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Delving into a hitherto unexplored aspect of Irish art history, Painting Dublin, 1886–1949 examines the depiction of Dublin by artists from the late-nineteenth to the mid-twentieth century. Artists’ representations of the city have long been markers of civic pride and identity, yet in Ireland such artworks have been overlooked in favour of the rural and pastoral. Framed by the shift from city of empire to capital of an independent republic, this book examines artworks by Walter Osborne, Rose Barton, Jack B. Yeats, Harry Kernoff, Estella Solomons and Flora Mitchell, encompassing a variety of urban views and artistic themes. While Dublin is already renowned for its representation in literature, this book will demonstrate the many attractions it held for Ireland’s artists, offering a vivid visualisation of the city’s streets and inhabitants at a crucial time in its history.
Art and the Nation State is a wide-ranging study of the reception and critical debate on modernist art from the foundation of the Irish Free State in 1922 to the end of the modernist era in the 1970s. Drawing on art works, media coverage, reviews, writings and the private papers of key Irish and international artists, critics and commentators including Samuel Beckett, Thomas MacGreevy, Clement Greenberg, James Johnson Sweeney, Herbert Read and Brian O'Doherty, the study explores the significant contribution of Irish modernist art to post-independence cultural debate and diverging notions of national Irish identity. Through an analysis of major controversies, the book examines how the reputat...
This text explores artists' visualisations of Dublin during a key period of the city's political and social history. Based on close and contextual readings of original paintings and prints, along with new archival research, it shows how artists in Ireland creatively responded to the urban environment where they lived and worked.
Sarah Cecilia Harrison (1863-1941) was one of Dublin's finest portrait painters but also immersed herself in the political and social fabric of Dublin life, becoming the first female City Councillor in 1912. Deeply involved in philanthropic, political, civic and artistic efforts, she was a staunch supporter and ally of Hugh Lane in the establishment of a modern art gallery for Dublin. In tandem with her artistic talents, Harrison was a progressive and enlightened woman but her contribution to the cultural and political life of Dublin has previously been overlooked. This publication, generously illustrated with paintings by Harrison, will restore and champion Harrison's position as a woman who not only was a notable artistic talent but also made major contributions to the social and cultural fabric of Dublin life.
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"Reflecting the seismic changes in Ireland's political, social, economic, and cultural realities of the 1990s, contemporary Irish artists have begun to redefine identities, raising questions about the relationships between male and female, urban and rural, North and South, history and the present. The struggle over identities, which used to marginalize Ireland and societies like it, has now become central to debates around the globe." "This strikingly illustrated book presents a reading of Irish art in the 1990s and examines the repositioning of Irish identity in works drawn primarily from the collection of the Irish Museum of Modern Art, Dublin." "The artists examined, including Kathy Prend...
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Traces the history of Irish art from the World War II to the present day, within the context of political and cultural development. The author focuses on the visual arts in Ireland, refusing to establish a criteria for Irishness, and discusses non-Irish artists living in Ireland.