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THE SUNDAY TIMES BESTSELLER 'Compelling and stunningly written' THE TIMES 'Wildly exciting . . . a classic' SPECTATOR 'Flawless . . . poetic . . . superbly portrayed' DAILY TELEGRAPH Three men. Three short, glittering lives. Young English painter Christopher Wood arrives in Paris in 1921 set on becoming the next great master. By day he studies; by night he attends parties with Picasso and Cocteau before paying too high a price for success. Richard Hilary, a confident if unprincipled Spitfire pilot, is suffering from terrible burns after being shot down. But the operations to restore him haven't deterred him from returning to action. And Jeremy Wolfenden, the cleverest of his set at All Souls College, leaves it all behind to report on the Cold War. But his louche private life makes him a plaything for the intelligent services, taking him on a fateful journey between East and West. The Fatal Englishman is a stunning tale of three short lives that burned brightly from a master storyteller.
"In this authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of writings, episodes, and personalities, this original and accessible account of the development of art-historical thinking will appeal to readers both inside and outside the discipline. The book shows that the pioneering chroniclers of the Italian Renaissance--Lorenzo Ghiberti and Giorgio Vasari--measured every epoch against fixed standards of quality. Only in the Romantic era did art historians discover the virtues of medieval ...
Looking in depth at the artist's life and work in both places, this work highlights the extent to which his pictures of Cornouaille were imbued with resonances and memories of Cornwall. Around 40 works are illustrated and discussed.
A story of a forgotten friendship explored through personal diaries and archive writings.
The Victorian era and its aftermath were the backdrop to one of the great flowerings of British art. Taking the story of British art from the era of Romanticism to the formal and aesthetic breakthrough of Post-Impressionism, this book offers a definitive survey of the field.
'Meticulously researched yet accessible' GeographicalStanding in the busy streets of South London today, it is hard to imagine that much of this suburban townscape was once a vast wood, stretching unbroken for almost seven miles from Croydon to the Thames at Deptford. In The Wood That Built London, C.J. Schüler takes us on a journey through time, telling tales of invaders and trade guilds, map makers and soldiers, royals and working class people. From the 8th century to current conservation efforts, Schüler offers a fresh perspective on London's history, with tales of murder, Anglo-Saxon treasure, fires, pandemics, the blitz and more along the way. This compelling narrative history charts the fortunes of the North Wood from the earliest times: its ecology, ownership, management, and its gradual encroachment by the expanding metropolis.
One last thing before I go . . . True stories of doomed figures from British history—and what they announced to the world as the Grim Reaper drew near. Nothing focuses the mind more starkly than impending death. In this book, you can mount the scaffold and share in the final utterings of the condemned, and join the stricken in their deathbeds as their deeply entrenched secrets are finally unshackled. Famous Last Words collects a fascinating selection of destinies, culminating in their often flamboyant, always captivating comments just before they shuffled off this mortal coil. Revealed inside are tales of sangfroid bravery, astonishing ironies, and overdue confessions often betraying grave...
In the early sixteenth century, Albrecht Altdorfer promoted landscape from its traditional role as background to its new place as the focal point of a picture. His paintings, drawings, and etchings appeared almost without warning and mysteriously disappeared from view just as suddenly. In Albrecht Altdorfer and the Origins of Landscape, Christopher S. Wood shows how Altdorfer transformed what had been the mere setting for sacred and historical figures into a principal venue for stylish draftsmanship and idiosyncratic painterly effects. At the same time, his landscapes offered a densely textured interpretation of that quintessentially German locus—the forest interior. This revised and expanded second edition contains a new introduction, revised bibliography, and fifteen additional illustrations.
Credulity -- Reference by artifact -- Germany and "Renaissance"--Forgery -- Replica -- Fiction -- Re-enactment.
Environmental Impact Assessment (EIA) has become a vital management tool worldwide. EIA is a means of evaluating the likely consequences of a proposed major action which will significantly affect the environment, before that action is taken.This new edition of Wood's key text provides an authoritative, international review of environmental impact assessment, comparing systems used in the UK, USA, the Netherlands, Canada, the Commonwealth of Australia and New Zealand and South Africa.