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The Pimlico Companion to Parliament
George Canning describes his maiden speech in 1974, Benjamin Disraeli the vote that brought down Sir Robert Peel's administration in 1845. William Jerdan witnesses the assassination of a prime minister, Spencer Percival, in 1812, whilst diaries such as Charles Greville, Harold Nicolson and 'Chips' Channon record their time as MPs. The old refreshment parlour, Bellamy's Kitchen, is described by Charles Dickens, and other visitors include Thomas Carlyle, Nathaniel Hawthorne, Virginia Woolf and George Orwell. Here also, are writings by leser-known individuals, containing witty, dramatic or moving reflections on an institution whose wealth of history and tradition ia as absorbing as it is unique. 'In the immortal words of Chris Patten, I have been gob-smacked' by thE quality of the book. . . . I can't think of a better book to give to anyone remotely interested in Parliament'. David Mellor EVENING STANDARD. 'Wonderful, nobody who is, was or ever hopes to be an MP, and nobody who has ever been touched by the curious alchemy of the place, can fail to be drawn by Silvester's collection'. Matthew Parris, SUNDAY TIMES
World Without End
Following Rivers of Gold and The Golden Age, World Without End is the conclusion of a magisterial three-volume history of the Spanish Empire by Hugh Thomas, its foremost worldwide authority World Without End is the climax of Hugh Thomas's great history of the Spanish Empire in the Americas. It describes the conquest of Paraguay and the River Plate, of the Yucatan in Mexico, the only partial conquest of Chile, and battles with the French over Florida, and then, in the 1580s, the extraordinary projection of Spanish power across the Pacific to conquer the Philippines. More significantly, it describes how the Spanish ran the greatest empire the world had seen since Rome - as well as conquistador...
Bambi vs. Godzilla
From the Academy Award-nominated screenwriter and playwright: an exhilaratingly subversive inside look at Hollywood from a filmmaker who’s always played by his own rules. Who really reads the scripts at the film studios? How is a screenplay like a personals ad? Why are there so many producers listed in movie credits? And what on earth do those producers do anyway? Refreshingly unafraid to offend, Mamet provides hilarious, surprising, and refreshingly forthright answers to these and other questions about every aspect of filmmaking from concept to script to screen. A bracing, no-holds-barred examination of the strange contradictions of Tinseltown, Bambi vs. Godzilla dissects the movies with Mamet’s signature style and wit.
The Penguin Book of Interviews
A collection of interviews with: Karl Marx - Theodore Roosevelt - Rudyard Kipling - Christabel Pankhurst - Sigmund Freud - Adolf Hitler - Benito Mussolini - Joseph Stalin - Mahatma Gandhi - Marilyn Monroe - Mao Tse-tung - Margaret Thatcher - Arthur Miller - John F. Kennedy - John Lennon - Pablo Picasso - Sigmund Freud - Tolstoy - Ibsen - Oscar Wilde.
Dead Man in Paradise
At nightfall on June 22, 1965, a soldier walked in from the outskirts of a small town in the Dominican Republic and reported that he had just shot and killed two policemen and an outspoken Canadian Catholic priest. It was the opening scene in a mystery that, forty years later, compels J.B. MacKinnon, a nephew of the murdered missionary, to investigate what many believe was a carefully plotted assassination. MacKinnon’s search takes him to corners of the country that are far from the paradise seen by millions of tourist visitors. He meets with former revolutionaries, shadowy generals who live in hiding and the struggling Dominicans for whom the dead priest is a martyr, perhaps even a saint. Dead Man in Paradise is a true story with the suspense of a classic mystery novel, the immediacy of reportage and the insight of a travelogue. More than any of these, it is a personal examination of one of the gravest challenges of our times: finding a balance between our longing to hold the guilty to account for their crimes and the deep human need to forgive.
A Light in the Dark
In little more than a century of cinema - Birth of a Nation was one hundred years old in 2015 - our sense of what a film director is, or should be, has shifted in fascinating ways. A director was once a functionary; then an important but not decisive part of an industrial process; then accepted as the person who was and should be in charge, because he was an artist and a hero. But the world has changed. In a nutshell, the change takes the form of a question: Who directed The Sopranos or Homeland? Hardly anyone knows, because we don't tend to read TV credits and the director has returned to a more subservient and anonymous role. Directors now try to be efficient, the deliverers of profitable films, and are often involved as producers, like Steven Spielberg. David Thomson's brilliant A Light in the Dark personalises each chapter through an individual: Jean Renoir, Howard Hawks, Jean-Luc Godard, Alfred Hitchcock, Luis Bunuel, Orson Welles, Fritz Lang, Jane Campion, Stephen Frears and Quentin Tarantino. Through these characters (and other directors not mentioned here), David Thomson relates an imaginative new history of a medium that has changed the world.
The Last Good Time
The Last Good Time is a richly layered epic that brings to life a fascinating place, its politics, people, and culture, through the portrait of one of Atlantic City's most famous families--the powerful, flamboyant, and ultimately tragic D'Amatos. Paul "Skinny" D'Amato created and presided over the 500 Club, the celebrated supper club that entertained thousands of Americans and helped guide the careers of the great Rat Pack performers--Dean Martin, Sammy Davis Jr., and Frank Sinatra. Skinny was at the center of it all, hovering behind the scenes during the zenith of one of the world's most notorious playgrounds. Veteran magazine writer Jonathan Van Meter captures the volatile history of twent...
The Ancient Guide to Modern Life
It's time for us to re-examine the past. Our lives are infinitely richer if we take the time to look at what the Greeks and Romans have given us in politics and law, religion and philosophy and education, and to learn how people really lived in Athens, Rome, Sparta and Alexandria. This is a book with a serious point to make but the author isn't simply a classicist but a comedian and broadcaster who has made television and radio documentaries about humour, education and Dorothy Parker. This is a book for us all. Whether political, cultural or social, there are endless parallels between the ancient and modern worlds. Whether it's the murder of Caesar or the political assassination of Thatcher; the narrative arc of the hit HBO series The Wire or that of Oedipus; the popular enthusiasm for the Emperor Titus or President Obama - over and over again we can be seen to be living very much like people did 2,000 or more years ago.
The Kid Who Only Hit Homers
A boy becomes a phenomenal baseball player one summer when a mysterious stranger resembling Babe Ruth befriends him
