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Willem de Kooning
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Frottages
De l'œuvre picturale de Michaux (né en 1899) déjà largement diffusée depuis plus d'une trentaine d'années, il restait encore à découvrir les frottages, élaborés pendant la Seconde Guerre mondiale. Ce livre est le premier à leur être consacré en présentant deux grands carnets à dessin restés complètement inédits. La technique enfantine du frottage acquiert une véritable place dans l'histoire de l'art en 1925 grâce à Max Ernst, qui l'utilise conjointement à d'autres méthodes "automatiques" dans le cadre des recherches surréalistes sur l'inconscient. Ce procédé consiste à frotter une mine de plomb sur une feuille de papier posée contre une surface rugueuse (écorce, ...
Brancusi
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Playing with Fire
European sculptors of the Neoclassical period often modelled their works in clay before producing finished pieces in marble. This book offers a comprehensive overview of Neoclassical terracotta models by European artists, featuring the works of0. Pajou, Houdon, and Canova, among many others.
The Painted Word
Exploring Beckett's relationship with the visual arts and its influence on his creative expression
Abstract Expressionism and Other Modern Works
An exhibition organized by the Metropolitan Museum of Art of the Muriel Kallis Steinberg Newman Collection which comprises sixty-three modern paintings, sculptures and works on paper by fifty artists. The Abstract Expressionist paintings that form the heart of this collection were nearly all created in New York City.
Appel
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The Art of the Text
The Art of the Text contributes to the fast-developing dialogue between textual studies and visual culture studies. It focuses on the processes through which writers think and readers respond visually and, in essays by researchers in literature, screen and visual studies, the volume explores the visuality of the literary and non-literary text, with a sustained focus on French material of the later nineteenth and twentieth centuries. Visuality is appraised here not as a state, but as a set of processes of adaptation, resistance, negotiation, and transformation. By reading visually, the contributors here reactivate the visual-textual relations of canonical texts - from Romanticism to Naturalism, Surrealism to high Modernism; from film to fan literature, television to picture language.
