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Who I Am
Oscar-nominated Charlotte Rampling most recently appeared in hit ITV drama Broadchurch, the BBC’s London Spy and HBO’s Dexter, and the feature film 45 Years. Her career has spanned popular entertainment and arthouse cinema, having starred in English, French and Italian films from 1966’s Georgy Girl (opposite Lynn Redgrave), to films with French director François Ozon, including 2003’s Swimming Pool. Having shied away from biographies and autobiographies (“too personal”) Rampling has now written Who I Am (first published in French) a lyrical, and intimate self-portrait via reminiscences. Highly personal, packed with photographs from her personal archive, Rampling recounts her childhood and youth as the daughter of an army officer (who won a gold medal for the 4 x 400 relay in the infamous 1936 Berlin Olympics), and the memories and passions that would inspire her life and later work as an actress. Written in a style that gives a unique insight into her screen persona, it is an idiosyncratic and beguiling insight of one of the most consistently adventurous and interesting actors.
Hourmaster
An Italian duke hires an hourmaster to wind the 200 clocks in his palace. The duke is bored and befriends the hourmaster, but the friendship ends when he rapes the hourmaster's daughter. An atmospheric novel by the author of Annam.
Absinthe
A man develops a passion for the manufacture of absinthe because of the emotions it inspires. One day the government bans the liquor for fear it will inspire a revolution. An allegory by a French writer, author of Annam.
The Elimination
From 1975 to 1979 'Comrade' Duch was in charge of S 21, the security prison at the heart of Pnomh Penh where 12,380 people were tortured and executed, having confessed to imaginary betrayals of the regime. After his film S21, which brought survivors and executioners from the Khmer Rouge era together, Rithy Panh decided to film Duch in prison. During 300 hours of filming he confronts the man in charge of the campaign of extermination, tries to understand his personal history, his ideology, his methods. He talks to him about how he recruited his torturers, but also about his passion for numbers, for order. The process of confronting Duch every day, his cruelty, his evasions, his laugh draws Rithy Panh back to the past and the horrors of the Khmer Rouge era. Exhausted and despairing, he decides to tell his own story and that of his family. Against the evil of Duch he holds up the good embodied in the person of his own father, who believed in and fought for justice and education, and who perished in the Khmer Rouge genocide.
Annam
"In 1788, a handful of French monks and nuns set sail fro Vietnam. They preach the Gospels to the peasants of these unknown tropics, and only by chance learn from passing ships about the terror of the Revolution, the death of their King, and the oppression of their Church. After 1792 there is no further news--Europe has forgotten them. In their years of trial these valorous men and women both abandon everything and reinvent everything. The jungle, by its ordeals and its beauties, transforms them; in it they will live and die, having forgotten God in the struggle."--Page 4 of cover
Ferryman of Memories
Ferryman of Memories: The Films of Rithy Panh is an unconventional book about an unconventional filmmaker. Rithy Panh survived the Cambodian genocide and found refuge in France where he discovered in film a language that allowed him to tell what happened to the two million souls who suffered hunger, overwork, disease, and death at the hands of the Khmer Rouge. His innovative cinema is made with people, not about them—even those guilty of crimes against humanity. Whether he is directing Isabelle Huppert in The Sea Wall, following laborers digging trenches, or interrogating the infamous director of S-21 prison, aesthetics and ethics inform all he does. With remarkable access to the director and his work, Deirdre Boyle introduces readers to Panh’s groundbreaking approach to perpetrator cinema and dazzling critique of colonialism, globalization, and the refugee crisis. Ferryman of Memories reveals the art of one of the masters of world cinema today, focusing on nineteen of his award-winning films, including Rice People, The Land of Wandering Souls, S-21: The Khmer Rouge Killing Machine, and The Missing Picture.
The Cinema of Rithy Panh
Born in 1964, Cambodian filmmaker Rithy Panh grew up in the midst of the Khmer Rouge’s genocidal reign of terror, which claimed the lives of many of his relatives. After escaping to France, where he attended film school, he returned to his homeland in the late 1980s and began work on the documentaries and fiction films that have made him Cambodia’s most celebrated living director. The fourteen essays in The Cinema of Rithy Panh explore the filmmaker’s unique aesthetic sensibility, examining the dynamic and sensuous images through which he suggests that “everything has a soul.” They consider how Panh represents Cambodia’s traumatic past, combining forms of individual and collectiv...
Rethinking the Political
A compelling account of a controversial and innovative episode in sociological thought
The Emergence Of Modern Southeast Asia
The modern states of Indonesia, Vietnam, Thailand, the Philippines, Myanmar, Malaysia, Singapore, Cambodia, Laos, Brunei, and East Timor were once a tapestry of kingdoms, colonies, and smaller polities linked by sporadic trade and occasional war. By the end of the nineteenth century, however, the United States and several European powers had come to control almost the entire region - only to depart dramatically in the decades following World War II. perspective on this complex region. Although it does not neglect nation-building (the central theme of its popular and long-lived predecessor, In Search of Southeast Asia), the present work focuses on economic and social history, gender, and ecol...
