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"Sculptors and Design Reform in France, 1848 to 1895 "
Challenging distinctions between fine and decorative art, this book begins with a critique of the Rodin scholarship, to establish how the selective study of his oeuvre has limited our understanding of French nineteenth-century sculpture. The book's central argument is that we need to include the decorative in the study of sculpture, in order to present a more accurate and comprehensive account of the practice and profession of sculpture in this period. Drawing on new archival sources, sculptors and objects, this is the first sustained study of how and why French sculptors collaborated with state and private luxury goods manufacturers between 1848 and 1895. Organised chronologically, the book...
Information Modelling for Archaeology and Anthropology
This unique text/reference reviews the key principles and techniques in conceptual modelling which are of relevance to specialists in the field of cultural heritage. Information modelling tasks are a vital aspect of work and study in such disciplines as archaeology, anthropology, history, and architecture. Yet the concepts and methods behind information modelling are rarely covered by the training in cultural heritage-related fields. With the increasing popularity of the digital humanities, and the rapidly growing need to manage large and complex datasets, the importance of information modelling in cultural heritage is greater than ever before. To address this need, this book serves in the p...
The Man in the Monkeynut Coat
Tells the story of the English physicist and molecular biologist William T. Astbury and how his work forms a previously untold chapter in the story of the discovery of the structure of DNA.
Ritual in Early Bronze Age Grave Goods
The exotic and impressive grave goods from burials of the ÔWessex CultureÕ in Early Bronze Age Britain are well known and have inspired influential social and economic hypotheses, invoking the former existence of chiefs, warriors and merchants and high-ranking pastoralists. Alternative theories have sought to explain the how display of such objects was related to religious and ritual activity rather than to economic status, and that groups of artefacts found in certain graves may have belonged to religious specialists. This volume is the result of a major research that aimed to investigate Chalcolithic and Early Bronze Age grave goods in relation to their possible use as special dress acce...
French Furniture and Gilt Bronzes
"Each object is described and analyzed in terms of its provenance and published history, as well as its construction, materials, and conservation. With its painstaking attention to detail, this volume is the definitive catalogue of the Getty Museum's collection of French Baroque furniture and will be of interest to scholars, conservators, and all students of French decorative arts."--BOOK JACKET.
Moving Rooms
Since at least Tudor times there have been architectural salvages: panelling, chimney pieces, doorways, or any fixtures and fittings might be removed from an old interior to be replaced by more fashionable ones. Not surprisingly a trade developed and architects, builders, masons, and sculptors sought out these salvages. By 1820 there was a growing profession of brokers and dealers in London, and a century later antique shops were commonplace throughout England. This fascinating book documents the break-up, sale, and re-use of salvages in Britain and America, where the fashion for so-called “Period Rooms” became a mainstay of the transatlantic trade. Much appreciated by museum visitors, period rooms have become something of a scholarly embarrassment, as research reveals that many were assembled from a variety of sources. One American embraced the trade as no other--the larger-than-life William Randolph Hearst--who purchased tens of thousands of architectural salvages between 1900 and 1935.
Victorian Radicals
Drawn from Birmingham Museums Trust's incomparable collection of Victorian art and design, this exhibition will explore how three generations of young, rebellious artists and designers, such as Edward Burne-Jones, John Everett Millais, and Dante Gabriel Rossetti, revolutionized the visual arts in Britain, engaging with and challenging the new industrial world around them.
Science Year by Year
From the wheel to the worldwide web, our planet has been transformed by science. Now you can travel through time to experience centuries of invention and innovation on this spectacular visual voyage of discovery. ? Starting in ancient times and ending up in the modern world, you'll explore scientific history showcased in stunning images and captivating text. An easy-to-follow illustrated timeline runs throughout the book, keeping you informed of big breakthroughs and key developments. Get to grips with revolutionary ideas like measuring time or check out amazing artefacts like flying machines. Great geniuses, including Marie Curie, Albert Einstein, and Charles Darwin are introduced alongside their most important ideas and inventions, all shown in glorious detail.? Hundreds of pages of history are covered in Science Year by Year, with global coverage of scientific advances. Whether you're joining in with eureka moments, inspecting engines, or learning about evolution, all aspects of science are covered from the past, present, and future.
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The Museum Age in Austria-Hungary
This important critical study of the history of public art museums in Austria-Hungary explores their place in the wider history of European museums and collecting, their role as public institutions, and their involvement in the complex cultural politics of the Habsburg Empire. Focusing on institutions in Vienna, Cracow, Prague, Zagreb, and Budapest, The Museum Age in Austria-Hungary traces the evolution of museum culture over the long nineteenth century, from the 1784 installation of imperial art collections in the Belvedere Palace (as a gallery open to the public) to the dissolution of Austria-Hungary after the First World War. Drawing on source materials from across the empire, the authors...
