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In a small Southern town in 1944, two girls secretly help a seriously ill army deserter, a decision that changes their perceptions of right and wrong. Issues of moral ambiguity and accepting consequences for actions are thoughtfully considered in this deftly crafted story.
A rhetorical analysis of film that problematizes the ethics of spectatorship by drawing attention to the material circumstances around them.
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Starting with a Holy Spirit encounter about the Old Testament saint, Enoch, the author shares the encouragingNeven astoundingNnews about the limitless access believers have into God's presence and glory.
Heaven. It is a Biblical promise that inspires awe and wonder, but one that seems unknowable until you leave this earth and your temporal body behind. But what if you could experience heaven now? What if you were meant to do it now? What if you could follow in the footsteps of Biblical examples like Enoch, Elijah, John, and Paul - all of whom experienced the heavenly realms firsthand? The truth is, God has made a way for us to experience and live in the realm that Jesus Himself ascended to after His resurrection. It is not off-limits. In fact, there is an open invitation. In this book, author Christopher Paul Carter shares his own heavenly journey. It wasn't a one-time event or a near-death ...
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Gorgeously illustrated angels based on Biblical and real-life angelic encounters seem to leap off the pages as this sweet story carries readers through glimpses of God's heavenly helpers. The accompanying Bible verses and exercises help parents and teachers lead children further into this fascinating glimpse into God's Kingdom.
The Figure of Kit Carson strides through the literature of the American West in heroic size. Trader, trapper, scout, brigadier general of New Mexico Volunteers, and many other things besides, he has appealed to the public imagination as no other frontiersman has. Many biographies and who versions of his “autobiography” have been published. Yet much of the legend still remains to be separated from the facts, declares the author of this new biography. “I am an admirer of Carson,” says Mr. Carter, “and have no wish deliberately to debunk him, but I am interested in correcting the statements of uncritical hero worship many by many writers.” Kit is allowed to speak for himself, as far...
Just because you're paranoid doesn't mean they're not coming to get you . . . There is a strange humming noise that seems not to have a source, which is tormenting the villagers of Nuthampstead, England, in 1989. To the Ellis family, recently moved from the valleys of Wales, it has a sinister significance. They don't like to talk about it. But Carys Ellis is only five, and she has to tell someone about the terrifying visitors to her room in the middle of the night, when the family would not and could not be roused. And that is only the beginning of Carys's plight. Her mother is a long-term sufferer of a number of mental health problems. Diagnosed with bipolar disorder, manic depression, and borderline disorder, she's a mess. And Carys seems to be heading the same way . . . Unless her encounters with beings from another dimension are real, as Carys sincerely believes they are. In which case, she is in the midst of a struggle not with her sanity but with events that could lead to the eradication of the human species. But then, she might just be a little crazy.
The works inStalwart are as much about drawing as they are about form and material. And by collecting their images on these pages, they begin to reveal other meanings still. Certainly, the process of grouping them, and making a sculptural series into a series of photographs, allows them a kind of mobility they would never have in a gallery. As an artist, Christopher Carter always reaches for an audience and strives to create timely works with social and historical relevance. "With the contributions of the curators, writers, photographer, and publisher," says Carter, "the very process of creating this book has focused my resolve and ideas. It has also added to the complexity of the work by bringing it out of the gallery or studio -- where works of sculpture, like lumber or lost hooks sunk in the bay, are usually bound -- and into the hands of a new audience."