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SHORTLISTED FOR THE AN POST IRISH CRIME NOVEL OF THE YEAR ‘A superb novel, evoking a bygone era when women could not afford to put a foot wrong’ SUNDAY TIMES ‘This isn't just a mystery novel: it's a window into a vanished world’ TANA FRENCH Some stories demand to be told. They keep coming back, echoing down through the decades, until they find a teller . . . Dublin, 1943 Actress Julia Bridges disappears. Her body is never found. Dublin, 1968 The bones of Julia Bridges are discovered in a back garden. Nicoletta Sarto, an ambitious junior reporter for the Irish Sentinel, investigates the mystery of Julia’s disappearance, drawing her into the tangled underworld of the illegal abortion...
After her ex-boyfriend died, Sam pretty much wasnt expecting to meet Ethan so soon, another gorgeous guy. But after they meet, things start spiralling out of control. Ethans ex-best friend, Blake starts causing catastrophic havoc. And while new people come into the picture Sam and Ethan fi ght for freedom and fi ght to save their lives. Would you be willing to risk everything for the one you loved?
The hauntingly atmospheric follow-up to the acclaimed crime debut, Where They Lie. Dublin, summer 1970, and Nicoletta Sarto is juggling work as the women’s editor at the Irish Sentinel with two twin baby girls at home. When she’s approached by a barrister, Louise Leonard, whose aunt has just died, she’s drawn into a story that could have dangerous consequences. Was Helen Leonard murdered, as her niece thinks? And who was the mysterious nurse who has now vanished, but to whom Helen left everything? As Nicoletta investigates, she has to fight not only her own family’s disapproval of her being a working mother, but also society’s. And as she slowly unpicks the mystery of Helen Leonard...
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The crime fiction world of the late 1970s, with its increasingly diverse landscape, is a natural beginning for this collection of critical studies focusing on the intersections of class, culture and crime--each nuanced with shades of gender, ethnicity, race and politics. The ten new essays herein raise broad and complicated questions about the role of class and culture in transatlantic crime fiction beyond the Golden Age: How is "class" understood in detective fiction, other than as a socioeconomic marker? Can we distinguish between major British and American class concerns as they relate to crime? How politically informed is popular detective fiction in responding to economic crises in Scotland, Ireland, England and the United States? When issues of race and gender intersect with concerns of class and culture, does the crime writer privilege one or another factor? Do values and preoccupations of a primarily middle-class readership get reflected in popular detective fiction?
A blockbuster collection from one of Ireland’s most exciting young voices: “Sharp and lively . . . a rough, charged, and surprisingly fun read” (Interview). A National Book Foundation 5 Under 35 Honoree * Winner of the Frank O’Connor International Short Story Award * Winner of the Guardian First Book Award * Winner of the Rooney Prize for Irish Literature Enter the small, rural town of Glanbeigh, a place whose fate took a downturn with the Celtic Tiger, a desolate spot where buffoonery and tension simmer and erupt, and booze-sodden boredom fills the corners of every pub and nightclub. Here, and in the towns beyond, the young live hard and wear the scars. Amongst them, there’s jilte...
Genetics for Health Professionals in Cancer Care equips health professionals with the knowledge and skills required for all aspects of managing cancer family history, including discussing the challenges raised, and provides practical guidance on setting up a cancer family history clinic in primary and secondary care.
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