as well as varying political concepts, such as the contrarian interpretations of fascism and communism, and the differing reflections on the connection between equality and reason by Aristotle and Descartes. Responding to our current debate about the question of equality, Menke proposes a continuation through an "aesthetics of equality", which radicalizes enlightenment's assumption according to which all people have the same ability to reason. Here, equality consists of a force, an agency to imagine, given to all people -- the equality of the possibility for an exercised and exercising formation of reason, which is not a given but a socially acquired capacity."--Publisher's website.
