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Classical Arabic Biography
In the first book-length study to explore the origins of classical Arabic biography, the author demonstrates how Muslim scholars used notions of heirship and transmission to document the activities of political, scholarly and religious communities. The author illustrates his argument by analysing four figures whose biographies exemplify a particular tradition.
Beethoven
The definitive book on the life and music of Ludwig van Beethoven, written by the acclaimed biographer of Brahms and Ives.
The Art of Biography in Antiquity
Examines the whole spectrum of Greek and Roman biography, which explores the virtues and vices of philosophers, statesmen and poets.
Julian (Routledge Revivals)
Julian: An Intellectual Biography, first published in 1981, presents a penetrating and scholarly analysis of Julian’s intellectual development against the background of philosophy and religion in the late Roman Empire. Professor Polymnia Athanassiadi tells the story of Julian’s transformation from a reclusive and scholarly adolescent into a capable general and an audacious social reformer. However, his character was fraught with a great many contradictions, tensions and inconsistencies: he could be sensitive and intelligent, but also uncontrollably spontaneous and subject to alternating fits of considerable self-pity and self-delusion. Athanassiadi traces the Emperor Julian’s responses to personal and public challenges, and dwells on the conflicts that each weighty choice imposed on him. This analysis of Julian’s character and of all the issues that confronted him as an emperor, intellectual and mystic is based largely on contemporary evidence, with particular emphasis on the extensive writings of the man himself.
Classical Biography
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Creative Lives in Classical Antiquity: Poets, Artists and Biography
What happened when creative biographers took on especially creative subjects (poets, artists and others) in Greek and Roman antiquity? Creative Lives in Classical Antiquity examines how the biographical traditions of ancient poets and artists parallel the creative processes of biographers themselves, both within antiquity and beyond. Each chapter explores a range of biographical material that highlights the complexity of how readers and viewers imagine the lives of ancient creator-figures. Work in the last decades has emphasized the likely fictionality of nearly all of the ancient evidence about the lives of poets, as well as of other artists and intellectuals; this book now sets out to show what we might nevertheless still do with the rich surviving testimony for 'creative lives' - and the evidence that those traditions still shape how we narrate modern lives too.
After Ancient Biography
Marrying life-writing with classical reception, this book examines ancient biography and its impact on subsequent ages. Close readings of ancient texts are framed by an assessment of their influence on the age of the French Revolution and Napoleon, and on the nineteenth, twentieth, and twenty-first centuries, of responses to ancient biography of modern critics, and of its visible legacy in art and film. Crucially it asks what modern biographers can learn from their ancient predecessors. Are the challenges involved in life-writing still the same? Have working methods changed, and in what ways? What in the context of biographical writing is truth, and how are its interests best served? How is it possible, now as then, honestly to convey a life?
The Genre of Acts and Collected Biography
It is widely accepted by New Testament scholars that the Gospel of Luke and the Acts of the Apostles probably originated as two parts of one work by a single author. In spite of this, the books have been assigned to very different genres: Luke is traditionally viewed as a biography of Jesus, and Acts as a history of the early church. Comparing in detail the structure and content of Acts with the formal features of history, novel, epic and biography, Sean A. Adams challenges this division. Applying both ancient and modern genre theory, he argues that the best genre parallel for the Acts of the Apostles is in fact collected biography. Offering a nuanced and sophisticated understanding of genre theory, along with an insightful argument regarding the composition and purpose of Acts, this book will be of interest to those studying the New Testament, Acts, genre theory and ancient literature.
