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Towards a Nordic textile strategy
This report is the primary outcome from Part I of the project “Towards a Nordic textile strategy - Collection, sorting, reuse and recycling of textiles” initiated by the Nordic Waste Group (NAG). The report for Part 2 will be published in December 2014. This report summarizes the work carried out in 2013. The three subreports will be the basis for the work to be performed in 2014. The reports for 2013 are: • International market survey of textile flows in the Nordic region and the market for collection, sorting, preparing for reuse, reselling and waste management of textiles. • Collection and sorting systems A total of 19 collection systems are compared for collection flows, contamination levels, cost, suitability of collected textile and availability for the consumer. Four sorting systems are described. • Technology review of sorting and recycling of textiles that describes available and future technology. The report is part of the Nordic Prime Ministers’ overall green growth initiative: “The Nordic Region – leading in green growth.” Read more in the web magazine “Green Growth the Nordic Way” at www.norden.org/greengrowth.
Fascist Modernities
This cultural history of Mussolini's dictatorship discusses the meanings of modernity in interwar Italy. The work argues that fascism appealed to many Italian intellectuals as a new model of modernity that would resolve the European crisis as well as long-standing problems of the national past.
Dutch and Portuguese in Western Africa
More than fifty years have passed since Charles Boxer wrote his major works on the Dutch-Portuguese rivalries in the Atlantic and attributed the successful takeover of North-eastern Brazil, Angola, São Tomé and the Gold Coast forts by the WIC to the superior naval power of the Dutch.This book reexamines the systems of settlement and trade of these States and their subjects in Western Africa and the Atlantic, offering a fresh insight on discussions about the success and failure of Dutch and Portuguese States, Companies and Merchants in the seventeenth-century-Atlantic.
How Fascism Ruled Women
"For the common reader as well as the professional one, Victoria de Grazia opens doors and sheds new light on a fascinating subject."—Mary Gordon, author of The Other Side
Blanca Andreu, Galicia, and the New Iberian Mysticism
This book contributes to the ongoing discussion of the place of contemporary Galician writer Blanca Andreu’s work within the 1980s post-“novísimo” movement, as part of a larger resurgence of the Surrealist in Spanish poetry and its possible placement in the more recent mystical poetry of Spain. It provides a detailed textual analysis of her poetry, and in doing so reveals not only that her work encompasses notions of the surreal and the mystical but also, although Andreu has so far written entirely in Castilian (Spanish), that her poetry utilizes a variety of traditional Galician and Portuguese symbols and images. In this way her work challenges the boundaries between what we as readers may accept as a solely Castilian, Galician, or Spanish poetic. It bases its transtheoretical framework on findings from such fields as Galician studies, Iberian studies, mysticism studies, paradigm shift studies, and regional studies over the past two decades. Ultimately, this comprehensive and unique study shows how Andreu’s multifaceted transnational work may pertain to, and expand, our knowledge of each of these areas of focus.
Architecture and the Novel under the Italian Fascist Regime
Architecture and the Novel under the Italian Fascist Regime discusses the relationship between the novel and architecture during the Fascist period in Italy (1922-1943). By looking at two profoundly diverse aesthetic phenomena within the context of the creation of a Fascist State art, Billiani and Pennacchietti argue that an effort of construction, or reconstruction, was the main driving force behind both projects: the advocated “revolution” of the novel form (realism) and that of architecture (rationalism). The book is divided into seven chapters, which in turn analyze the interconnections between the novel and architecture in theory and in practice. The first six chapters cover debates on State art, on the novel and on architecture, as well as their historical development and their unfolding in key journals of the period. The last chapter offers a detailed analysis of some important novels and buildings, which have in practice realized some of the key principles articulated in the theoretical disputes.
