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Hildegarda de Bingen
¿Quién es Hildegarda de Bingen? ¿Quién es esta mujer que, ausente en las historias de la Filosofía, se ganó un lugar, curiosamente, entre los "Padres de la Iglesia"? Teóloga, visionaria, profeta, compositora, mística, sanadora, santa y doctora de la Iglesia, científica, poeta, dramaturga... ¿filósofa? En Hildegarda conviven la intimidad del claustro con la sonoridad de la prédica pública. La contemplación y exploración del mundo natural, con la experiencia mística de la visión interior. La armonía de la música que compuso para la danza de sus monjas en las fiestas religiosas, con la armonía del universo, donde danzan las esferas celestes. Por todo esto, en este volumen de la colección La otra palabra, Claudia D ́Amico nos ofrece las claves para reconocer la impronta filosófica en la obra de Hildegarda en el contexto del lejano siglo XII, tarea que pone de manifiesto la potencia de la palabra de esta filósofa de lo invisible.
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Thinking on Thinking
Aristotle and Plotinus set the horizon of inquiry—thinking is thinking on thinking. Discussion of mind, meaning, and subjectivity begins with the question, How is thinking on thinking different from the kind of thinking with which we are familiar? The answer is that ‘thinking on thinking’ is about the presuppositions, concepts, and problems that generate questions in ancient and modern metaphysics, epistemology, aesthetics, philosophy of mind, and philosophy of language. Topics examined include the nature of intentionality and meaning, identity and relation, mind and consciousness, self-identity and subjectivity—which lead into discussions concerning other minds, the limits of thought and language, and the emergence of aesthetics of the self. The effects of ‘thinking on thinking’ are mapped, particularly in parsing problems in ancient, modern analytic, and phenomenological thought, with advocacy of its importance in the present age.
Cusanus Today
At the end of the nineteenth century, German theologians and philosophers rediscovered the Renaissance cardinal Nicholas of Cusa (1401-1464). Immediately they hailed Cusanus as the first modern thinker, a brilliant German rival to the French Descartes. But since the founding of the Cusanus critical edition in 1927 up to its conclusion in 2005, historians have gradually learned that Nicholas was more of a medieval preacher and contemplative than a modern philosopher. Yet over the same century, modern German and French readers were already digging into Nicholas's many works. There they encountered an exciting voice with fresh perspectives about God's immanence in the cosmos and the awesome cap...
Mystical Theology and Platonism in the Time of Cusanus
Mystical Theology and Platonism in the Time of Cusanus engages with the history of mystical theology and Neoplatonic philosophy through the lens of the 15th century philosopher and theologian, Nicholas of Cusa. The volume comprises nineteen essays that break down the barriers between medieval and Renaissance studies, reinterpreting Cusanus’ place in the history of thought by exploring the archive that informed his thinking, while also interrogating his works by exploring them from the standpoint of their later reception by modern philosophers and theologians. The volume also offers tribute to the career of Donald F. Duclow, a leading scholar in the field of Cusanus studies in particular and of the history of mystical theology and Neoplatonic philosophy more generally.
In Philebum
This commentary on Plato’s Philebus reconciles a close analysis of the text with a new interpretation of the dialogue. In Philebum focuses on the overarching metaphysical and cosmological coherency of the dialogue rather than its ethical import. This interpretation contrasts with the more common segmented philological analysis of this most evocative of Platonic dialogues. Plato’s late ontology and theory of an immanent Good portray a very different philosophical terrain than that of the transcendental visions of the Good found in other dialogues. The final chapter of In Philebum, entitled “The Life of the Speculative Philosopher,” extends this analysis of the dialogue to contemporary...
The Art of Conjecture
“Learned ignorance,” the recognition that God is beyond us and our knowing capacities is the theological concept for which Nicholas of Cusa is most famous. Despite God’s apparent absence Nicholas offers original ways to think about God that would unite his presence with his absence. He called these proposals “conjectures” (coniecturae). Conjecture and conjecturing are central to the methodology of Nicholas’s philosophical theology and to his thinking about human knowledge. By using concrete examples from the everyday life of his times as symbolic imagery Nicholas makes what we say about God imaginatively available and theoretically plausible. He called such conjectural symbols ...
Diabetes and cardiovascular disease: new therapeutic interventions
Diabetes, also known as diabetes mellitus (DM), is a disease that occurs when the glucose level in the blood becomes too high (hyperglycaemia). Chronic hyperglycaemia is accompanied by both biochemical and pathological complications such as retinopathy, nephropathy, neuropathy, and cardiovascular diseases. Diabetes mellitus can be classified into two types: type I which results from the destruction of pancreatic β-cells, leading to insulin insufficiency and type II diabetes mellitus, which is mainly related to insulin resistance. Optimal control of blood glucose levels remains the cornerstone of managing DM. To date, the major classes of antidiabetic medications used to treat diabetes include: biguanides, dipeptidyl peptidase 4 (DPP-4) inhibitors, sulfonylureas, meglitinides, thiazolidinediones (TZDs), sodium-glucose cotransporter (SGLT2) inhibitors, α-glucosidase inhibitors, glucose-dependent insulinotropic polypeptide (GIP) receptor and glucagon-like peptide-1 (GLP-1) receptor agonists and the various types of insulin. Several of these drugs may have, besides their antidiabetic properties, also important cardiovascular complications for the patients taking them.
Wisdom and Beauty in Plato's Charmides
Although wisdom and beauty are prized everywhere, in what exactly they consist is a matter of dispute that even has tragic political implications. As the traditional elites of fifth-century BCE Athens felt their social privileges being chipped away by democratic encroachments, they clung to their traditional belief that they—and they alone—were “beautiful and good” enough to rule. Plato’s alternately comic and serious dialogue Charmides is set in this Athens and explores the nature of temperance (sōphrosunē: in eating, in drinking, in life in general). In this book,. Cohen-Taber uses the dramatic structure of this dialogue to show how Socrates challenges the elitist views of his ...
