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Liberalism, Nationalism and Design Reform in the Habsburg Empire
Liberalism, Nationalism and Design Reform in the Habsburg Empire is a study of museums of design and applied arts in Austria-Hungary from 1864 to 1914. The Museum for Art and Industry (now the Museum of Applied Arts) as well as its design school occupies a prominent place in the study. The book also gives equal attention to museums of design and applied arts in cities elsewhere in the Empire, such as Budapest Prague, Cracow, Brno and Zagreb. The book is shaped by two broad concerns: the role of liberalism as a political, cultural and economic ideology motivating the museums’ foundation, and their engagement with the politics of imperial, national and regional identity of the late Habsburg Empire. This book will be of interest for scholars of art history, museum studies, design history, and European history.
The Museum Age in Austria-Hungary
This important critical study of the history of public art museums in Austria-Hungary explores their place in the wider history of European museums and collecting, their role as public institutions, and their involvement in the complex cultural politics of the Habsburg Empire. Focusing on institutions in Vienna, Cracow, Prague, Zagreb, and Budapest, The Museum Age in Austria-Hungary traces the evolution of museum culture over the long nineteenth century, from the 1784 installation of imperial art collections in the Belvedere Palace (as a gallery open to the public) to the dissolution of Austria-Hungary after the First World War. Drawing on source materials from across the empire, the authors...
The Museum Age in Austria-Hungary
"Focusing on institutions in Vienna, Cracow, Prague, Zagreb, and Budapest, The Museum Age in Austria-Hungary traces the evolution of museum culture over the long nineteenth century, from the 1784 installation of imperial art collections in the Belvedere Palace (as a gallery open to the public) to the dissolution of Austria-Hungary after the First World War. Drawing on source materials from across the empire, the authors reveal how the rise of museums and display was connected to growing tensions between the efforts of Viennese authorities to promote a cosmopolitan and multinational social, political, and cultural identity, on the one hand, and, on the other, the rights of national groups and cultures to self-expression. They demonstrate the ways in which museum collecting policies, practices of display, and architecture engaged with these political agendas and how museums reflected and enabled shifting forms of civic identity, emerging forms of professional practice, the production of knowledge, and the changing composition of the public sphere."--
THEIR SAFE HAVEN
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Civilizing Rituals
Illustrated with over fifty photos, Civilizing Rituals merges contemporary debates with lively discussion and explores central issues involved in the making and displaying of art as industry and how it is presented to the community. Carol Duncan looks at how nations, institutions and private individuals present art , and how art museums are shaped by cultural, social and political determinants. Civilizing Rituals is ideal reading for students of art history and museum studies, and professionals in the field will also find much of interest here.
The Nitrian Principality: The Beginnings of Medieval Slovakia
In The Nitrian Principality: The Beginnings of Medieval Slovakia Ján Steinhübel offers an account of the early medieval West Slavic realm which laid the national, territorial and historical foundations of Slovakia.
The Other Fleet Street
Dating back to the early 1900's The Other Fleet is an insight into the life and times of national newspapers in Manchester.
Jogtudományi közlöny
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Christianization and the Rise of Christian Monarchy
This 2007 text is a comparative, analysis of one of the most fundamental stages in the formation of Europe. Leading scholars explore the role of the spread of Christianity and the formation of new principalities in the birth of Denmark, Norway, Sweden, Bohemia, Hungary, Poland and Rus' around the year 1000. Drawing on history, archaeology and art history, and emphasizing problems related to the sources and historiographical debates, they demonstrate the complex interdependence between the processes of religious and political change, covering conditions prior to the introduction of Christianity, the adoption of Christianity, and the development of the rulers' power. Regional patterns emerge, highlighting both the similarities in ruler-sponsored cases of Christianization, and differences in the consolidation of power and in institutions introduced by Christianity. The essays reveal how local societies adopted Christianity; medieval ideas of what constituted the dividing line between Christians and non-Christians; and the connections between Christianity and power.
