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The Modern Jewish Experience
This essential resource offers guidance for educators to expand the teaching repertoire on a range of issues in modern Jewish history, culture, religion, and Society.
Imagine My Joy
The story of Yitzhak and Gita Pearl Cramer, Shimon Levi and Dobeh Blinick and their descendants is the account of one extended family but also a reflection of its times. Told in large part through first-person recollections, this family history traces the events that shaped two centuries, from Vitebsk and pre-revolutionary Czarist Russia to mid-20th Century North America. More than the author suspected when he began his research, the family progenitors and those who followed were directly affected by the major currents of the past 200 years: the edicts, anti-Semitism and heavy-handed policing of the Russian czars; the tragedy of world war; the great 19th century escape from grim impoverishment and discrimination in Europe to the bright hope of North America; economic blight and later post-war achievement. This story – reflecting the passions, dreams and humor of these people – is their legacy.
Beyond the Biblical Horizon
This special issue of "Biblical Interpretation" devoted to the Bible and the Arts reflects the growing scholarly interest in the ways the Bible and biblical stories, themes and idea(l)s have been represented in Western culture by means of literature and the visual arts.
The Symbolist Roots of Modern Art
With the words ?A new manifestation of art was ... expected, necessary, inevitable,? Jean Mor? announced the advent of the Symbolist movement in 1886. When Symbolist artists began experimenting in order to invent new visual languages appropriate for representing modern life in all its complexity, they set the stage for innovation in twentieth-century art. Rejecting what they perceived as the superficial descriptive quality of Impressionism, Naturalism, and Realism, Symbolist artists delved beneath the surface to express feelings, ideas, scientific processes, and universal truths. By privileging intangible concepts over perceived realities and by asserting their creative autonomy, Symbolist a...
The Pathos of the Real
This book is about the ambition, in a set of paradigmatic writers of the twentieth century, to simultaneously enlist and break the spell of the real—their fascination with the spectacle of violence and suffering—and the difficulties involved in capturing this kind of excess by aesthetic means. The works at the center of this study—by Franz Kafka, Georges Bataille, Claude Simon, Peter Weiss, and Heiner Müller—zero in on scenes of agony, destruction, and death with an astonishing degree of precision and detail. The strange and troubling nature of the appeal engendered by these sights is the subject of The Pathos of the Real. Robert Buch shows that the spectacles of suffering conjured ...
Ecce Homo
Drawing on perspectives from a range of disciplinesa including religious studies, gender and queer studies, psychoanalysis, art history, and film theory, 'Ecce Homo' explores the complex ambiguous meanings of the enduring figure of the male-body-in-pain.
The Polyphony of Jewish Culture
This book is a collection of seminal essays on major aspects of Jewish culture: Yiddish and Hebrew literature, Europe, America and Israel, transformations of Jewish history, the Holocaust, and the formal traditions of Hebrew verse.
Evening's Empire
What does it mean to write a history of the night? Evening's Empire is a fascinating study of the myriad ways in which early modern people understood, experienced, and transformed the night. Using diaries, letters, and legal records together with representations of the night in early modern religion, literature and art, Craig Koslofsky opens up an entirely new perspective on early modern Europe. He shows how princes, courtiers, burghers and common people 'nocturnalized' political expression, the public sphere and the use of daily time. Fear of the night was now mingled with improved opportunities for labour and leisure: the modern night was beginning to assume its characteristic shape. Evening's Empire takes the evocative history of the night into early modern politics, culture and society, revealing its importance to key themes from witchcraft, piety, and gender to colonization, race, and the Enlightenment.
Ecce Homo
Images of suffering male bodies permeate Western culture, from Francis Bacon’s paintings and Robert Mapplethorpe’s photographs to the battered heroes of action movies. Drawing on perspectives from a range of disciplines—including religious studies, gender and queer studies, psychoanalysis, art history, and film theory—Ecce Homo explores the complex, ambiguous meanings of the enduring figure of the male-body-in-pain. Acknowledging that representations of men confronting violence and pain can reinforce ideas of manly tenacity, Kent L. Brintnall also argues that they reveal the vulnerability of men’s bodies and open them up to eroticization. Locating the roots of our cultural fascination with male pain in the crucifixion, he analyzes the way narratives of Christ’s death and resurrection both support and subvert cultural fantasies of masculine power and privilege. Through stimulating readings of works by Georges Bataille, Kaja Silverman, and more, Brintnall delineates the redemptive power of representations of male suffering and violence.
Culture Incorporated
Why is the linkage between cultural capital and economic capital growing so fast? What is favorable or not of corporate penetration and influence in the world of art? Is art just another venue of marketing? Survey and nuanced critique of this development. Sponsoring events, museums and lifestyles.
