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Critical edition of Eliza Lynn Linton's semi-autobiographical novel in which she adopts a male persona in order to recount her relationships with other women. The edition includes an introduction, explanatory footnotes and extracts from other relevant works.
Critics agree in the abstract that "metafiction" refers to any novel that draws attention to its own fictional construction, but metafiction has been largely associated with the postmodern era. In this innovative new book Tabitha Sparks identifies a sustained pattern of metafiction in the Victorian novel that illuminates the art and intentions of its female practitioners. From the mid-nineteenth century through the fin de siècle, novels by Victorian women such as Charlotte Brontë, Rhoda Broughton, Charlotte Riddell, Eliza Lynn Linton, and several New Women authors share a common but underexamined trope: the fictional characterization of the woman novelist or autobiographer. Victorian Metaf...
The Rebel of the Family (1880) is the first New Woman novel by Eliza Lynn Linton. Perdita Winstanley, the novel's protagonist, struggles to balance the competing demands of her snobbish, conservative mother and sisters, her radical friends in the women's rights movement, and an admirable but low-born chemist and his family. The Rebel of the Family also includes what is perhaps the first literary portrait of the late-Victorian lesbian community in London, featuring Bell Blount and her “little wife” Connie. This Broadview edition includes a critical introduction and appendices that help to set the work in its historical and literary contexts.