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A Maldivian Dictionary
Maldivian (also known as Divehi) is spoken on the Maldive Islands located off the southwest tip of India in the Indian Ocean. This Maldivian-English Dictionary consists of 5000 individual entries.
National Magazine
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Brahms Studies
The eight essays in Brahms Studies 2 provide a rich sampling of contemporary Brahms research. In his examination of editions of Brahms?s music, George Bozarth questions the popular notion that most of the composer?s music already exists in reliable critical editions. Daniel Beller-McKenna reconsiders the younger Brahms?s involvement in musical politics at midcentury. The cantata Rinaldo is the centerpiece of Carol Hess?s consideration of Brahms?s music as autobiographical statement. Heather Platt?s exploration of the twentieth-century reception of Brahms?s Lieder reveals that advocates of Hugo Wolf?s aesthetics have shaped the discourse concerning the composer?s songs and calls for an approa...
Motives for Allusion
Definitions -- Transformations -- Assimilative allusions -- Contrastive allusions -- Texting -- Inspiration -- Naming -- Allusive traditions and audiences -- Motives for allusion.
Beethoven Studies 3
The aim of this series is to present scholarly work on Beethoven, broad in range as well as meticulous in method.
Leonard Bernstein in Context
A wide-ranging introduction to one of the twentieth century's most famous cultural icons: pianist, conductor, composer and educator Leonard Bernstein.
Wagner's Melodies
Since the 1840s, critics have lambasted Wagner for lacking the ability to compose melody. But for him, melody was fundamental - 'music's only form'. This incongruity testifies to the surprising difficulties during the nineteenth century of conceptualizing melody. Despite its indispensable place in opera, contemporary theorists were unable even to agree on a definition for it. In Wagner's Melodies, David Trippett re-examines Wagner's central aesthetic claims, placing the composer's ideas about melody in the context of the scientific discourse of his age: from the emergence of the natural sciences and historical linguistics to sources about music's stimulation of the body and inventions for 'automatic' composition. Interweaving a rich variety of material from the history of science, music theory, music criticism, private correspondence and court reports, Trippett uncovers a new and controversial discourse that placed melody at the apex of artistic self-consciousness and generated problems of urgent dimensions for German music aesthetics.
Portents, Pill-Popping & Almighty Strops
London has entered the Eighties and skies are darkening everywhere as violence starts to flood into the capital. Together they embark on a global love story which is both moving and funny. But as they travel to Paris, Provence, Israel and New York, malevolence and violence threatens to overtake them. Eventually they must confront the demons now surrounding them – some of which, they realise to their horror – have been of their own making.
