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›res vera, res ficta‹: Fictionality in Ancient Epistolography
Letters are famously easy to recognise, notoriously hard to define. Both real and fictitious letters can look identical to the point that there are no formal criteria which can distinguish one from the other. This has long been a point of anxiety in scholarship which has considered the value of an ancient letter to be determined by its authenticity, necessitating a strict binary opposition of genuine as opposed to fake letters. This volume challenges this dichotomy directly. Rather than defining epistolary fiction as a literary genre in opposition to ‘genuine’ letters or reducing it down to fixed rhetorical features, it argues that fiction is an inherent and fluid property of letters whi...
›res vera, res ficta‹: Fictionality in Ancient Epistolography
Letters are famously easy to recognise, notoriously hard to define. Both real and fictitious letters can look identical to the point that there are no formal criteria which can distinguish one from the other. This has long been a point of anxiety in scholarship which has considered the value of an ancient letter to be determined by its authenticity, necessitating a strict binary opposition of genuine as opposed to fake letters. This volume challenges this dichotomy directly. Rather than defining epistolary fiction as a literary genre in opposition to ‘genuine’ letters or reducing it down to fixed rhetorical features, it argues that fiction is an inherent and fluid property of letters whi...
›res Vera, Res Ficta‹
Letters are famously easy to recognise, notoriously hard to define. Both real and fictitious letters can look identical to the point that there are no formal criteria which can distinguish one from the other. This has long been a point of anxiety in scholarship which has considered the value of an ancient letter to be determined by its authenticity, necessitating a strict binary opposition of genuine as opposed to fake letters. This volume challenges this dichotomy directly. Rather than defining epistolary fiction as a literary genre in opposition to 'genuine' letters or reducing it down to fixed rhetorical features, it argues that fiction is an inherent and fluid property of letters which a...
Two's Company, Three You Die!
Claire Daniels and Rachel Jackson, co-directors of the Carter Foundation, a multi-billion-dollar international organization that monitors metaphysical anomalies too large for single nations, must solve their greatest crisis yet. Entire island chains are sinking, killing everyone on them. With a trail that leads from New Hampshire to Chicago to England and then around the world to Easter Island, the special agents form a band of specialists to stop a madman and his group from destroying the world and bringing about the second great flood. This is Claire Daniels at her best. Fast cars, loud music, high fashion, and a backdrop of millions of years of war and imprisonment whisk the reader through a landscape filled with villains and heroes of the highest character. Once you pick this one up you'll have to finish it.
The Oxford Handbook of the Second Sophistic
The study of the Second Sophistic is a relative newcomer to the Anglophone field of classics, and much of what characterizes it temporally and culturally remains a matter of legitimate contestation. This Handbook offers a diversity of scholarly voices that attempt to define the state of this developing field. Included are chapters that offer practical guidance on the wide range of valuable textual materials that survive, many of which are useful or even core to inquiries of particularly current interest (e.g., gender studies, cultural history of the body, sociology of literary culture, history of education and intellectualism, history of religion, political theory, history of medicine, cultural linguistics, intersection of the classical traditions and early Christianity).
Ancient Love Letters
This volume investigates the form of love letters and erotic letters in Greek and Latin up to the 7th Century CE, encompassing both literary and documentary letters (the latter inscribed and on papyrus), and prose and poetry. The potential for, and utility of treating this large and diverse corpus as a ‘genre’ is examined. To this end, approaches from ancient literary criticism and modern theory of genre are made; mutual influences between the documentary and the literary form are sought; and origins in proto-epistolary poetic texts are examined. In order to examine the boundaries of a form, limit cases, which might have less claim to the label ‘love letter’, are compared with more c...
Some Organic Readings in Narrative, Ancient and Modern
This volume in honour of John Morgan contains seventeen essays by colleagues, research students, and post-doctoral researchers who have worked with and been influenced by him during his 40 years in Swansea, up to and beyond his retirement in 2015. It is designed to reflect the esteem and affection in which the honorand is held, as teacher, supervisor, colleague, and friend. All the contributions reflect John Morgan's interests, with a particular focus on narrative, which has always been at the forefront of his teaching and research: he has elucidated the forms, structures, strategies, and functions of numerous ancient narratives, especially fictional, in a voluminous body of scholarship. The...
Plutarch and Rhetoric
A fundamental reappraisal of Plutarch’s attitude towards rhetoric. Plutarch was not only a skilled writer, but also lived during the Second Sophistic, a period of cultural renaissance. This book offers new insights into Plutarch’s seemingly moderate attitude towards rhetoric. The hypothesis explored in this study introduces, for the first time, the broader literary and cultural contexts that influenced and restricted the scope of Plutarch’s message. When these contexts are considered, a new perspective emerges that differs from that found in earlier studies. It paints a picture of a philosopher who may not regard rhetoric as a lesser means of persuasion, but who faces challenges in openly articulating this stance in his public discourse.
Mythological Narratives
This book is about the bold, beautiful, and faithful heroines of the Greek novels and their mythical models, such as Iphigenia, Phaedra, Penelope, and Helen. The novels manipulate readerly expectations through a complex web of mythical variants and constantly negotiate their adventure and erotic plot with that of traditional myths becoming, thus, part of the imperial mythical revision to which they add the prospect of a happy ending.
Unveiled Hearts
Will Matt and Claire learn to have faith in each other long enough to discover an unbreakable love? Mathew Price's vision remains elusive after being blinded in a car accident, and it's turned his entire life upside down. Depending on others for help frustrates him and is a blow to his pride. He pushes everyone away, especially the one woman he has always cared about. Now that he is handicapped, Matt doesn't think he has a right to tell her how he feels. Claire Jackson has secretly loved Matt for awhile. When he was injured, her heart hurt for him. She helps him, even when he does everything he can to push her aside, until one day something horrible occurs that could destroy them forever. As danger lurks on the horizon, can they trust each other and finally accept they belong together?
