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Released in 1969, the film Battle of Britain went on to become one of the most iconic war movies ever produced. The film drew many respected British actors to accept roles as key figures of the battle, including Sir Laurence Olivier as Hugh Dowding and Trevor Howard as Keith Park. It also starred Michael Caine, Christopher Plummer and Robert Shaw as squadron leaders. As well as its large all-star international cast, the film was notable for its spectacular flying sequences which were on a far grander scale than anything that had been seen on film before. At the time of its release, Battle of Britain was singled out for its efforts to portray the events of the summer of 1940 in great accuracy...
Prince, Pen, and Sword offers a synoptic interpretation of rulers and elites in Eurasia from the fourteenth to the eighteenth century. Four core chapters zoom in on the tensions and connections at court, on the nexus between rulers and religious authority, on the status, function, and self-perceptions of military and administrative elites respectively. Two additional concise chapters provide a focused analysis of the construction of specific dynasties (the Golden Horde and the Habsburgs) and narratives of kingship found in fiction throughout Eurasia. The contributors and editors, authorities in their fields, systematically bring together specialised literature on numerous Eurasian kingdoms and empires. This book is a careful and thought-provoking experiment in the global, comparative and connected history of rulers and elites.
The history of the Schneider Trophy is the history of aircraft development. When Jacques Schneider devised and inaugurated the Coupe d’Aviation Maritime race for seaplanes in 1913, no-one could have predicted the profound effect the Series would have on aircraft design and aeronautical development, not to mention world history. Howard Pixton’s 1914 victory in a Sopwith Tabloid biplane surprisingly surpassed the performance of monoplanes and other manufacturers turned back to biplanes. During The Great War aerial combat was almost entirely conducted by biplanes, with their low landing speeds, rapid climb rates and maneuverability. Post-war the Races resumed in 1920. The American Curtiss r...
The Pen and the Sword is the only comprehensive examination of how the media have covered the 21st century's #1 news story: terrorism and the wars in Afghanistan and Iraq. This is the full story-from 9/11 to the Obama doctrine-including
A “well-done” pictorial history of the legendary fighter plane “that both enthusiasts and modelers alike will enjoy”(ModelingMadness). If ever there was a real pilot’s airplane it was the Hunter: an outstanding multipurpose aircraft which excelled in the roles of interceptor fighter, ground attack, reconnaissance, research vehicle, and two-seater trainer, not forgetting its dramatic formation aerobatic performances. For decades, pilots have enthused about the Hunter, extolling the virtues of its smooth, aerodynamic lines, 4 x 30mm cannon, the Rolls-Royce Avon engine, and its outstandingly honest handling characteristics combined with a lively performance. It saw operational deploym...
Addressing the ever-changing, overlapping trajectories of war and journalism, this introduction to the history and culture of modern American war correspondence considers a wealth of original archival material. In powerful analyses of letters, diaries, journals, television news archives, and secondary literature related to the U.S.'s major military conflicts of the twentieth century, Mary S. Mander highlights the intricate relationship of the postmodern nation state to the free press and to the public. Pen and Sword: American War Correspondents, 1898-1975 situates war correspondence within the larger framework of the history of the printing press to make perceptive new points about the natur...
An innovative study of the Macedonian war machine’s sarissa-wielding infantry under such leaders as Philip II and Alexander the Great. The Hellenistic pike-phalanx was a true military innovation, transforming the face of warfare in the ancient world. For nearly 200 years, from the rise of the Macedonians as a military power in the mid-fourth century BC, to their defeat at the hands of the Romans at Pydna in 168BC, the pike-wielding heavy infantryman (the phalangite) formed the basis of nearly every Hellenistic army to deploy on battlefields stretching from Italy to India. And yet, despite this dominance, and the vast literature dedicated to detailing the history of the Hellenistic world, t...
This collection of studies on Bulgarian history, culture, and civilization by the late distinguished scholar James F. Clarke is published in a critical edition edited by Dennis P. Hupchick.
In The Sword and the Pen: Women, Politics, and Poetry in Sixteenth-Century Siena, Konrad Eisenbichler analyzes the work of Sienese women poets, in particular, Aurelia Petrucci, Laudomia Forteguerri, and Virginia Salvi, during the first half of the sixteenth century up to the fall of Siena in 1555. Eisenbichler sets forth a complex and original interpretation of the experiences of these three educated noblewomen and their contributions to contemporary culture in Siena by looking at the emergence of a new lyric tradition and the sonnets they exchanged among themselves and with their male contemporaries. Through the analysis of their poems and various book dedications to them, Eisenbichler reve...
German POWs held in England during WWI record their experience in this volume of detailed accounts, diary entries, drawings, and more. In Munich in 1920, just after the end of the First World War, German prisoners of war in England published a book they had written and smuggled back home. Through vivid text and illustrations, they describe their experience of life in a camp at Skipton in Yorkshire. Their work, now translated into English for the first time, gives us a unique insight into their feelings about the war, their captors, and their longing to go home. In their own words they record prison camp conditions, daily routines, their relationship with the prison authorities, their activities and entertainment, and their thoughts of their homeland. The challenges and privations they faced are part of their story, as is the community they created within the confines of the camp. The whole gamut of their existence is portrayed here, in particular through their drawings and cartoons which are reproduced alongside the translation. German Prisoners of the Great War offers an inside view of a hitherto neglected aspect of the wartime experience.