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The Design, Production and Reception of Eighteenth-Century Wallpaper in Britain
Wallpaper’s spread across trades, class and gender is charted in this first full-length study of the material’s use in Britain during the long eighteenth century. It examines the types of wallpaper that were designed and produced and the interior spaces it occupied, from the country house to the homes of prosperous townsfolk and gentry, showing that wallpaper was hung by Earls and merchants as well as by aristocratic women. Drawing on a wide range of little known examples of interior schemes and surviving wallpapers, together with unpublished evidence from archives including letters and bills, it charts wallpaper’s evolution across the century from cheap textile imitation to innovative...
Land for Industrial Development
This book provides a detailed account of the processes of land supply, land exchange and land development for manufacturing industry. It has a practical case-study based approach which provides an understanding of the motives and behaviour of critical factors in the development process.
Evidence-Based Practice for Occupational Therapists
EVIDENCE-BASED PRACTICE FOR OCCUPATIONAL THERAPISTS Evidence-based practice (EBP) is one of the driving forces in current healthcare practice. Occupational therapists recognise the need for research and for an evidence-based approach to interventions, but can need guidance on how to do this. This book aims to make evidence-based practice accessible and relevant to occupational therapists using examples from therapy practice. It will provide them with the skills to search for and access the required evidence to underpin or question practice. Publication of the first edition of this book in 2000 signaled the receptiveness of the occupational therapy community toward evidence-based practice. Th...
John Clare and Community
John Clare (1793-1864) is one of the most sensitive poetic observers of the natural world. Born into a rural labouring family, he felt connected to two communities: his native village and the Romantic and earlier poets who inspired him. The first part of this study of Clare and community shows how Clare absorbed and responded to his reading of a selection of poets including Chatterton, Bloomfield, Gray and Keats, revealing just how serious the process of self-education was to his development. The second part shows how he combined this reading with the oral folk-culture he was steeped in, to create an unrivalled poetic record of a rural culture during the period of enclosure, and the painful transition to the modern world. In his lifelong engagement with rural and literary life, Clare understood the limitations as well as the strengths in communities, the pleasures as well as the horrors of isolation.
Beyond the Pale
How have ideas about white women figured in the history of racism? Vron Ware argues that they have been central, and that feminism has, in many ways, developed as a political movement within racist societies. Dissecting the different meanings of femininity and womanhood, Beyond the Pale examines the political connections between black and white women, both within contemporary racism and feminism, as well as in historical examples like the anti-slavery movement and the British campaign against lynching in the United States. Beyond the Pale is a major contribution to anti-racist work, confronting the historical meanings of whiteness as a way of overcoming the moralism that so often infuses anti-racist movements.
Sometimes I Lie
My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?
All the Things You Are
When her husband and two daughters disappear, housewife Clare Taylor discovers that her ordinary domestic life has been built on a lie. About to turn forty, her youthful dreams of becoming an actress abandoned, there's no doubt in her mind that suburban wife and mother-of-two Clare Taylor has settled. A wild week in Chicago may have shaken things up a bit, but as she turns her key in her Madison, Wisconsin home on the eve of Hallowe'en, she knows that what happened with her ex was nothing more than a distraction, that this is where her life is. Except it's all gone. The furniture gone, the house stripped, her husband Danny, her daughters, all gone; no message; no note, nothing. Outside in the dark, searching for a sign, she steps in one: the eviscerated body of the family dog. By dawn next morning, her supposedly mortgage-free home has been foreclosed against, one of Danny's childhood friends lies dead in her backyard, and Clare is caught up in a nightmare that began with her husband on Hallowe'en night, 1976. A nightmare that reaches its terrifying climax thirty-five years later.
Women, Writing, and Fetishism, 1890-1950
Clare L. Taylor investigates the problematic question of female fetishism within modernist women's writing, 1890-1950. Drawing on gender and psychoanalytic theory, she re-examines the works of Sarah Grand, Radclyffe Hall, H.D., Djuna Barnes, and Anaïs Nin in the context of clinical discourses of sexology and psychoanalysis to present an alternative theory of female fetishism, challenging the perspective that denies the existence of the perversion in women.
The Cambridge Review
Vols. 1-26 include a supplement: The University pulpit, vols. [1]-26, no. 1-661, which has separate pagination but is indexed in the main vol.
