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Screening the Afterlife
Screening the Afterlife is a unique and fascinating exploration of the ‘last things’ as envisaged by modern filmmakers. Drawing on a range of films from Flatliners and What Dreams May Come to Working Girl and The Shawshank Redemption, it offers the first comprehensive examination of death and the afterlife within the growing field of religion and film. Topics addressed include: the survival of personhood after death the language of resurrection and immortality Near-Death Experiences and Mind-Dependent Worlds the portrayal of ‘heaven’ and ‘hell’. Students taking courses on eschatology will find this a stimulating and thought provoking resource, while scholars will relish Deacy’s theological insight and understanding.
Christmas as Religion
This work develops critical links between modern representations of Christmas and the category of religion.
Faith in Film
From the unprecendented and innovative perspective of Christian theology, this book investigates how cinema audiences wrestle with their religious beliefs and values. Deacy reveals that movies raise vital questions about the spiritual landscape and normative values of western society today.
Theology and Film
This introductory textbook uses appreciation of film to explore debates between theology and contemporary culture. It examines both method and theory and features a range of film examples throughout. Explores how film can enrich our study of theology, opening up debates surrounding contemporary culture and theological inquiry Addresses a broad range of themes, including religion and the sacred, human dignity, eschatology, war and peace, violence, justice, feminism, and the environment Includes sections on methodological considerations as well as theoretical perspectives Features examples from a range of films, including Unforgiven, The Passion of Christ, An Inconvenient Truth, Jarhead, Something’s Gotta Give, and Vanilla Sky Accompanied by website resources available at www.blackwellpublishing.com/theologyandfilm.
Exploring Religion and the Sacred in a Media Age
In recent years, there has been growing awareness across a range of academic disciplines of the value of exploring issues of religion and the sacred in relation to cultures of everyday life. Exploring Religion and the Sacred in a Media Age offers inter-di
Screen Christologies
This volume looks at the ways in which the Christian concept of redemption has been represented in film. Concentrating on film noir and the work of Martin Scorsese, the book argues that the characteristic themes of noir confront religious issues.
Scorsese and Religion
Scorsese and Religion explores and analyzes the religious vision of filmmaker Martin Scorsese’s oeuvre, showing that Scorsese cannot be properly understood without reflecting on the ways that his religious interests are expressed in and through his art.
Theology and Survival Movies
This book provides an innovative analysis of the survival movie genre from an Orthodox Christian anthropological perspective. Grounded in the Orthodox tradition, the approach builds from the first chapter of Genesis where man is described as made in the ‘image’ and after the ‘likeness’ of God. It offers a nuanced theological exploration of the concept of the survival movie and examines a number of significant cinematic creations, illustrating how issues of survival intersect romantic, Western, science fiction and war films. The author reflects on how survival movies offer a path for the study of human nature given they depict people in crisis situations where they may reveal their true characters. As well as discussing the role of a ‘limit situation’ as a narrative element, the book highlights the spiritual aspect of survival and points to the common hope in survival movies for something more than biological survival. It is valuable reading for scholars working in the field of religion and film.
Paul Tillich and the Possibility of Revelation Through Film
This study explores the possibility that even films lacking religious subject matter might have a religious impact upon their viewers. It begins with a reading of Paul Tillich's theology of revelation through culture and continues with a qualitative research project assessing the experiences of filmgoers in Latin America.
Exploring Religion and the Sacred in a Media Age
In recent years, there has been growing awareness across a range of academic disciplines of the value of exploring issues of religion and the sacred in relation to cultures of everyday life. Exploring Religion and the Sacred in a Media Age offers inter-disciplinary perspectives drawing from theology, religious studies, media studies, cultural studies, film studies, sociology and anthropology. Combining theoretical frameworks for the analysis of religion, media and popular culture, with focused international case studies of particular texts, practices, communities and audiences, the authors examine topics such as media rituals, marketing strategies, empirical investigations of audience testimony, and the influence of religion on music, reality television and the internet. Both academically rigorous and of interest to a wider readership, this book offers a wide range of fascinating explorations at the cutting edge of many contemporary debates in sociology, religion and media, including chapters on the way evangelical groups in America have made use of The Da Vinci Code and on the influences of religion on British club culture and electronic dance music.
