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A History of Balance, 1250-1375
This book is a groundbreaking history of balance, exploring how a new model of equilibrium emerged during the medieval period.
Medical Image Understanding and Analysis
Zusammenfassung: This two-volume set LNCS 14859-14860 constitutes the proceedings of the 28th Annual Conference on Medical Image Understanding and Analysis, MIUA 2024, held in Manchester, UK, during July 24-26, 2024. The 59 full papers included in this book were carefully reviewed and selected from 93 submissions. They were organized in topical sections as follows: Part I : Advancement in Brain Imaging; Medical Images and Computational Models; and Digital Pathology, Histology and Microscopic Imaging. Part II : Dental and Bone Imaging; Enhancing Low-Quality Medical Images; Domain Adaptation and Generalisation; and Dermatology, Cardiac Imaging and Other Medical Imaging
Rogue Digger
None
Bernini
While Baroque artist Gian Lorenzo Bernini (1598-1680) is celebrated as a sculptor, architect, and painter, it is less known that he also was a playwright, scenographer, actor, and director. The Baroque period saw the rise of opera and ballet, as well as increasingly elaborate scenographic technologies for court and religious theatre. Bernini drew from this lexicon of theatrical effects, deploying light, movement, and the porous boundary between fictive and physical space to forge a language of Baroque illusion for both his scenographies and his sculptural ensembles. "Bernini: Art as Theatre" investigates the different types of cultural space for the staging of his art, from court settings to public squares and church interiors. Drawing parallels between the visual and theatrical arts, and highlighting the dramatic amplification of religious art in the period, this provocative study provides a model that can be extended beyond Bernini to enable us to reconsider 17th-century visual culture as a whole.
The Queen's Library
What do the physical characteristics of the books acquired by elite women in the late medieval and early modern periods tell us about their owners, and what in particular can their illustrations—especially their illustrations of women—reveal? Centered on Anne, duchess of Brittany and twice queen of France, with reference to her contemporaries and successors, The Queen's Library examines the cultural issues surrounding female modes of empowerment and book production. The book aims to uncover the harmonies and conflicts that surfaced in male-authored, male-illustrated works for and about women. In her interdisciplinary investigation of the cultural and political legacy of Anne of Brittany ...
The Enemy at the Gate
In 1683, two empires - the Ottoman, based in Constantinople, and the Habsburg dynasty in Vienna - came face to face in the culmination of a 250-year power struggle: the Great Siege of Vienna. Within the city walls the choice of resistance over surrender to the largest army ever assembled by the Turks created an all-or-nothing scenario: every last survivor would be enslaved or ruthlessly slaughtered. The Turks had set their sights on taking Vienna, the city they had long called 'The Golden Apple' since their first siege of the city in 1529. Both sides remained resolute, sustained by hatred of their age-old enemy, certain that their victory would be won by the grace of God. Eastern invaders ha...
Thicker Than Water
An electrifying thriller of medical terror and obsessive love.
Evolution of Learning and Memory Mechanisms
This book examines how evolution influences learning and memory processes in both human and nonhuman animals.
Visceral Prostheses
In the postmodern era, when the interface of bodies, biologies and technologies increasingly challenges the very notion of what counts as human, Margrit Shildrick proposes new understandings of the limits and possible extensions of posthuman embodiment. Focusing on prostheses, Shildrick broadens our understanding of both what prostheses are and what they might mean for human embodiment. As well as rehabilitation devices used by disabled people to replace or augment impaired parts of the body, Shildrick introduces visceral organic prostheses, which involve any cellular material that cannot be identified with the self, from organ transplantation to the physiological processes of microchimerism...
